Friday, July 11, 2014
DIY Digital DSP Synth
Published on Jul 11, 2014 Sylwester Retrospektive
Created a new Sylwester Retrospektive label for these.
Vermona ER-9 -- Analog Rhythm Machine Demo
Published on Jul 11, 2014 LESINDES
"1976 made in GDR
Playing all the presets in a moderate tempo dry without FX.
The noisy beginning and end are due to the stormy wheather :-) the noise does not come from the machine!"
The Day The Earth Stood Still 1951 - Theremin studio session.
Uploaded on Oct 17, 2010 lostinthetimes's channel
via Brett Hoyle on The MATRIXSYNTH Lounge via The Playlist where you'll find a post on the piece.
Video description:
"The soundtrack was composed in August 1951 and was Bernard Herrmann's first soundtrack after he moved to Hollywood. Herrmann chose unusual instrumentation for the film: violins, cellos, and basses (all three electric), two theremin electronic instruments (played by Dr. Samuel Hoffman and Paul Shure), two Hammond organs, a large studio electric organ, three vibraphones, two glockenspiels, marimba, tam-tam, 2 bass drums, 3 sets of timpani, two pianos, celesta, two harps, 1 horn, three trumpets, three trombones, and four tubas. Unusual overdubbing and tape-reversal techniques were used, as well. 20th Century Fox later reused the Herrmann title theme in the original pilot episode for Irwin Allen's 1965 TV series Lost in Space. Danny Elfman noted The Day the Earth Stood Still's score inspired his interest in film composing, and made him a fan of Herrmann.
The Day the Earth Stood Still is a 1951 American science fiction film that tells the story of a humanoid alien visitor who comes to visit the Earth with a warning, accompanied by his powerful robot, "Gort". Robert Wise directed this film, and its leading actors and actresses were Michael Rennie, Patricia Neal, Sam Jaffe, and Hugh Marlowe. "Gort" is also a primary character in this motion picture, but he is portrayed as a completely mechanical man. The writer of The Day the Earth Stood Still, Edmund H. North, based his screenplay on Harry Bates's short story "Farewell to the Master" (1940).
Julian Blaustein produced this film for 20th Century Fox, and its cinematography was executed by Leo Tover. Nearly all of the action takes place in Washington, D.C., where the alien spacecraft lands, and then remains without moving for almost the entire motion picture."
K is for Killer
Published on Jul 11, 2014 Michal Patulski
via Michal Patulski on The MATRIXSYNTH Lounge
"My first test video with Korg Volca Beats, synchronized via gate/sync with Tbs-X16 analog sequencer, Korg ms20 mini etc."
HOMESPUN LIVE SESSIONS 2# - TOP BANANA "Satellite"
Published on Jul 11, 2014 Megaphone Records
"TOP BANANA performing live "SATELLITE" for HOMESPUN LIVE SESSIONS.
HOMESPUN is a live series about very spontaneus performances, involving bands and artists from the Megaphone Collective, filmed in very special locations.
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Produced by Megaphone - www.megaphone.it
Filmed at Top Banana's rehearsal room, Friuli, Italy - July 2014.
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Visuals performed live in real time using a modular video-synthesizer and Raspberry Pi.
Audio is a direct line recording from the mixer into a Tascam DR-100, no overdubs, no computer involved.
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http://topbanananoise.tumblr.com/
https://vimeo.com/onironautica"
via Benjamin Fraser on The MATRIXSYNTH Lounge: "Here's Top Banana performing live (on the carpet) with some Euro modular stuff, LZX Industries modules, OP-1 and Analog RYTM, Thanks for your time and have a nice week end!"
LABELS/MORE:
Elektron,
eurorack,
LZX,
Raspberry PI,
Synth Chicks,
Teenage Engineering,
Video,
Video Processing
Oberheim OB8 Synthesizer
Red Roland SH-101 with Modulation Grip
Akai X7000 sampling synthesizer
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
































