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via this auction
SN AD15000001
Monday, May 17, 2021
Korg Z1 MOSS Multi Oscillator 6-key Synthesizer
Tom Oberheim SEM Pro SN 0613
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via this auction
"Original signature by Tom Oberheim on the front (later units come with a printed signature).
Complete set:
switchable PSU 110-240V (adapter with US plug – easy to replace with EU / UK etc connectors)
manual
documentation card for MIDI-CV interface
original box."
via this auction
"Original signature by Tom Oberheim on the front (later units come with a printed signature).
Complete set:
switchable PSU 110-240V (adapter with US plug – easy to replace with EU / UK etc connectors)
manual
documentation card for MIDI-CV interface
original box."
Roland SH-01A Boutique Synthesizer BLUE! With DK-01 dock w/wood panels
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DK-01 SN Z5K4603
via this auction
DK-01 SN Z5K4603
6 reason for making Italo Disco Old School | Breakdown & Tutorial (sort of) included
video by Espen Kraft
"I'm currently working on my 4th version of 'Midnight Drive' and I wanted this one to have strong elements of 'Italo Disco'. Not necessarily octave bass and vocals this time, but a more walking bass feel with a basic drum groove and poly brass.
And my 6 reasons for doing this version in an Italo Disco style, is these 6 pieces of classic gear, much used in Italo Disco back in the day:
E-MU Drumulator - a very much used drum machine in Italo Disco
Roland Juno-106 for bass - sequenced from the Yamaha QX1
Crumar BIT01 - classic Italian synth with great brass sounds
Roland Alpha Juno 2 - Bells
Roland Jupiter-8 - phasy pads
Emax II - samples saxophone (ideally I would use the E-MU Emulator II, but it is sick at the moment)
Support this channel on Patreon:
https://www.patreon.com/espenkraft
The QX1 is programmed with two different banks (patterns), one playing the intro/vers-part and one playing the chorus-part. These two patterns alternate in repeat-mode.
I've chained these two parts together in "chain-mode" inside the QX1.
The QX1 is setup for MIDI sync, necessary to be able to add overdubs in time. The 8th MIDI out of the QX1 goes to the Sequential TOM drum machine, set to receive external clock. This is necessary as the Drumulator has no MIDI in. The TOM outputs a clock signal which is fed into the clock input of the Drumulator. When this is set to external sync, the Drumulator is now clocking perfectly to the DAW, through the QX1 and TOM. Somewhat complicated, but it works!
I use Valhalla VintageVerb for the reverbs here, but all the sounds has gone through various stages of processing like compressors, limiters, EQ and outboards.
The finished commercial song will be somewhat enhanced and produced more, but I'm aiming for a simple raw finished sound, not TOO glossy. Once finished I will release it here.
In the thumbnail image I'm holding a copy of the vinyl single "I want you" by Gary Low, one of my favorite Italo Disco artists and this single is a big part of my inspiration for doing this track I'm working on. Even if it's really not very similar."
Sequential Prophet-5 and Prophet Rev2 Demo
video by Oblivion Corner
"Playing the new Sequential Prophet-5 Rev4 Desktop Module version together with the Prophet Rev2.
Hear these two analog polysynths from Sequential complement each other in this warm Berlin School-inspired synthesizer improvisation in the vein of Tangerine Dream.
Arpeggiated bass - Prophet Rev2 (upper keyboard)
All other sounds - Prophet-5 (played on lower midi controller, which is an Arturia Keylab MkII 61)
Filter cutoff on both synths controlled via foot expression pedals.
If you'd like to support this channel with a one-off purchase, please check out our affordably priced music: https://synthandsundry.bandcamp.com"
Buchla 284 Envelope Play
video by Todd Barton
"Just looking at Attack, Sustain and Decay contouring a single pitch."
https://www.patreon.com/synthtodd
5 Patching Ideas with the Keystep Pro and Eurorack
video by Omri Cohen
00:00 - Adding probability
06:30 - Playing 4-note chords
09:56 - Fugue Machine
14:39 - Velocity/Gate/Pitch
19:18 - Wonky rhythms
2 hr generative patch posted here.
Omri Links:
"If you just want to buy me a coffee :) - https://www.buymeacoffee.com/omricohen
Consider joining me on Patreon - https://www.patreon.com/omricohen
Patching techniques and ideas that I continue updating - https://bit.ly/3o1Q3Sg
Roland Jupiter-8 Juno-106 Korg Kronos Uber Analog Volume 3 Sample Pack Rik Marston
video by Rik Marston Official
"Korg Kronos Uber Analog Volume 3 Sample Pack Demo 1" Synthesizer Sample Pack Demo 1 by Rik Marston **No Talking!** ***Watch in HD!!*** **Turn it UP!!!*** In this video I play Roland Jupiter-8 X2 & Juno-106 X2 stacked Programs! ***Attention all Korg Kronos Users!!!!!*** Uber Analog Volume 3 analog synthesizer sample pack is HERE! Only $16.99 USD same day SAFE digital download! Put the power of the Roland Jupiter-8 & Juno-106 in your Korg Kronos! https://www.etsy.com/shop/AhnyxianSou... ALL synthesizer collection sample packs just $16.99!!!
Why is the Roland JUNO-106 still so popular?
video by synthlegends
"In this video you listen only to Roland JUNO-106 sounds (Multitrackdemo also including drums). I used to own a JUNO-106 several years ago, then sold it, because I also have a JUNO-60. After some time I missed it and decided to buy another JUNO-106. The Reasons are:
1. it sounds different from the JUNO-60 (there is another filter)
2. it has great MIDI functions to implement it in a modern setup
3. it has portamento
4. the self resonance is really outstanding for technoid sounds
5. three Key Modes, including unison mode, which is easer to access but it sounds only useful for drums ans industrial bases
6. it's perfect sounding in a mix and a great production tool
7. it has a broad sound palette and is useful for modern styles
8. it's great for drums and bass
The JUNO-60 has got an arpeggiator, the 106 not. So what, in a recording session I use it from my DAW or an external one. For Jamming with a drummashine without computer, the JUNO-60 makes more fun.
So I decided that the JUNO-60 is great sounding, but not a substitute for a JUNO-106.
The reasons, why it is still so popular are:
1. It always sounds great and it has a wide sweet spot
2. It is simple to program
3. It covers a range of 80 to 90 % of all bread and butter sounds you really need
4. It is capable of a lot of genres, italo disco, 80-ies pop, electro, techno, house and much more"
You can find one for sale here
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH