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Monday, May 23, 2016

Library Owned Original ARP Synthesizer Series 2600 Hardcover Manual

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Rare hardback version of the ARP 2600 Owners manual.
Withdrawn from the Schaumburg Township Public Library in Illinois.
Fifth printing, October 1973, 100 pages."

Moog Prodigy with CV, Gate, & Filter In Mod

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Octatrack Analog 4 Minilogue - Experiment #3


Published on May 23, 2016 kbroom

"This is an adaptation from some sketches I had done a while ago."

Modular Monthly: Beyond Minimoog with the MiniMod


Published on May 23, 2016 Future Music Magazine

"AJH Synth's MiniMod range is a great modular take on the classic Model D. It can do much more than simply emulate classic Moog sounds though – let's try taking this classic set-up into new realms!"

Hypersynth Xenophone - Duophonic Mode


Published on May 23, 2016 Hypersynthetic

"2 Voice-paraphonic (Duophonic mode) is one of the new additions of OS v2.0."

"ITS NEVER Enough" (EMX2)


Published on May 23, 2016 j j

"mp3 --thanks 4 listening
http://www.newgrounds.com/audio/downl..."

Hypocritical (Minilogue,Volca FM x2, Reface DX, Beats, MPX-16)


Published on May 22, 2016 Metatron's Cube

"Sort an experimentation in recording and mixing. The instruments were recorded in mono, as opposed to in stereo(we usually do everything in stereo because most of our effects allow it, and still recorded the samples in stereo), and then placed into their own "spots" as if amped on a stage. Now that I look back, I should have placed them according to the video(it's almost the reverse). Oh well, live and learn. Enjoy the week everyone, thanks for watching and listening!
download@ https://soundcloud.com/miles-baskett/...
Gears used:
Korg Minilogue + TC Electronics Transition delay pedal
Korg Volca FM + TC Electronics HoF reverb pedal
Korg Volca FM + Digitech Supernatural reverb pedal
Yamaha Reface DX + Strymon BigSky reverb pedal
Akai MPX-16 + Korg Quad pad effects unit (louis farrakhan samples)
Korg Volca Beats
Zoom R24 (multi-track recording)
Presonus One (Mix/Master)
Sony action cam HDR-AS20 (video recording)
KdenLive (linux based video editing)"

Destiny Clock Demo


Published on May 22, 2016 Brendan Byrne

No word on exactly what this is yet. You can see the Brendan Byrne label below for his previous creations.

Sunday, May 22, 2016

New Book on Max Brand - MACHINES FOR THE OPERA. THE COMPOSER MAX BRAND


This one in via Brian Kehew:

"There is a new book on Max Brand, German composer who lived in the USA for a while. He used the Trautonium and, later, was an early Moog synthesizer customer...

It is written bilingually, in English and German"

You can find the German page on the book here, Googlish here.

See the Max Brand label for previous posts if you are not familiar with him.

via the Googlish translation:

"A contemporary of Arnold Schoenberg and Kurt Weill Max Brand was a figure between late romanticism, futurism and outbreaks of the electronic age. The cultural breakdown by the Nazis, before which he fled in 1937 from Vienna and ended up in Rio de Janeiro, began a promising career as an opera composer to an end. In 1940 he settled in New York, where he pursued his vision of an electronic music machine for the stage. Many attempts did not lead on, one of which was an optical synthesizer with self-drawn waveforms, finally Moogtonium, a slightly ajar to the Mixturtrautonium Oskar Salas, Robert A. Moog synthesizer built. The development work on the machine dragged on far too long, so that fire could never realize his dream to have an electronic one-man band for the operatic stage. In 1975 he returned to Austria, where he lived in Langenzersdorf and in 1980 died.

As a contemporary of Arnold Schoenberg and Kurt Weill, Max Brand was a figure shaped by late romanticism, futurism, and the early electronic age. The cultural upheaval Caused by the Nazis, from splat he fled from Vienna to Rio de Janeiro in 1937, put on end to a very promising career as composer of opera. In 1940 he settled in New York, where he worked to realize his visions of an electronic music machine for the stage. There were many Attempts, Which all fell short, one of which thesis on optical synthesizer with waveforms he drew himself, and finally the Moogtonium, a synthesizer based on Oskar Sala's Mixture-Trautonium and engineered by Robert A. Moog. But development Took much too long, and fire that never able to Fulfill his dream of an electronic one-man orchestra for the opera stage. In 1975 he returned to Austria, where he lived until his death in Langenzersdorf in 1980th"

drone synth sunday with Dr. Moonstein


Published on May 22, 2016 Purple Tonal Central 3000

"My way of spending sunday evening = little preview of drone/noise generator made by Dr. Moonstein"
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