Saturday, January 10, 2015
KORG volca - The Tower of Druaga
Published on Jan 10, 2015 Masami Hashimoto
"volcaでドルアーガの塔を試みる。
volca bass の台数とメモリが足らないので何回かに分けています。
内訳 : スタート〜メインBGM〜ステージクリア〜ドラゴン〜ドルアーガ〜サッカバス〜ファンファーレ〜エンディング〜ゲームオーバー"
Korg Volcas on eBay
Octatrack + Analog 4 tutorial: How to make them work together
Published on Jan 10, 2015 Seen From Space
"How to set one machine to follow pattern changes on the other. Plus physically connecting them up.
This is something that took me quite a long time to get right, thanks to the sheer complexity of Elektron machines, and some gaps in the documentation.
It was down to the nice people at Elektronauts to help sort me out. If you're not already signed up at http://www.elektronauts.com, then please do so. It's a great community, and there are moderators from Elektron who will occasionally chip in with some advice."
Doepfer BABY CASE for Models
Published on Jan 10, 2015 paul tas
"BABY CASE eurorack DEMO www.errorinstruments.com"
Thought that was pretty funny.
Mikrophonie Contact Mic Module full diy kit DEMO www.errorinstruments.com
Published on Jan 10, 2015 paul tas
The Mikrophonie is by Music Thing.
Roland HS-60 Powder Coat and Synth Graphics Overlay
Published on Jan 9, 2015 hagbardce1ine
And some more of the inside:
Roland HS-60 (Juno-106) power Supply Recap and MN3009 replacement intro
Friday, January 09, 2015
Buchla Inspired Custom DIY Eurorack Modular From Gábor Kakuk
via Gábor Kakuk of Gamma Devices
"Custom made eurorack system, in a 12 mm plywood case (with very dark glaze). The only thing which is not DIY is the power supply, its a 4MS Mini Power. Every module was built on stripboard or on home etched PCB-s, except the Turing Machine, which was ordered from Thonk.
The modules : - Ersatz Verben Analog Delay
- René Schmitz Dual YASH (modificated version, by me)
- YuSynth MiniMoog VCF
- YuSynth Wavefolder
- FCUK Roland System100M Dual 131 VCA
- Buchla 292f, Fonink clone
- MaxAmp (dual audio to modular converter)
- FCUK Roland System 100M 132 Mixer
- Music Thing Modular Spring Reverb Driver
- YuSynth Dual Arp 4072 VCF
- YuSynth Dual Noise + Sample and Hold
- YuSynth Dual VCO (modded to +/-12V operation, built in "West Coast" stlye
- Music Thing Modular Turing Machine
- René Schmitz Dual Korg MS-20 VCF (LP and HP, PCB layout by Jörg Schmitz)
- NOR Triple LFO (layouts by Niklas Rönnberg)
- YuSynth Dual ADSR (old and new design behind 1 panel)
- YuSynth Dual Steiner VCF"
Wiard Model 5R-371 371 Woggle Bug 300 Series Module
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
"From Wiard's site:
The Woggle Bug is an utterly unique module that produces complex random voltages and tones. It reproduces the set of random voltages available from the original Buchla Model 265 "Source of Uncertainty" module. This long out of production module is representative of the most musical random voltage generators produced in the first "Golden Age" of modular synthesizers.
The Woggle Bug adds four permanently coupled audio VCOs to the random voltage outputs. The single mechanical module contains the equivalent functionality of 18 electrical modules. Obviously, all the patch points cannot be brought out to the front panel. The modules are permanently patched into a unique arrangement of two identical "Woggle Bugs" and their "Child Tones". Each Woggle Bug has 3 control voltage inputs, 4 control voltage outputs and 5 audio outputs. Child tones are the ring modulated outputs of the two Woggle Bug "parents.” The control voltage outputs are the reason for the module and correspond to the more traditional sample and hold units with lag processors as found in other modulars. The module produces stepped, smoothed (lag processed) and "woggled" (stepped voltages with decaying sinusoids at the edges) control voltages in the range of 0 to 10 volts. These voltages are usable with any other brand of voltage controlled modular. The smooth voltages are produced by cascaded lag processors which produce a "very" smooth voltage that produces natural sounding wind and surf patches. The module as a whole produces 10 simultaneously available electronic tonalities. The tonalities are deliberately very raw in nature. Part of the 1950's sound is the simple square and sawtooth waveforms output by electronic test equipment. Mixed together and put through a tape delay, well, you'll be doing battle with your Id monster in no time! This applies to only some settings of the 10 controls and some of the 10 outputs. Other settings produce the sound of very large insects, or swarms of large insects. It cannot make keyboard sounds and cannot be controlled by a keyboard. Hooray!
Features:
• Two Multi-function circuits that provide VCA, crossfade, segue, and balanced modulator functions
• A jack multiple
• Bantam (TT) or 3.5mm jacks"
via this auction
"From Wiard's site:
The Woggle Bug is an utterly unique module that produces complex random voltages and tones. It reproduces the set of random voltages available from the original Buchla Model 265 "Source of Uncertainty" module. This long out of production module is representative of the most musical random voltage generators produced in the first "Golden Age" of modular synthesizers.
The Woggle Bug adds four permanently coupled audio VCOs to the random voltage outputs. The single mechanical module contains the equivalent functionality of 18 electrical modules. Obviously, all the patch points cannot be brought out to the front panel. The modules are permanently patched into a unique arrangement of two identical "Woggle Bugs" and their "Child Tones". Each Woggle Bug has 3 control voltage inputs, 4 control voltage outputs and 5 audio outputs. Child tones are the ring modulated outputs of the two Woggle Bug "parents.” The control voltage outputs are the reason for the module and correspond to the more traditional sample and hold units with lag processors as found in other modulars. The module produces stepped, smoothed (lag processed) and "woggled" (stepped voltages with decaying sinusoids at the edges) control voltages in the range of 0 to 10 volts. These voltages are usable with any other brand of voltage controlled modular. The smooth voltages are produced by cascaded lag processors which produce a "very" smooth voltage that produces natural sounding wind and surf patches. The module as a whole produces 10 simultaneously available electronic tonalities. The tonalities are deliberately very raw in nature. Part of the 1950's sound is the simple square and sawtooth waveforms output by electronic test equipment. Mixed together and put through a tape delay, well, you'll be doing battle with your Id monster in no time! This applies to only some settings of the 10 controls and some of the 10 outputs. Other settings produce the sound of very large insects, or swarms of large insects. It cannot make keyboard sounds and cannot be controlled by a keyboard. Hooray!
Features:
• Two Multi-function circuits that provide VCA, crossfade, segue, and balanced modulator functions
• A jack multiple
• Bantam (TT) or 3.5mm jacks"
Future Retro 777 Monophonic Analog Synthesizer
Kermit from Harvestman - tips & tutorial
Published on Jan 9, 2015 Robotopsy Robotopsy
"Here's some tips for the Kermit dual modulation aid and oscillator."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
