Friday, October 13, 2017
Tech-house improvisation on DIY synth
Published on Oct 13, 2017 Konstantin T
"Improvisation on my Tokarev Protosynth V1LP. Notes midi data coming from FL Studio."
MAESTRO USS-1 Universal Synthesizer SN 1376 with Homer
Rheyne - Sequenced Jam #55
Published on Oct 13, 2017 Rheyne
"Audio from a Make Noise DPO and 0-Coast, with visuals from Max for Live running the 'Vizzable' package of plugins. Ableton's clock is stopped, and is only processing reverb and visuals. The arpeggio in the 0-Coast was played via MIDI before recording."
Lyra-8 Simpler Organismic Textures with Percussive Oberheim SEM Pro and Sequencing Semblance
Published on Oct 13, 2017 martinjazz78
"Good speakers or headphones are highly recommended. These synths sound so beautifully and deserve appropriate listening device.
Another excerpt from my dawless synth jam with amazing yet for me still not easily controllable Lyra-8 by SOMA synths from Russia. In this part, I was producing textures (quasi harmonies) on Lyra-8 and again was pleasantly surprised by sheer beauty and inspirativness of everything coming out Lyra, although many of these sounds weren't intended and even expected to happen.
Percussive sequence on the background is modern reissue of classic Tom Oberheim's SEM Pro controlled by Cirklon hardware sequencer. Cirklon also controls Semblance by Analogue Solutions, which is in fact a clone of the Oberheim's SEM, but it sounds completely different. Both synths are processed through the vintage tape Roland Space Echo for delay and Strymon Big Sky for reverb.
Additionally you hear Taurus III Bass Pedals by Moog Music (from about middle of the video) giving some long sustained bass tones (again controlled by Cirklon). Last but not least, you hear Ken Macbeth's Elements Synthesizer creating very organically sounding atmospheric ambience.
Enjoy ;)"
KORG Volcas and Novation Circuit Deep Techno Session 7
Published on Oct 13, 2017 014london70
"Volca FM, Sample and Bass playing internal patterns along with Circuit internal sounds. KORG I M1just used for the Lore sound. Mastered in Final Touch."
Fireball: Two Moog Sub 37s.
Published on Oct 13, 2017 Resonant Anvil
"64 Step Sequence, two notes per step. One take. No overdubbing. No presets."
Yamaha EX5 VL DEMO
Published on Oct 13, 2017 Alex S.
"Still working on my video on the Yamaha EX5, so here's a demo on the VL tone generator of that synth. Played on an AKAI EWI."
VINTAGE AKAI X7000 12-BIT SAMPLING KEYBOARD & SYNTHESIZER
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The X7000 was Akai's first major Sampler Keyboard instrument similar in style and format to the E-mu Emax, Ensoniq Mirage, EPS and Roland S-10 sampling keyboards. The X7000 has about the same sampling features as the rack-mount S-900, which were great in 1986. Variable 12-bit sampling up to 40kHz, 128K RAM for storing only a few seconds worth of samples and a complete suite of basic sample editing functions including looping, auto-looping, truncating, multi-sampling and re-sampling capabilities, tuning and so on. It even features a few dedicated parameter buttons above the keyboard for quick access to the LFO and other modulations.
This sampler sounds pretty good. It's got a lo-fi edge due to the fact that it's only a 12-bit rather than 16-, 20- or 24-bit sampler. The slow 2.8" built-in disk drive is not exactly compatible with much. But you can use it to store your samples or load samples from libraries for Akai's S-612, S-700 and X7000. Editing samples is straight forward and makes this synth a great entry-level sampler. However, the LCD display is small so editing can be tedious. It also features a cool analog-like filter with cutoff. But for enhanced analog-like editing, the X7000 can be hooked up to the AX73, AX60and VX90 synthesizers via the DD-X5013 Voice Cable so you can run the X7000's samples through these synth's analog circuitry."
via this auction
"The X7000 was Akai's first major Sampler Keyboard instrument similar in style and format to the E-mu Emax, Ensoniq Mirage, EPS and Roland S-10 sampling keyboards. The X7000 has about the same sampling features as the rack-mount S-900, which were great in 1986. Variable 12-bit sampling up to 40kHz, 128K RAM for storing only a few seconds worth of samples and a complete suite of basic sample editing functions including looping, auto-looping, truncating, multi-sampling and re-sampling capabilities, tuning and so on. It even features a few dedicated parameter buttons above the keyboard for quick access to the LFO and other modulations.
This sampler sounds pretty good. It's got a lo-fi edge due to the fact that it's only a 12-bit rather than 16-, 20- or 24-bit sampler. The slow 2.8" built-in disk drive is not exactly compatible with much. But you can use it to store your samples or load samples from libraries for Akai's S-612, S-700 and X7000. Editing samples is straight forward and makes this synth a great entry-level sampler. However, the LCD display is small so editing can be tedious. It also features a cool analog-like filter with cutoff. But for enhanced analog-like editing, the X7000 can be hooked up to the AX73, AX60and VX90 synthesizers via the DD-X5013 Voice Cable so you can run the X7000's samples through these synth's analog circuitry."PAIA Organtua & Strings ‘n Things Assembly & Operations Manuals, Flexi-Disc, and Tape Cassette
Witches Brew - MFB Dominion Club & Tanzmaus
Published on Oct 13, 2017 Cave Way
"Day off work, sipping some cheap Witches Brew Red Wine, daughter yelling at the dog playing barbies in the background, making techno on a Friday. I started off by making a demo of the Digital Osc and then though, F it I'm going to jam. Tweakerville U!S!A!"
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
