MATRIXSYNTH

Tuesday, September 06, 2022

Symbolic Sound Unveils “Pacamara Ristretto” Audio Processing Unit (APU)

Pacamara launch from Symbolic Sound on Vimeo.

Pacamara explainer from Symbolic Sound on Vimeo.



Press release follows:



September 6, 2022

Symbolic Sound Unveils “Pacamara Ristretto” Audio Processing Unit (APU)

2.5 times performance boost, 20% lower price, expanded connectivity, and inter-application audio

CHAMPAIGN, ILLINOIS — Symbolic Sound announces a new Audio Processing Unit (APU) representing a giant leap forward in performance, energy efficiency, and connectivity over previous generation APUs. At less than half the size, the new Pacamara “Ristretto” delivers, on average, a 2.5 times jump in performance, a 20% reduction in cost, cooler operating temperature, expanded connectivity options, and seamless inter-application routing of audio and MIDI to/from applications running on a host computer.

Performance
Pacamara Ristretto’s compute-cycles and memory are solely dedicated to sound computation, delivering unprecedented levels of performance capabilities to sound designers for film and games, live electronic music performers, sound artists, educators, researchers, and audio professionals who require the highest-quality real-time audio, responsive live interaction, and unbounded creative flexibility from their tools.

“The Pacamara Ristretto represents a radical transformation, not just because it’s Symbolic Sound’s most powerful external APU yet, but because of the ease with which it communicates with the rest of the world,” said Symbolic Sound’s president Carla Scaletti. “Audio, MIDI, and OSC streams can be freely routed between Kyma and other audio applications on your computer and audio devices in your studio, including across LANs and out onto the Internet, creating a combinatorial explosion of sound creation possibilities.”

According to game/film sound design consultant and Pacamara field tester, Alan M. Jackson, “It’s the latest, most powerful revision of the most important audio DSP environment of the last 30 years.”

Powered by Kyma
Audio professionals can leverage the full Kyma 7 accelerated sound design environment for rapid prototyping, testing, creative exploration, and refinement of production-quality sound synthesis and processing algorithms to run in real time on the Pacamara Ristretto.

Kyma, described as a “recombinant sound design environment,” gives sound designers access to extensive libraries of unique audio synthesis and processing modules, along with tools for creating limitless combinations of those algorithms. Galleries of automatically-generated signal flow graphs help speed development, spark the imagination and boost the creative flow — providing creators with the advanced models needed to solve sound design challenges for games, film, live music, data sonification, voice processing, multi-sensor controllers, and more.

Deep integration between hardware and software has always been central to the Symbolic Sound approach. Hardware design is continually informed by software development and vice versa. As a result, the Kyma 7 sound development environment is optimally tuned to take full advantage of the huge increases in processing and memory bandwidth made available by the new Pacamara APU.

Sound designer and musician Cristian Vogel describes the Kyma software environment as “the best for innovating, prototyping and designing innovative digital sound processes… frictionless for ideation and research. Then, reliable and consistent at the outcome stage.”

The Pacamara Ristretto is as comprehensive in its connectivity as it is diminutive in size. The back panel of the rugged, roadworthy enclosure includes:

• USB-C port for audio and MIDI transfer to/from host computer
• Two USB 2.0 ports for connecting audio interfaces and MIDI controllers
• 3.5 mm jack sockets for mic input and stereo headphone output
• RJ-45 network port to connect via a gigabit Ethernet cable to a host computer
• Wi-Fi antenna jack
• USB-C power input port

An APU does for Real-time Audio what a GPU does for Real-time Graphics
Audio professionals require high quality, low latency, reliable real-time audio synthesis and processing. That’s what an APU can deliver.

“The question is not whether a CPU is capable of real-time graphics generation and processing. Everyone understands the advantages of offloading real-time graphics computation onto one or more GPU(s) running in parallel with your main CPU. Not only does it free up memory and computing resources on your CPU, a GPU guarantees the highest-quality, glitch-free interactive real-time graphic performance. The same is true for audio!”

“With the Pacamara you have high quality, configurable algorithms running on dedicated, uncontended hardware,” explains Jackson, “The result is that it sounds great and it’s reliable.”

Soft Hardware
Unlike traditional audio hardware, which has a fixed functionality that never changes, the Pacamara Ristretto can adapt to the evolving needs of users. Regular, significant software updates ensure that Symbolic Sound APUs continue to gain features and functionality so that they actually improve with time.

Jackson adds, “there’s a subtle and important difference between hardware that is upgradeable… and hardware that DOES get upgraded continuously and significantly. Kyma is [Symbolic Sound’s] only product and [they’ve] been working on it, passionately, for decades. [They] have a proven history of constant and significant upgrades.”

