New Erica Synths Pico VCO Eurorack Module

Erica Synths Pico VCO demo

Published on Jun 29, 2016 Erica Synths

"Erica Pico VCO is deep sounding VCO with 32 selected waves – classical, fattened with sub-oscillator, FM synth and others."

via Erica Synths

"Erica Pico VCO is great, deep sounding VCO with 32 selected waves – classical, fattened with sub-oscillator, FM synth and others.

Typically you need several rather expensive modules to generate similar sounds. Extra feature – flip a switch, and you have a versatile LFO!

Features:

2 banks, each contains 16 waves
VCO/LFO mode
Voltage controlled wavesurfing
Wave morphing in LFO setting
With Pico Series we challenged ourselves – can we make ANY superior functionality synth module 3HP wide and affordable? Yes, we can.



Price: 100EUR
+ 21% VAT for individual customers in EU without EU VAT registration number + shipping

SHIPPING AFTER JUNE 20!"

Erica synths Black Polivoks eurorack VCF

Published on Jun 29, 2016 Andy Pidcock

"Demo of the Erica synths Black Polivoks eurorack filter.

Other Gear:
Erica sythns varishape VCO 1
Erica sythns pico VCA
Make noise Maths
Q-bit RT-60
Intellijel umidi 1u
Intellijel case.
novation circuit

Recorded on korg d1200"

The Teenage Engineering Quartet, Featuring OP-1, PO-12, PO-14, and PO-20

Published on Feb 4, 2016 Aidan Burns-Fulkerson

"Just a little jam session with the hard-hitters from Teenage Engineering. The OP-1 does effects, the PO-14 handles the bass line, the PO-12 supplies the sick beats, and the PO-20 brings the 8-bit melody."

Chimera bc8 Patchable Synthesizer

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"bC8 contains a stereo headphone amplifier connected to a 24bit / 48KHz digital to analog converter (same unit as used in the bC16). A powerful DSP generates a VCO and LFO (similar to the bC16), also the DSP performs VCF and VCA functions as well controlling the patching of functions to each other and running a simple but powerful ‘ one button’ pattern sequencer. bC8 is controlled by eight rotary knobs and one push-button. Four LED’s indicate battery status, LFO and EG level and other mode elements. bC8 pattern sequencer records the timing/duration of the button presses and all the knob settings for each action, these can be altered live for acid loops etc…

Packed into the bC8's tiny round body is a hand-assembled gold plated circuit board, eight high-quality potentiometers, a stereo jack socket, push-button, no less than four LED's, battery holder (3xAAA cells) with a robust stainless steel base.

Sophisticated digitally based oscillators are housed on the DSP as well as an innovative recording system and internal control voltage patching. Choose between single-shot and repetitive envelope generator modes; use the separate ATTACK and RELEASE knobs to create long and soulful drones; select the recording system to record and playback complex patterns of control knob movement, speed up or slow down the pattern playback to add extra glide detail or confusion, override any of the controls during playback to adapt, complicate or simplify your composition.

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Roland System-100M Analog Modular Synth

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SYSTEM -100M 191-J WITH 181 KEYBOARD, 112 VCO, 121 VCF, 130 VCA, 140 ENV GENERATOR + LFO , 150 RING MOD + LFO + S&H

140 SN 981557
130 SN 951120
121 SN 981212
112 SN 981317

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Roland Jupiter-8 Analog Synthesizer

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KORG PE 1000 POLYPHONIC ENSEMBLE SN 790484

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Roland MC-202 MicroComposer SN 315900 with Original Gig Bag

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Korg DSM-1 Digital Sampling Synthesizer Module SN 000779

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"A wonderful early digital synthesizer. With eight notes of polyphony, two oscillators per voice, a noise source, two multi-stage envelopes, a resonant filter and auto-bend, the DSS-1 has much in common with Korg's previous flagship DW-8000. But it went much further, boasting twin digital delays, oscillator sync, an improved unison mode, a lush analog VCF switchable between 12 and 24dB, and more. Whereas the DW-8000 got its raw material from 16 stored digital waves, the DSS1's oscillators take their source from sampling, additive synthesis, or even hand-drawn waveforms!

It actually had a warm sound and was great for creating pads and textures, as well as deep basses and drones. The synthesis method is based on altering various waveform samples via 2 data sliders. It can sample and then treat the samples as its waveforms - that includes all filtering and envelopes.

The DSM-1 (1987) was the expanded rackmount version."

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Oberheim Matrix-6R

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"Good working condition. Recent service. Initialized and patches reloaded. Fair cosmetic condition. Solid, but has rack wear and signs of use."

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