Audulus + Gristleizer + Minimoog VCF + AD4096 + Ampex ATR-102

Published on Apr 18, 2016 Bimini Road

Get Audulus for: iOS | Mac | Windows/Linux

"In this video, I set up a simple 2 oscillator output from Audulus (no filters, no effects) - the majority of what you see on the iPad is the sequencer, clock, and the LFOs that are modulating various parameters.

The oscillators from Audulus are sent into the Endangered Audio Research Gristleizer, and then on into the Minimoog VCF through the external input (the oscillators and noise generators are turned off).

The output of the Minimoog is sent into the Endangered Audio Research AD4096 analog delay pedal.

Finally, the delay is routed into the Apollo 8 where, after passing through a Neve 1073 preamp and a Studer A800 tape machine, it is processed with the Slate VCC Neve Console, the Manley Vari-Mu Compressor and Massive Passive Mastering EQ, and finally the Ampex ATR-102 running at 3.75IPS and with a smattering of wow and flutter, and a bunch of stereo delay."

Roland JD-800 24 Voice Synthesizer

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YAMAHA CS-30 Keyboard SN 2537

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Improvising with Pocket Operators and Patchblocks

Published on Mar 20, 2016 pselodux

"Apologies for the length, I got a bit carried away. This is a little improvisation I put together with my newly acquired PO-20 and Patchblock.

Gear used:
Teenage Engineering PO-12 Rhythm
Teenage Engineering PO-20 Arcade
Patchblock running Jayrope's Shattuh spring emulation patch available here:
http://patchblocks.com/groups/patch/s...

This is largely unedited, except for a little cut around 11 minutes in where I accidentally paused the PO-20, oops!"

0F.digital – bmp (Teenage Engineering PO-12)

Published on Mar 4, 2016

"Live improvisation using PO-12 Rhythm. Thanks to Teenage Engineering for making such fun machines, and for suggesting that I make some videos of my improvisations."

Mike Dean | Grande Faucon Performance at the Moog Music Factory

Published on Apr 18, 2016 Moog Music Inc

"Mike Dean, one of the rap game's most prolific producers and its reigning master keyboardist, spent a weekend in the Moog Music Factory.

Surrounded by analog synthesizers and immersed in an environment of experimentation, Mike selected 6x Mother-32 synthesizers to create his sonic palette and a Voyager XL as his master controller.

In just 48 hours, this is what he synthesized...

Listen to the full track here: https://soundcloud.com/therealmikedea...

All music performed by : Mike Dean
Production Assistant : Kez Khou"

Buchla MARF Test Five

Published on Apr 18, 2016 Todd Barton

"Continued explorations of the MARF. This time looking at randomly addressing the Stage Address via their Strobe and Ext inputs."

Thingamagoop 3000 - MIDI i/o

Published on Apr 18, 2016 Bleep Labs

"The Thingamagoop 3000 has extensive MIDI input and output functionality over USB and DIN using the included dongle.
Preorders for the first run end May 1st.
https://bleeplabs.com"

Roland Juno 106 Synthesizer

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2nd Sense Audio Updates WIGGLE to 1.0.2 with More Factory Presets

Published on Apr 18, 2016 2nd Sense Audio

"Sound Designed & Performed by Jason Hou

WIGGLE is the Dynamic Waveshaping Synthesizer made by 2nd Sense Audio(www.2ndSenseAudio.com).
All synth sounds in these demo tracks are made exclusively with WIGGLE, no 3rd party effects are applied."

NEW Ginko Synthese GRAINS

Published on Mar 14, 2016 paul tas

"thanks to ginko Grains V1 PCB v1 (basic code for PCB v1)"

via error instruments

"the cheapest ways to get a voltage controlled oscillator in your modular and sounds completely different than all other oscillators! It can do minimalistic clicks and plops, screaming leads, fat basslines, weird noises or chiptunes.

This is a DIY kit
The kit includes:
PCB
frontpanel
all electronic parts
Knobs and jacksockets
Arduino
powercable

How it works
The sound is a PWM output routed via an (optional) low-pass filter and a 100uF capacitor – so no external DAC is required. The low-pass filter on the PCB can be bypassed if you want. Bypassing the filter provides more clarity and a slightly louder output but more artifacts in the sound.

Not bored yet?
Here comes more information about the synthesis technique on the basic code and you will understand why I called this module “Grains”.
The “Grains” code provided on your module is based on FOF synthesis or formant synthesis. FOF synthesis is closely related to synchronous granular synthesis. It uses two simple triangle-shaped grains. The grains are separated by the same amount of time. With granular synthesis, the spacing within the grains radically change the texture that is created. The FOF grains have very little parameters: pitch and decay. In the basic “Grains” code the 2 decay values are fixed to most musical sounding and can not be altered via potentiometers. So only the pitch of the two grains can be altered via pots (or the cv inputs) and the overall grains repetition which provides the pitch of the output.

The code is highly customizable and I will upload user codes for the Grains as soon as I get them. (Please do share your own customized code with me via email: info@ginkosynthese.com)

PCB version 2 is shipped from 25-06-2015. There has been a change in the way cv input 3 is processed. All earlier codes can be changed to work with V2 and backwards, look for the analogRead (0) in the code and add an extra input for analogRead (3). You can play around with the way they influence each other.
For people who want to dive deeper in coding and want to write a lookup table for 1V/oct tracking, here is how: code doc."