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Saturday, September 28, 2013

Sherman Rodec Restyler Filter Effects Unit

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Perfect Circuit Audio (RSS)

"The Rodec / Sherman 'Restyler' is the result of great collaboration between two high-end analogue Belgian manufacturers!

This unique masterpiece is no regular effects unit or filter bank. It is a one of a kind 'RESTYLER'. The Restyler redefines the dynamic, punch, groove and sound of your music, instrument or musical production. It can be used by DJ's, musicians, producers, remixers & musical freaks worldwide."

Sherman Filterbank 2 Rack Filter Effects

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"The Sherman Filterbank 2 is a classic, powerful, analog filter with a huge frequency range and killer overdrive. It is great for both live and studio use.

What you get

Independent low pass, band pass and high pass filters with resonance, frequency and ADSR (positive - negative) controls
These are switchable between parallel or serial
The second filter has a 6 octave switch, and is synchronizable with the first filter
1 ADSR generator for these filters with an external output for use with more filterbanks or modular systems, triggered by the incoming signal, by a second sounds source, or by a gate
1 FM input for the filters, internal or external audio, LFO or CV
1 VCA overdrive with AR generator also
1 ring modulator input, internal or external audio, LFO or CV
So whats new with the Sherman Filterbank 2?

There are 5 extra switches and 2 extra LEDs, and on the back panel there's one pedal input jack. A reworked front-panel lay-out and the grey metal color.

The pedal input allows foot control of freq1and bypass/effect switching. You can rewire an old wah (because they have a switch on board) as shown by te diagram in ‘extra stuff’.
A 5mm big green LED indicates "Effect on" on the FB 2
A 3-way switch on the input stage allows Hi boost as well Hi cut (both boosting high frequencies at input)
Another 3-way switch allows "Sensitrig" (which makes the triggering twice as sensitive for, e.g. clean string pad filtering) and "Limit", which leaves the filters more "breathing room" for self-oscillation if the input stage is extremely overdriven.
A 3-way switch has 2 general transpose functions : +1 Octave and + Quint which works nice with monophonic signals, and has a specific dirty character.
A 3-way switch for the really powerful and quite revolutionary "Tracking" function - a monophonic pitch follower, that tunes filter 2 to the incoming pitch, and makes filter 1 slave of filter 2 via the harmonics switch. E.g. in position 2, filter 1 will be pitched one octave higher than filter 2, but still following the pitch. This extra switch activates the "tracking" in a normal or deep "track low" position, with stunning basses as result.
The "revolutionary" aspect of this function is that never before any similar system enhances "on the spot" harmonics and creates new harmonics with fat analog circuits.
An extra white LED indicates when the tracking system is "locked on".
At last there is an 3-way function switch in the LFO section, allowing sawtooth wave shape OR AR retrig : this forces an LFO restart from the AR trig with pumping grooves as unavoidable result. If you want to receive a new brochure, please ask your dealer first.
The Sherman Filterbank is now also midi controlable via Kenton Control Freaks (a small portable hardware console, including sliders)

All the finger-tip MIDI control you need, instantly to hand. Forget your mixer maps and do it all in real-time. An ideal solution for the gigging musician, or the musician who likes to save time & settings. The Kenton Control Freaks are made in the U.K., by Kenton, and are preprogrammed with profiles for the Sherman Filterbank as well. Hundreds of additional profiles are available for download FREE from the Kenton website."

Volca Bass, Volca Beats and Octatrack

Published on Sep 28, 2013 Khantipol Kasemsant·249 videos

"Volca Bass, Volca Beats and Elektron Octatrack for live audio effects."

KORG Volcas on eBay
Elektron on eBay

something something DinSync clock

Published on Sep 28, 2013 h4x0riz3d·36 videos

"i made myself a simple square wave generator (based on an opamp multivibrator type circuit) and use it as a DinSync clock
n0nx0x2 is set to DinSync (slave mode) and converts to MIDI Sync
ES-1 is slaved to the x0x
seems to work"

MFB Kult - Demo Re-Uploaded


Re-uploaded here.

