YAMAHA CS40M programmable monophonic synthesizer

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Oberheim Matrix-6R

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ELKA SOLIST 505 Italian Vintage Synthesizer

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"The Elka Solist 505 is a monophonic lead synthesizer, preset based with variations for added performance.
It provided a nice alternative to the Moog Satellite ARP Pro Soloist.
It has 11 presets, all which could be changed with freq/res, attack/release, vibrato and portamento.
Notably, it contained the famous Moog ladder filter.
Although basic in function – no CV, no MIDI – it could produce some lovely tones, and the keyboard action is very nice indeed – something you’d expect from a renowned Italian organ manufacturer!"

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Korg Volca FM Digital FM Synthesizer With Decksaver Cover & Power Supply SN 016609

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Mutable Instruments Shruthi 1 4-Pole Mission Edition Synthesizer

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"Lovely little hybrid analogue/digital mono synth built in an aftermarket case. This is the 4-pole mission edition."

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MOOG POLYMOOG 203A , RECENTLY SERVICED & CALIBRATED

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"Great working and cosmetic condition , EVERYTHING on the POLYMOOG works as it should . It has been professionally serviced & calibrated in the past year."

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Tea Tray System: Quick Spin

Tea Tray System: Quick Spin from CatManDeux on Vimeo.

Cool little setup!

"Battery powered minimalist semi-modular.
MakeNoise 0-Coast with Mendela 15V 10AA battery pack, 3DWaves stand, Korg SQ1 (MIDI/CV to 0C, sync to PO12), Zoom MS70CDR, Patchblocks PBMix3, Minirig, USB lamp."

Eurofighter

Eurofighter from Rodrigonzalez on Vimeo.

Sequencer-Eloquencer

Bass-Hades

Lead oscillator-Disting

Drums-Pico Drums

Buchla Music Easel+Aux Card Exp

Published on Dec 18, 2017 Buchla info

"Buchla Music Easel and Aux Card Expander interaction"

Buchla Music Easel+Aux Card n.2

Published on Dec 18, 2017 Buchla info

"Easel interaction with Aux Card Expander"

The Keys To Huge Synthesizer Bass [Tonus VCF Demo #4]

Published on Dec 18, 2017 gstormelectro

"Audio and Video by G-Storm Electro c.2017

Today in this demo I show some of the keys to getting huge bass sounds. I’m doing this on the Eurorack, but these ideas should work on most any synthesizer.
#1 Choose a quality low pass filter. I’m using my Tonus VCF module, a clone of the ARP 2600 filter. It’s a 4-pole low pass bass that uses a transistor ladder design similar to Moog.
#2 Cobble together as many oscillators as you can. Here, the Pittsburgh Synth Box wields a Tri, Saw, and Pulse along with a Sub-oscillato. Then I add another saw and square wave from the DNA Symbiotic Waves.
#3 For short basses use a punchy VCA/decay combo like the Bastl Skis. If you’re using a hardware synth, route a single envelope to affect the filter amount AND the amplitude at the same time.
#4 Modulate the filter with negative key tracking so that as you play higher on the keys, the higher notes will have reduced frequency cutoff. To do this I am sending the pitch CV to the signal inverter on my Pittsburgh Toolbox. Remember, a signal inverter just mirrors your signal across zero volts. For example, pitch CV goes from 0v to 5v. If you run that through an inverter, the output goes from 0v to -5v.
#5 Modulate the filter with a small amount of LFO to make your bass sound growl.
#6 Bass pads need a longer/slower Attack-Decay-Release envelope to evolve over time.

No effects used, audio recorded direct to Tascam DR-05"