MATRIXSYNTH

Roland SH-09 Vintage Analog Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.

"The SH-09 (or Synthesizer-09) is a single VCO monophonic analog synthesizer with a 2 1/2 octave, 32-note (F-C) keyboard. The VCO is switchable between 5 octaves: 2', 4', 8', 16', 32'. Available waveforms are sawtooth, square, pulse (with pulse width modulation), or white noise. There is also a sub-oscillator switchable between a square wave one octave down, a square wave two octaves down, and a pulse wave three octaves down. It is possible select the noise source at your oscillator and still have the sub-oscillator as a waveform. The VCF is self oscillating and can be modulated by the envelope follower which is wired to the external input. The envelope generator is an ADSR (attack decay sustain release) with a slider for each stage. On the control panel to the left of the keyboard is a horizontal pitch-bend/modulation lever, with pressure up and down controlling modulation amount. There are also two sliders controlling amount of modulation routed to the VCO and VCF, as well as a slider adjusting portamento amount and the main power switch. On the back panel there is a main output, and the CV/gate inputs and outputs."

CLICK FOR MORE »

Oberheim CPS1 Synth Expander Module SN 409

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"Original late 1970's Oberheim CPS-1 synthesizer expander module. Works perfectly, excellent condition. 2 syncable analog oscillators and audio i/o. You can process external audio through filters and modulator. Unit is stock. Pots, jacks, and internal connectors have been cleaned. S/N 409."

CLICK FOR MORE »

Korg Sigma KP-30 Vintage Multitimbral Monophonic Synthesizer SN 241659

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"Great working condition vintage Korg Sigma KP-30 from 1979... that's a 37 year old vintage synthesizer and only 1000 units were ever made. This is when Korg was still repping the Keio Electronic Labratory Corp. and made all their synths in Japan. Very high quality build has been near maintenance free for the last 20 years with just a professional deoxit tune-up every other year or so."

CLICK FOR MORE »

Powertran Transcendent 2000

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"This fantastic British Mono synth was designed by Tim Orr of EMS. He was the chap behind some of the most classic and sought after early synths like the EMS synthi used by Pink Floyd

This was the first synth used by Joy Division / New Order and appears on there early tracks"

CLICK FOR MORE »

Ancestors

Published on Jul 31, 2016 davidryle

"Echo. Echo. Echo's of the past.
Metropolis to Piston Honda with EG from Maths then into Phonogene.
Phonogene is in Broken Recorder mode with voltage modulation to the organize and gene size parameters from a Turing Machine and an EOC pulse from the Quadra to the vari-speed parameter.
The Phonogene out is run to Clouds in Spectral Madness mode. From there the signal splits to a Z-DSP with Valhalla Shimmer and an Echophon.
Rings in Modal resonator mode and duo polyphony is picking up the pitch cv from the Metropolis and strum from a Turing Machine pulses.
All of the various signal pathways are routed through Frames automated keyframe mode.
Additional delays are the Strymon Blue Sky and Lexicon MX200.
Clocking from Metropolis to 4MS QCD to Turing Machine, Quadra and Clouds trigger."

Transistor Sounds Labs Stepper Acid Eurorack Sequencer Demo

Published on Jul 31, 2016 mylarmelodies

"Let's Play with the amazing Stepper Acid Sequencer! If you like this, please support me and access a 50-minute bonus Stepper Acid video on Patreon for $4+ Patrons: https://www.patreon.com/mylarmelodies"

Wax - (Re-uploaded with new mix) Yamaha Montage - Ableton Live - Akai APC Mini

Published on Jul 31, 2016 Earmonkey Music

"EDIT: One nice thing about using Ableton and tracking this jam is that I could go back and remix. I noticed that the synth parts I was playing live were too hot so I went back and remixed those and replaced the audio track with the new mix.....Noice!!! ... So here's what is going on: I picked up an APC Mini because I was hoping it would allow me to create more complex live performances. Wow does it! This is a live jam with 100% Yamaha Montage. I recorded a bunch of loops into Ableton then used the APC to trigger them. All tracks were either played live and recorded for playback from Ableton, or just straight played live from the Montage. Such a phenomenal instrument this Yamaha thing.... I love it. Oh and I have to thank Depeche Mode for inspiring the first few bars that spawned this whole thing"