Friday, September 27, 2013

Etude de Matière Noire


Published on Sep 27, 2013 RADIOKLOW·90 videos

"Etude de Matière Noire( Study on Black Matter) is a meditation on the mysterious substance physicians call by this beautiful name reminding us of the alchemists poetic practice and conceptions.
Music and film by Marc-Henri Arfeux
Composition for Keyboard Virus TI"

New firmware for the Tiptop Audio Trigger Riot


"New features:

- Hold Select button and CLR to clear just one row/column
- Tap mode for Step values. Drum machine like entry of Steps
- Preset looping running internal Cycle on external clock
- Beat sync continue - no reset sent when changing presets (like Roland Continue)
- Adds mute to BeatSync. Muting on the reset.
- Display 'Stop' when clock is stopped"

Eric Archer Tune In Tokyo Synth

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"'Tune In Tokyo is a source of unusual, LFO-animated frequency textures. TiT is an altered digital sinewave generator that sweeps the full audio spectrum with mega-aliasing and decimation artifacts'

-
from EricArcher.net

1/4" mono output

9V Battery not included."

Jomox Xbase 09

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Anatomy of a Drum Machine: Roland TR-909 Emulator JOMOX 09 (HQ Sound).


Published on Sep 27, 2013 massivebeatzz·58 videos

"Test, Review, Jam - SOUND CHECK. Here's something you may want to read while watching:

Built from 1997-2005 this now legendary drum box was first reviewed in June 1997 by SOS (Sound On Sound Magazine) asking: "So what do you get when you cross '80s retro with '90s know-how?"

They wrote:
XBase 09 is serious about emulating the Roland TR-909. Like the 909, it is an analog drum machine, and it sounds just like the 909, and more! It offers the same types of analog controls that the TR-808 and TR-909 did such as tuning, level, decay, snap, etc. However it provides more of these controls for more sounds than the originals ever did and has MIDI implementation and Patch memory making the XBase 09 a much more versatile machine than those originals.

Kick and snare are true analog, not emulation and not sampled. The Hihats, cymbal, ride, rimshot, claps and noise sounds are samples but are still quite tweakable. All your edited sounds can be stored into the 100 patches of memory. Use the built-in LFOs to modulate the Bass drum pitch, Snare Tune, Snare Snap, Snare Noise Tune, HiHat Tune or LFO 2.

The XBase 09's built-in sequencer is also more advanced yet faithful to the style of its mentors. Step or Real-Time programming just like it's done on the 909 and 808! However, on the XBase, any edits to the sounds will also be stored with the pattern or song! This really liven's up your beats and allows you freedom and control to do things not easily possible on the original beat boxes! There's also an extensive Shuffle mode. Of course the XBase 09 is also happy as a simple drum tone module, with all editable controls accessible using MIDI. The controls also send MIDI data when tweaked so you can record real-time edits into your external sequencer.

The XBase09′s editable controls include...
Bass drum -- TUNE (controls the pitch envelope amount), PITCH (VCO tuning parameter), DECAY (controls the decay time), HARMONICS (changes the harmonics of the VCO using a diode limiter), PULSE (square wave impulse), NOISE (clap-like sound), ATTACK (controls how much of the PULSE and NOISE mix is added), EQ (smoothes the sound with a filter).
Snare drum -- TUNE (controls the pitch of the two oscillators), NOISE TUNE (tunes the noise filter), XSNAPP (controls the proportion of noise), DECAY (noise decay time), DETUNE (detunes the two oscillators), NOISE TUNE (tunes the noise filter).
Sample section -- OH DECAY (controls the decay time of the analog volume envelope for sample assigned to OHH), CH DECAY (same but for CHH), HH BAL (controls the volume balance between the samples assigned to OH and CH), TUNE defines the playback speed (pitch) of the sample."
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