MATRIXSYNTH

E-MU Systems Emulator II+ w/ HxC Floppy Emulator & 260 Floppy Disks SN 2707

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"Legendary vintage 8 voice 12bit sampler with analog filters

Included extras/upgrades :

- HxC floppy Emulator installed + loaded SD card
- Original top row second floppy driver still included and working, as possible spare.
- About 260 floppy disks, essentially containing banks (mostly user made or copied, so some are sounding professional right off the bat, others perfectible, others in progress etc.) + a few blanks, filed by category with interlayers labelled in french, in 3 dedicated plastic drawers.
- Original cool english user manual in superb condition, all pages and tabs very crisp, still with the unreturned warranty card.
- brand new uninstalled backlit LCD (never got around to having it done by a technician), not pictured

In very clean cosmetic condition, only a few superficial marks here and there as displayed in the pictures.

I could be the second owner as I purchased it locally about 5 years ago through an intermediary from an older musician that had used it in his studio in the 80's for commercial work (as a few of the included floppies might attest) and then had kept it unused."

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EMS Synthi E Vintage Analog Synth Synthesizer

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Roland System 100 Model 103 Mixing Amplifier Module

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Roland System 100 Model 104 Sequencer Module

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Oberheim SEM Patch Panel SN 0097 w/ Original Box

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"Tom Oberheim SEM patch panel. THIS is the version for full integration into modular systems: extensive patchbay allows CV/gate control as well as output of a wide array of the SEM's controls. No MIDI! Features additional patch points not available in the SEM pro version.

Earlier version with better quality knobs: later models with the Marion Corp logo ("M") on top don't have the classic Oberheim dials anymore.

Technically fully functional. Very good cosmetic condition. Some marks and light scratches, particularly on edges and back & front panels.

Comes with original box & switchable PSU 110-240V, EU plug."

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Bad Gear - Roland EF-303

video upload by AudioPilz

"Become a Patron and get access to music clips from the show, additional content, Bad Gear samples and even more AudioPilz madness

https://www.patreon.com/audiopilz

Welcome to Bad Gear, the show about the world's most hated audio tools. Today we are going to talk about the Roland EF-303 Groove Effects. Was it yet another attempt to milk the legendary Roland TB-303 moniker?

Chapters:
00:00 Intro tune
01:10 Overview
05:28 Hate
05:57 Jam 1
06:55 Jam 2
08:07 Finale
08:35 Verdict"

AudioPilz Bad Gear posts

Dynacord ADD-One : Advanced Digital Drum Synthesizer sound demo

video upload by Cro w

"Audio is direct out from the ADD-One into the interface.
The lagging of audio in the first half is what happens when using the internal sequencer AND tweaking parameters at the same time (remember this is mid-80's CPU power ha). When sequenced/triggered externally (as demonstrated in the second half), there is no lagging of course.
The ADD-One is a real beast of an electronic percussion instrument. It's a thick and rather high-end sound that is interestingly vintage yet modern at once. It doesn't sound 'period' or dated like other classic drum synthesizers and samplers of the 1980's, and gets avant-garde and experimental easily, if your into that. If not, you're really gonna hate the bulk of the video... haha
Enjoy."

THE NEW VINTAGE: Roland JX-08 / JU-06A / JP-08

video upload by Alba Ecstasy

"#Ambient #Patches for the Roland Boutiques 👉https://www.albaecstasy.ro
The #RolandJX08 is playing two sequences (part A&B), Roland JU-06A one sequence line and the JP-08 is bringing the lead to the table!
All recorded via USB AUDIO.
Only using Arturia Intensity as reverb for the JP-08 and Waves H-Delay as stereo delay for JU-06A. The JX-08 runs on its own internal effects.

❤️, ae

My conclusions after one week of tweaking the Roland JX-08:
Underestimated because of their size - and for a good reason - anyone who has been open minded enough to the Boutique concept (not me at that time!), soon after they put their hands on such a replica, discover that Roland Boutique sounds huge!

I had my doubts and I even have laughed when the first Boutiques were released.
I tried all the synths formats for the last 20+ years, and let me tell you that small synths does not have a place in my operating theatre! All the time I tend to ignore them, and they're just decorating my studio. Now I own most of the Boutiques and I'm looking to grow my collection (especially with the "collectible" ones!)!

The extended polyphony makes the difference!
Not saying about the two sequencer lines for both parts, the arpeggiator, 3 types of filter, plenty of nice effects and other extras!

Small? Yes! Capable? Very yes!"

Sweet Child O' Mine - Synth Pop - Recreation

video upload by Luke Million

"Ever wondered what Guns N' Roses would sound like if they were an 80's Synth Pop band? ... Here's a bit of fun jamming on their classic - 'Sweet Child O' Mine. 🎹🎸🎩

@Korg Australia @Korg

Keytar - Korg RK100S2
Synths - Roland SH2 and Jupiter 4
Vocoder - Roland VP330 Vocoder Plus
Drums - Linndrum samples triggered in Ableton 11"

BLEASS Omega Synthesizer - User-Friendly FM Synthesis

video upload by BLEASS

"If you think FM Synthesis is complicated, it’s time to think again!

BLEASS Omega places all of the sparkle, character, nuance and dynamic expressiveness of FM Synthesis at your fingertips, and does away with the arcane programming interfaces so often associated with FM. Harnessing BLEASS’ signature GUI technology, creating and crafting sounds in Omega is not just easier than with other FM synths, it’s easy – PERIOD!

All of the classic capabilities of FM Synthesis are available in BLEASS Omega – expressive electric pianos, deep thundering basses, crystal-clear pads, sparkling bells, and soulful leads. And thanks to the instrument’s analogue-style Waveshaper and multi-mode Filter, BLEASS Omega can inject powerful analogue-like flavour into those pure FM tones, giving searing filter sweeps, growling distortions, and harmonically-rich resonances.

The four FM operators that sit at the heart of BLEASS Omega are edited simultaneously from within a single screen, with all operator envelopes and controls available to the touch of your finger. This amazingly user-friendly approach makes light work of sound editing, and encourages experimentation and exploration in a way no other FM synth can achieve.

With eleven FM algorithms on offer, each providing a different way of interconnecting the four operators for radically different results, the sonic scope of BLEASS Omega is vast. The included library of over 200 professionally designed presets makes full use of this versatility, furnishing you with a varied and inspirational sound palette to use in your music making and sound design projects.

BLEASS Omega fits in with your workflow and studio setup, no matter how you like to create. The iOS edition provides both standalone and AUv3 versions for use on iPad and iPhone, whilst the desktop edition for Windows and macOS comes as a VST3/AU plugin instrument, compatible with all major DAWs."

https://www.bleass.com/omega/