Sequencing: Aint Nobody-Chaka Kahn: JX3P, Juno 106, Prophet 5 ,Polysix, and Linn 9000

Published on Oct 5, 2015 javd007

"Hey Guys!!! Here is a cover of Aint Nobody-By Chaka Kahn (One of my favorite songs)

1. Rhythm-Linn 9000
2.Lead- Roland JX3P
3.Bass-Prophet 5
4.Strings-Korg Polysix
5. ARP- Roland Juno 106
6. Sequencing-Linn 9000"

Original 1970 R.A. Minimoog Model D 4-Page Brochure

via this auction

"R.A. Moog Minimoog Synthesizer, 1970, 4 page, vintage brochure. Original, 45 year old brochure of the original R.A Minimoog Synthesizer before the final commercial rerleased versions. Notice the missing wood across the top of the control panel and the sliders/caps on the left mod panel. Used R.A. Minimoog brochure is in Very Good Condition to Excellent Condition. However does have punch holes. Some came from factory with them, some did not. No writing, no tears, no highlights, clean pages, no music store stamp."

Original 1976 Moog 35 Modular Synthesizer Catalog Brochure

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"Moog 35 Modular Synthesizer Catalog Brochure. Original Norlin 1976 vintage, 6 page fold out, 2 color brochure. Moog Analog Synthesizer. Very good condition. No writing, no punch holes, no highlights, no stains. Back when the real big boys were made. Nothing equals their vintage sound, even today. Nothing!"

Yamaha TX81Z - Getting Started Programming FM

Published on Oct 5, 2015 gstormelectro

"All video and audio by G-Storm Electro c.2015
http://gstormelectronica.blogspot.com/

I'm using a TX81Z to edit a single patch, but what you see and learn here can be carried over to many other FM synthesizers. This is far from a complete coverage of all topics, but meant to help get users started with an intuitive approach."

Roland Juno Alpha - psychedelic test

Published on Oct 5, 2015 MrGOFIOvideos

"Just a little demo about this funny synthesizer from 80's. It's a six-voice analog synth (DCO) and uses the same analog filter than the JX-8P. It has only one oscillator but lets you combine several waveforms.

In this demo, i'm using a typical BCR which allows to you to control all the internal parameters. It's easy to program and much cheaper than the original PG-300.

I'm sorry for the colours and distorted image, just a joke ;) Anyway, I hope you like it.

And you can listen or download my tracks here:
http://xxxgnomoxxx.bandcamp.com/"

New EMW Spectral Viewer Eurorack Module in the Works

"EMW will add an extra dimension, with sound-activated dynamic colors to your modular.

The EMW SPECTRAL VIEWER module splits the audio frequency band and translates the individual bands into intensity color levels in a way that red represents low frequencies, green represents the mid frequencies and blue the high frequencies. A full audio material fed into the module will be translated into a dynamically multi-color visualization of the audio spectrum."

http://www.electronicmusicworks.com/

Modular Wild Presents Black Market Modular Colour Palette unboxing

Published on Oct 5, 2015 Modular Wild
Re-Published on Oct 7, 2015

"A video unboxing of the Black Market Modular Colour Palette, Woof!, Tweet!, Fuzzolo, WMD Varian, WMD Wave Compiler, and Aperture. Sound and Video by Raul Pena."

Waldorf Blofeld Custom Patches: A Bank Patches A01 to A16

Published on Oct 5, 2015 Mark Pigott

Waldorf Blofeld Custom Patches C Bank C54 to C60

Waldorf Blofeld Tutorials by Mark Pigott

Published on Sep 23, 2015 Mark Pigott

Playlist:
1. Waldorf Blofeld Tutorial: How to create a tone with Self Oscilating Filter
2. Waldorf Blofeld Tutorial: A different Way to Trigger the Comb filter
3. Waldorf Blofeld Tutorial: Create a One Shot Envelope out of LFOs
4. Waldorf Blofeld Tutorial: Create intervals with just one oscillator on the Waldorf Blofeld
5. Waldorf Blofeld Tutorial: Fun with Unisono
6. Waldorf Blofeld Tutorial: Fun with the Filter Envelope and Modifiers
7. Waldorf Blofeld Tutorial:How to Split the Keyboard in Performance Mode
8. Waldorf Blofeld Tutorial: Recursive Modulation on the Filter
9. Waldorf Blofeld Tutorial: Pitch Modulation and Modifiers
10. Waldorf Blofeld Tutorial: Attempting to create that Moog punch experiment
11. Waldorf Blofeld Tutorial: Inverting the Filter for Oscilator FM
12. Waldorf Blofeld Tutorial: How to Invert the Filter Envelope Introduction
13. Waldorf Blofeld Tutorial: Experiments with Pulse Width and Lag Generators
14. Waldorf Blofeld Tutorial: Introduction to 48db filter mode
15. Waldorf Blofeld Tutorial: Quantized LFOs for Pitch from Modifiers
16. Waldorf Blofeld tutorial: Experiments with LFO as Ramp Generator
17. Waldord Blofeld Tutorial : LFOs as Ramps: Part 2, wavetables
18. Waldorf Blofeld Tutorial: A Different Way to Approach Lag Generators
19. Waldorf Blofeld Tutorial: S&H Modifier Fun for Arpegiators

The Monolith - Monolithic Two-dimensional Keyboard

The Monolith Video.mp4 Uploaded on Nov 23, 2011 jacobduringer

You can find more info on The Monolith including some pieces composed with The Monolith on Jacob Duringer's website here.

"The Monolithic Two-dimensional Keyboard (Monolith for short), invented by Jacob Duringer, allows a composer or musician to perform all the parts or arrangements of instruments simultaneously strictly by skill. This paradigm shift in thinking required the reconceptualization of the one-dimensional piano keyboard that controlled pitch only into a two-dimensional keyboard that controls both pitch and timbre in any combination at any given moment.
Jacob Duringer's album "The Fruit of the Spirit" is available on itunes."

Some details from The Monolith site:

"The Monolithic Two-Dimensional Keyboard, or Monolith for short. This new MIDI keyboard is based upon a simple idea,: that of expanding the one-dimensional piano keyboard (which has a fixed timbre and sequential pitch changes in the X-axis) into two-dimensions (offering sequential pitch variation in the X-axis AND timbre variation in rows parallel to the first row. Each row of keys offer the possibility of different instruments in the Y-axis.

The keys are all equal in width, facilitating easier and more linear fingering than is possible with the piano keyboard. The key length on the Monolith is only that of a finger tip. The extra key length found on a piano keyboard does not serve a useful purpose for synthesizers since the piano keyboard originated from the cantilever action of the hammer-string mechanism. Thus, the new keyboard has been reduced to a thin strip of keys. Note however, that the piano structure and scaling is left entirely intact.

With this new design other rows of keys can be arranged above or below the first row. These rows of keys are manually accessible by moving the finger horizontally AND vertically. Now two adjacent fingers can play different rows of keys, each row assigned to a different MIDI channel and processed through a different timbre or instrument. The Monolith engineering prototype, 4th generation, contains 15 rows each of 4 octaves of keys.

Since each row can be a different instrument the performer is effectively playing an entire arrangement of a musical composition, not just a part. At any moment in time the performer can change the timbre and pitch of multiple instruments simultaneously..."