What’s in a Name?
The name, Pacamara, comes from a hybrid coffee plant bred to produce larger beans on smaller trees planted closer together — evoking both the ‘recombinant sound’ design philosophy of Kyma and the smaller size, higher-yield of the Pacamara APUs. According to Scaletti, “Coffee aficionados know that a ristretto shot delivers twice the caffeine per milliliter as a standard shot of espresso. The Pacamara Ristretto is actually 2.5 times more powerful and less than half (44%) the volume of previous generations, meaning that the computational performance by volume has increased 5.7-fold.”

Summary
The Pacamara Ristretto is an APU, designed from the ground up for real-time sound synthesis and processing; it works in parallel with your main computer to deliver high-quality real-time audio signal computation, freeing up resources on the CPU for managing your overall studio workflow.

Audio professionals can leverage the full Kyma 7 accelerated sound design environment for rapid prototyping, testing, creative exploration, and refinement of production-quality sound synthesis and processing algorithms to run in real time on the Pacamara Ristretto.

The Pacamara Ristretto APU is the most recent development in a consistent flow of innovation from Symbolic Sound — from Capybara, to Capybara 33, Capybara 66, Capybara 320, Paca(rana) — the sixth generation Pacamara Ristretto APU is groundbreaking in terms of raw compute power, delivering a 2.5-fold leap forward in performance, connectivity, and dependability backed by extensive field testing in real world performance environments.

Pricing and Availability

The Pacamara Ristretto is available today at https://kyma.symbolicsound.com/order-now
Initial supplies are limited due to ongoing (and inexplicable) global electronic component shortages.

The price for a 4-processor Pacamara Ristretto is $3,818 (US)
An entry level, 2-processor system is available for $3,302 (US)

The Kyma 7 software for macOS or Windows is included with the APU.

Lets Go Crazy! Had to be done :) #oberheim #obx8 #prince #lets go crazy


video upload by Orano Music

"Another 4 custom patches from my forthcoming Custom Patch Bank , Drums from The Linndrum LM1.

Only effects used on any patch was the same room verb. more or less the dry signal. no compression with exception of mastering for limiting."

Tech Talk: Introducing MODX+


video upload by Yamaha Synths Official

"The new MODX+ is here! Join the Yamaha Synths Tech Talk team as they take a closer look at this compact, lightweight series of synthesizers, designed to help you take control of your sound and stand out on every stage, studio or stream.

MODX+ is powered by the same innovative technologies found in our flagship MONTAGE synthesizer including the AWM2 (Advanced Wave Memory 2) sample and synthesis engine and a pure FM-X (Frequency Modulation) synth engine for amazing sound playback and complex sound design.

MODX+ Motion Control brings the sophisticated automation of music production to live performances by giving you simultaneous control of up to 128 parameters. So you can shape live sound like a conductor commands an orchestra."

Budget and Splurge Duet - Oberheim OB-X8 and Korg Volca Bass NO TALKING NO EFFECTS 10 Presets


video upload by HansiLa

"I thought it would be fun to take the least expensive synthesizer I have, the Korg Volca Bass and pair it in a jam with my recent purchase and most expensive synth I have: the Oberheim OB-X8.

I made a few random patches on the Volca and picked 10 random presets on the Oberheim to showcase how they'd interact with each other.

I tend to write my music via midi so any leads I play are rudimentary since I'm not proficient on the keys.

In other words....

if you're looking for some incredible keyboardist ripping on the OB-X8, time to skip this one.

As usual, no talking or effects. Also, minimal processing. For this video, all I did was double the Oberheim tracks and slightly panned each left and right to create some width. You'll still hear some of the Oberheim presets do a neat job of moving along the stereo field."

mylarmelodies wrote this an hour after getting a Novation Circuit Tracks


video upload by mylarmelodies

"What is this? So Novation kindly sent a Circuit Tracks, and here's a wee soulful electro brass acid noodle on it after an hour of working it out, using preset sounds, drums and effects (my sequences obviously!). This is recorded straight out of the outs via an IK Multimedia capture device (which is causing the occasional clicks), no post processing. I've put 'paid promotion' as they sent me it, but I wasn't obliged to make a video.

I suspected I'd like it and that appears to be the case, it's got just enough to blast out ideas for tracks without too much to overproduce things with, and lead you astray. You can't just add and add parts, you have to work the ones available, as hardware is good at forcing you to do.

Not used here, but note the two MIDI tracks - there are two mono inputs so you can use it as a sequencer AND mixer for two other things, as well, and blend it all together in one device. If someone was just starting out it really makes for a very low barrier to entry, one could get this, and if you wanted to go further - then choose just two other things, and you don't need any other kit to make it all work together. And it's got an analog clock sync out, so that it can sync les synthes modulaires. Nice. 👹💃🏻"

Soundfreak Buchla Format EMS Modules



See the Superbooth 22 video here, and announcement post here. These are licensed from EMS. The prices have gone up slightly since.

"The Triple Oscillator consists of three independent oscillators. They are identical in controls but different in range and waveforms.

From top to bottom, the three oscillators are labelled 1, 2, and 3, and horizontal lines visually separate them on the panel layout.

The original VCS3 oscillators had a frequency range that extended well below the audible range. This allowed the musician to use them both as sound or modulation sources, mainly thanks to the VCS3 matrix, which allowed a flexible and immediate signal routing.

In the 4U format, where sound and modulation are strictly separate, we provided the oscillator with both Tini-Jax and banana sockets.

€2120"


The Dual Filter/Oscillator consists of two independent, identical filtering circuits modelled over the Filter/Oscillator section of the VCS 3, with some extra features.

We preserved the original, distinctive Response parameter that allowed you to use the device as a resonant low-pass filter or a self-oscillating bandpass filter. In the latter configuration, the filter produced a pure sine wave that could be used as an audio source.

In addition to that, we designed an FM circuit that allows you to control the filter’s cutoff frequency with both CV and audio signals. A dedicated switch modifies the filter reaction to audio-rate frequency modulation.

The DB switch allows you to change the filter slope from 24 to 18 dB/oct, thus expanding the capabilities beyond the original VCS3 design.

€1620


This module merges two separate sections of the VCS3: the Envelope Shaper (upper part of the front panel) and Noise Generator (lower part of the front panel).

The Envelope Shaper combines a VCA and a loopable envelope generator that can work as an LFO. The envelope both controls the VCA level and is available as control voltage.

It can accept up to four distinct sounds thanks to four semi-normalled audio inputs.

The Noise Generator outputs a noise signal with controls over its amplitude and colour. The colour knob defines its timbre by cutting the low or the high frequencies from the default white noise. We chose to expand its design by making this last parameter voltage-controllable.

€1480

Buchla Analog Modular Synth and Voice inspired by Sci-Fi Soundscapes 🚀⚡️


video upload by The Galaxy Electric

"The fun continues. Every week we watch a vintage sci-fi film on our stream MST3K-style. This provides fun in the moment as well as endless inspiration for later. Here we conjure vibes from our time spent soaking in these tape music and vintage sci-fi soundscapes. The patch started with an arpeggiation of the "Goonies Chord" which includes the notes C, E, F, A which makes a FM7 2nd Inv. chord. The chord's sound was generated by an instance of Pro 53 VSTi by Native Instruments, arguably one of the best VSTis of all time. The arpeggiated chord was recorded into the buffer of the 1979 SMP. From there the "Position" was modulated by a slow looping function from the 281 Quad Function Generator. The noise drops were created by pinging a lowpass gate channel of the 292 that is being fed some white noise by the 266 Source of Uncertainty. The pings were being clocked by a slowly timed Pulser coming from the 245 Sequential Voltage Source. The result was fed into the 277 Signal Delay which had a delay time of over a second cued up. This creates a minimal and ever changing rhythm bed. Lastly you get some 258 Dual Oscillator Square wave that is sent to the 297 Infinite Phase Shifter. The volume level and low pass filter frequency are being controlled simultaneously by the 216 Touch Activated Voltage Source. The pitch of the Oscillator is being transposed by the 216. Got it! It's much more fun to just throw some headphones and give it a listen.

As always the lovely vocal echoes are emitting from Jacqueline's chords. Her signature chain of two Boss RE-20 Space Echoes provides an aging tape loop effect.

recorded August 28 2022"

https://www.thegalaxyelectric.com

Soundtoys Upgrade Sale



via @soundtoys

"Do you want the Soundtoys 5 Bundle? Trade up your licenses to get Soundtoys 5 (with ALL 21 plug-ins) and save 50% thru September 14!

Log in to see your upgrade offer:
http://accounts.soundtoys.com/..."

Summer Bundle Sale at Giorgio Sancristoforo's Gleetchlab



https://www.giorgiosancristoforo.net/

The offer ends on September 21st, 2022

Take the chance to get them all at a fantastic price with 30% discount!

MAC OSX BUNDLE includes 10 software:
Ongaku
Bento
Berna 3
Gleetchlab 2021
Points and Lines
Quadrivium
Substantia
Gleetchdrone
Fantastic Voyage
Encoder

ONLY 110€

The Future Was Then | Synth Library Music | Retro Computing


video upload by Mamotreco

"Visited a museum of technology with a wonderful computing exhibit which included computers of all shapes and sizes (from 70s mainframe to 80s 8-bit home computers and some 90s systems too).

#vintagecomputer #80ssynth #homecomputers

The background music track "Cyclades" is from my Cybersyn - Intrigues Telematiques album (available here with exclusive artwork: https://synthandsundry.bandcamp.com/a...) or as part of the Mamotreco Channel Compilation linked below.

Cyclades is a reference to a pre-TCP/IP network protocol prototyped in France in the early 70s. While the standard was never adopted for France's homegrown telematic revolution, it did incorporate packet switching and was designed to work as a network of networks. As with much advanced technology, it fell by the wayside when the French Postal Service (La Poste/P.T.T.) opted for the more established but more primitive Transpac concept based on the X.25 network standard.

Current channel music compilation: https://mamotreco.bandcamp.com
Previous music releases available here: https://synthandsundry.bandcamp.com"
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