Saturday, May 26, 2018
Take a Look at Moogfest 2018! Synthesizer Heaven!
Published on May 18, 2018 B and H
"AB form B&H visits Durham, NC, for Moogfest 2018. In addition to a variety of vendor exhibits and educational forums, he checks out Moog's latest synth release, the GRANDMOTHER, a semi-modular synth that packs a big sonic punch. Check it out!"
Lisa Bella Donna Live in the Moog Store
Published on May 20, 2018 Guitar Center
"Recorded live in the Moog Store by Guitar Center at Moogfest 2018, sonic sorceress Lisa Bella Donna stopped by with her Earthquaker Devices pedalboard for an improv performance with Moog’s brand new Grandmother and semi-modular synth."
Rick Wakeman Minimoog Solo
Published on May 26, 2018 NickPeezy 94
Not sure if this one will stay up based on the video title, so watch while you can.
Moogfest 2018 (live edit) - Modular on the Spot, Moogfest | Eurorack Modular Synthesizer
Published on May 26, 2018 Lightbath
Moogfest 2018 (live edit)
Modular on the Spot
Durham, NC
May 19, 2018
Patch notes archive available through Patreon rewards: https://patreon.com/lightbath
All hardware performance/improvisation recorded straight to 2-track and mastered Premiere with compression and eq. This performance is an edit of the full 36-minute set available exclusively on Patreon.
I'm so grateful to have been a part of Moogfest 2018. It was great to hang a bit with lightbeams Emily Sprague, Kaitlyn Aurelia Smith and Sean Hellfritsch and to see some cats—like Waajeed and Jamire Williams—from my 'past life' as a guitarist in NYC. Thank you to Yoga After Dark and Modular on the Spot for having me.
It was an honor to play another MotS event, this time alongside Rodent, Peter Speer, Sarah Belle Reid, Jake Pugh, Jerry Kaba, and Lee Coleman. As with my first MotS experience, the vibe was one of immense support. It was so much fun to lead the audience through some air guitar moves. Truthfully, I don't know how that happened, but I'm glad it did. Thanks to all who participated!
And lastly, it was great to meet some of you IRL after my set. I also finally got to meet Richard Devine and talk shop (thanks to his wife and family for giving us some time to do so). Many thanks to Iain Smith for helping to cart my gear up the hill to the car.
FRIDAYs PATCH w MALEKKO DUAL BORG MAKE NOISE RENE 4ms SMR
Published on May 26, 2018 LESINDES
"This is FRIDAY#s PATCH with MAKE NOISE RENE, 4ms MULTIBAND SPECTRUM RESONATOR, MALEKKO DUAL BORG filter and VERBOS COMPLEX OSCILLATOR as sound source. Nice drone type smooth and stereo."
Break on Thru the Crumar Multiman S3 (1981)
Published on May 26, 2018 VSMI
"Music for Crumar Multiman S3... Italian analog polyphonic synthesizer/strings machine 1981 with Echopad effect."
025//A Crumbling World - 10 minutes of dark soundscape (Moog DFAM, 2x Mother 32, Eventide Space)
Published on May 26, 2018 Alastair Wilson
"A dark, semi-self-generating modular patch using 2 Mother 32s and a DFAM sent through an Eventide Space hall reverb and an Eventide Timefactor on tape delay setting.
I've continued exploring the DFAM, and next up on my list of 'to-use' sounds is the growly FM bass that you can get from it; add a bit of noise and suddenly you have a dark soundscape to play with! Although its quite repetitive as my patches go, I liked the feel of it, and detuning the M32's note pitches gave the melody an extra bit of much-needed character to round off the patch.
PATCH NOTES:
The DFAM supplies most of this patch; the 'crunchy' noise comes from noise modulating the filter cutoff, while the growl in the bass comes from frequency modulation of VCO 2 by VCO 1. The lower M32 supplies the melodic notes, with each note detuned slightly by a random stepped voltage. The sequencer is stopped and started randomly to make the melody unbalanced and lurching, and is clocked by the DFAM, (glitched so that it runs at 1/12 the DFAM's tempo). The background high-pitched sounds are made by the top M32. Random stepped voltages from the M32s' Assign outputs control various parameters to make the patch unpredictable."
Casio CZ-5000 61-Key Synthesizer
360 Systems 20/20 Frequency Shifter Guitar Bass Synthesizer Green Retro Vtg 70’s SN 5025
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"This authentic 360 Systems 20/20 Frequency Shifter looks and sounds FANTASTIC! It is an analog pitch changer with a ring modulator. It was made in the 1970’s and is one of the first guitar / bass synthesizers ever created. It also works well with early synths and was used by early electronic pioneers. This is an early model with the “GREEN” face and serial # 5025. It measures 12” x 10” x 5 ½” and weighs 6 lbs. It uses standard 120 volt AC for power."
via this auction
"This authentic 360 Systems 20/20 Frequency Shifter looks and sounds FANTASTIC! It is an analog pitch changer with a ring modulator. It was made in the 1970’s and is one of the first guitar / bass synthesizers ever created. It also works well with early synths and was used by early electronic pioneers. This is an early model with the “GREEN” face and serial # 5025. It measures 12” x 10” x 5 ½” and weighs 6 lbs. It uses standard 120 volt AC for power."
Roland JD-800 Programmable Synthesizer
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH