MATRIXSYNTH


Wednesday, February 04, 2015

DX Fm digital synthesizer track (Yamaha TX802 & DX11)


Published on Feb 3, 2015 Ear Force One

"Casiopea-dazzling ..with Yamaha TX802, Yamaha DX11 and LinnDrum"

Funky sequence Yamaha TX802


Published on Feb 1, 2015 Ear Force One

"..only Yamaha TX802 (..and LinnDrum) sequenced by Roland MC-500"

Ensoniq SQ 80 Synth funk sequencer test


Published on Jan 29, 2015 Ear Force One

"...only ensoniq sq-80 demo"

Roland SH-1000 + MF-104M + Oberkorn = Lab Experiments II


Published on Feb 4, 2015 n3bsvid

"[ https://soundcloud.com/citizenpark ]

A little bit of analog experimentation featuring the Roland SH-1000 as the sound source running through an MF-104M moogerfooger delay. The Oberkorn's 3 CV outputs are fed into the MF-104M's feedback, delay time and LFO rate inputs.

Hardware:
Roland SH-1000
Moog MF-104M Moogerfooger (analog delay)
Analogue Solutions Oberkorn MK3 (sequencer)"

Casio RZ-1 Professionally modified by Diabolical Devices


Published on Feb 4, 2015 Diabolical Devices

Diabolical Devices (Class A) on eBay

minimoog voyager x doepfer darktime&darkenergy


Published on Feb 4, 2015 tasuku0676

"minimoog voyager,doepfer darktime,darkenergy,alesis hr-16B,eventide space,"

Analog Craftsmen - Large Format Modular Synths at NAMM 2015


Published on Feb 4, 2015 BBoy Tech Report

"Analog Craftsmen - Large Format Modular Synths at NAMM 2015
shows us some of their modules including the VOKS VCF

Voks VCF
The acVOKS VCF is a recreation of this unusual circuit. Using the original ICs and a transistor sourced from the former Soviet Union, this filter delivers all the outlandish characteristics of the original. Operated from a panel featuring the unique graphics and Cyrillic script of the Polivoks, the acVOKS VCF is a compelling and forceful addition to your modular signal filtering.

http://analogcraftsman.com/?product=a...

Modules:
http://analogcraftsman.com/?product_c..."

A 10 Minute Jam! by Ken MacBeth


Published on Feb 4, 2015 macbethsynthesizers

"Here's a quick jam that I did yesterday featuring the MacBth Mk1 Modular Synthesizer that I built as well as the up and coming Elements Synthesizer...when you build this stuff for a living, one seldom get a chane to actually play the stuff to any worth while degree- I'm not the best at playing, but I had fun 'making the noises' that I've heard on my old records! I used an Ensoniq ASR-10 to sequence some of this stuff, and also to provide the Piano, Bass Guitar and Drums...the rest I play myself...using two 3 octave CV and Gate keyboards that I built. Using left keyboard that I play - you can here is that new Trans Diode Filter (Filter 'D')that built in the 5U format....there a single MacBeth Mk1 Oscillator 'B' going thru it...the right hand keyboard is driving two Mk1 Oscillator 'A' units thru the Transistor Ladder, Filter 'A'........and playing a lead sinewave- that's coming from the Elements Synthesizer, quite haunting, quite spacey!........I think this vid has it's good moments, but also the not so good!....hope you enjoy my attempt at the old sound!"

My Melodic Mutable Live Patch


Published on Feb 4, 2015 DivKidMusic

"Full patch notes below. Had loads of fun with playing the quantizer "post sequence" for some interesting melodic patterns.

Hit like and subscribe for more videos every week and click the Patreon link below to see how you can support my channel.

http://www.patreon.com/divkid

PATCH NOTES

Basis of the patch
Elements in the sound source with processing through Clouds. Modulation from the SSF URA (Ultra Random Analog) and manually wiggling of the ADDAC 207 Quantizer keyboard.

Details
Gate rhythm coming from Pamela's Workout from ALM Busy Circuits. This is also clocking a pair of Make Noise Pressure Points with the additional Brains module for sequencing.

The pitch comes from a single row of the Pressure Points and is attenuated in an RYO Ampmix before going to my ADDAC 207 Quantizer which is then "played" live with the keyboard layout buttons. You can see my playing this at the bottom of the screen.

I'm taking a single Elements output into Clouds left input for processing in the main Granular processing mode (they are 3 other processing modes, see my videos on this channel!). I manually move the blend settings (dry / wet, random grain panning, feedback and reverb) on Clouds throughout.

Modulation of Clouds comes from the SSF URA. With the first sample and hold output going into the playback position of the live audio buffer on Clouds (first cable I plug in). The second sample and hold then goes to grain size. I then use the random pulse output from the URA to freeze the audio buffer on Clouds at random intervals.

I play around with various settings on Elements throughout and the points where it really opens up for a big ambient reverb is freezing Clouds audio buffer then taking out the random pulse for freezing (as I don't want it to turn off) and then taking the 1v/oct quantised sequence from Elements into Clouds to play that audio buffer. This moves back to how it was (random pulses freezing on and off, sequence back to Elements and back again a second time).

I stop the clock source (Pamela's Workout) at the end and you can hear the feedback build up in the audio buffer on Clouds.

Any questions just fire away!"

SQ-1 minibrute TestSound


Published on Feb 4, 2015 ryouichi harada

Korg SQ-1s on eBay | MiniBrutes on eBay
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