MATRIXSYNTH

El llamado de los cosmos

El llamado de los cosmos from MareaBoba on Vimeo.

Published on Nov 5, 2014 batchas

Serge - November 2, 2014 [Part 5]

"X Fader module is not only a cross fade unit. It's a great VCA, giving it's own character to the Serge sound and it also can be used for awesome AM."

Serge - Filters

"Variable SSG + Slope VC Filter + Variable Bandwidth VC Filter + Variable Q VCF"

BC 16 Chimera Synthesis Portable Modular Synth

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"Manufacturer Description:
The bC16 miniature patch synthesizer packs a fully featured VCO, LFO, envelope generator, analog VCA, analog VCF, noise sources & ring modulator all in a CD sized case CNC machined from 10mm high-grade acrylic plastic.

Fifteen color coded potentiometers control key functions, connections between synthesizer sections are done using twenty-five 2mm mini-banana sockets.

Powered by either six AAA batteries or by an external (not supplied) 9 to 12v source, the bC16 can be used free standing (internal headphone amplifier), linked to an external keyboard/sequencer or MIDI-CV converters, combined with other bC16's, etc...

Now with a 2 year warranty, advanced v3 firmware (arpeggiator, NRPN MIDI support), a price of £300.00 +delivery (& VAT in UK/EU) and hundreds of (seriously) diverse bC16 customers across the world ranging from award winning composers, industrial/electro/punk/rock/ pop/soul/new-age bands, games designers and film/TV to drone artists.

bC16 sections:
VCO: The complex VCO (actually two linked VCO's) waveshape can be adjusted through sine/triangle/sawtooth and square wave (with adjustable dutycycle). The VCO can be CV modulated (log response), FM modulated (linear response) or can be driven by MIDI NOTE values. The two linked VCO's can be offset using a control knob, CV or MIDI for rich complex tones.

LFO: Like the VCO the LFO is actually two linked low frequency oscillators with a host of modulation possibilties and waveshapes. Like the VCO the LFO can also be controlled via MIDI.

VCF: An all analog 24dB discrete ladder filter with variable cuttoff (knob and CV), adjustable resonance, specially designed to work from the low voltage busses in the bC16.

EG: The bC16 envelope generator is very easy to use, four knobs (or via MIDI) control the Attack, Decay, Sustain and Release parameters of the envelope. Set sustain to zero and the EG enters repeat mode for long VCS3 style modulation possibilites.

VCA & HEADPHONE AMP: An analog voltage controlled amplifier is provided along with an built-in headphone amplifier (volume control via grey knob).

MIDI INTERFACE: An enhanced internal MIDI interface allows control (monophonic) of:
NOTE to VCO FREQUENCY
ENVELOPE triggering (patchable trigger output)
PITCHBEND (including pitchbend amount via RPN)
PORTAMENTO on/off
PORTAMENTO rate
MODULATION (bC16 has modulation output)
REMOTE/OVERRIDE control of 12 of the 15 knobs via CC# and/or NRPN

ARPEGGIATOR: An internal arpeggiator allows you to control arpeggio's (rising, falling, rising/falling, ordered) via either an internal clock (20 to 6,000 BPM) or via an externally supplied MIDI CLOCK (BPM/2 to BPM x24).

WHITE acrylic plastic
Each bC16 is built from 3 layers of a high-grade acrylic plastic , each layer is CNC machined on both sides in-house. The sandwich is then assembled and seven bolts hold the entire unit rigidly together. Recent improvements in machining technology have improved the fit and finish."

CLICK FOR MORE »

1987 STEPP DGX GUITAR SYNTH PRINT AD

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"Ad measures approx. 8"X 10.5" inches."

Korg Oasys 88 synthesizer version 1.3.3 w/hard case

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"Silver metal sides were replaced by wooden ones, synth has really cool vintage look..."

CLICK FOR MORE »

Roland JUNO-106 SN 493151

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

CLICK FOR MORE »

Yellow WALDORF Q Keyboard

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

CLICK FOR MORE »

Vintage Arp Odyssey MKIII SN 1150

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"As far as performance, this Arp is 100% working and sounds awesome. It was recently calibrated, cleaned and serviced by master techs at Main Drag music in Brooklyn, New York.

Service work completed:

Tightened loose key contact actuators
Fixed stuck key contact (low C)
Adjusted key heights
Replaced damaged/bad slide pots (HPF cutoff frequency 1M/A, both frequency coarse 100kB, & VCO-1 level 100kA)
Calibrated supply voltages, VCOs, transpose, & VCF
Performed burn-in test
Tightened loose hardware"

CLICK FOR MORE »

ARP 2310 AXXE SN 043

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

CLICK FOR MORE »

GForce Software Announces Oddity2

Published on Nov 4, 2014 GForce Software

"A quick run-down of the new and enhanced features in Oddity2. Music composed by DJ Dean Coleman using Oddity2"

"Oddity2 is the successor to the multi-award winning Oddity, modelled on the legendary ARP Odyssey synthesiser, manufactured between 1972 and 1981.

During its lifetime the Odyssey, due to it's versatile and distinctive tones, was used by artists as diverse as Gary Numan, John Foxx, Herbie Hancock, Kraftwerk, Chick Corea, Roger Powell, George Duke, 808 State and countless others. Ultravox's Billy Currie refers to it as the 'first punk synth' due to its snarling aggression, thanks in part to an on-board ring modulator, oscillator sync and duophonic capabilities.

Sporting a new livery based on the final revision Odyssey, Oddity2 takes the character and operational architecture of the original and via a wave of enhancements, transports the spirit of the original into a new dimension.

First up, while the duophonic and monophonic modes have been retained, Oddity2 now also offers a monophonic legato mode which wasn't evident on the Odyssey, plus a POLYPHONIC MODE. Yes, now finally it's possible to stop wondering what the Odyssey's classic tones would sound like within the context of chord based structures, and put it into practice. Everything from spiky and resonant textures to lush and warm pads sounds can either be programmed from Oddity2's intuitive controls or simply dialled up via the accompanying presets.

Furthermore, via three filter modes and an additional oscillator, Oddity2 can sound as versatile and punchy as its main rival back in the day.

Oddity2 doesn't stop there either, in order to overcome the original instrument's limitation of a single LFO, we've also added the ability to apply an additional LFO and ADSR to almost any of the main Oddity2 sliders, which gives the instrument almost unrivalled versatility and depth when it comes to sound design options.

Additional improvements over its predecessor include an on-board delay, spread or random pan modes, patch morphing via beats or seconds, program change recognition and implementation of the two octave transpose switch for dynamic real-time performances.

Put simply, Oddity2 further builds on the significance and lineage of the original hardware and software instruments, by taking its fundamental sonic character and, via a raft of carefully considered musical enhancements, transplants it into the hands of those musicians ready to take it to both familiar and new horizons.

Legal Notice
All product names used in this product are trademarks of their respective owners and are in no way associated or affiliated with GForce Software Ltd. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied and or recorded during development of this product."