MATRIXSYNTH


Friday, October 07, 2022

Modbap Introduces HUE "AUDIO COLOR PROCESSOR" Eurorack Module


video upload by Modbap Modular



Modbap Modular makes colorful Eurorack entrance at Brooklyn SYNTH+PEDAL EXPO with HUE debuting as AUDIO COLOR PROCESSOR


LOS ANGELES, CA, USA: following hot in the footsteps of Trinity, the fourth entry in its expanding Eurorack product lineup as a three-channel DIGITAL DRUM SYNTH ARRAY (as introduced at Knobcon Number Ten, a one-of-a-kind synthesizer convention held just outside of Chicago, IL, USA at the Hyatt Regency Schaumburg, September 9-11), black-owned Eurorack modular synthesis and electronic musical instrument manufacturer Modbap Modular is proud to debut HUE as its latest Eurorack entry — this time being billed as an AUDIO COLOR PROCESSOR, packing a chain of five effects (each imparting a particular coloration, tone, distortion, and/or texture to the source audio) into a 6HP- width module, making drums bang with more magnitude and melodies morph into lush lo-fi tones — at Brooklyn SYNTH+PEDAL EXPO, a free-to-the-public pop-up event of synths and guitar effect pedals, at 718 Studios, Brooklyn, NYC, USA, October 8-9…

“HUE was originally designed as the effects section for Trinity; the thought was to create an effects section that would simulate the classic, lush boom- bap and lo-fi vibes that we’ve come to love.” So says Modbap Modular founder/owner/designer Corry Banks, before continuing: “I want to bring those nostalgic textures that make things bang a bit harder and feel a bit grittier and more soulful into a single Eurorack module. HUE pairs very well with drum sources, such as Trinity, or melodic sources, such as Osiris, to further cultivate ‘that sound’. Saying that, HUE, in moderation, makes things sound more beautiful, but it can become brolic when pushed to its limits.”

Maximum (musical) muscle notwithstanding, HUE’s goal is to simply color its user’s sound — hence highlighting that the aim of its name is true, thanks to the COLOR PROCESSOR wording written across the top of its slimline front panel. Its initial concept was born out of a debate about the techniques and processes used to make drum machines sound so big, bold, and delicious. It is worth bearing in mind here, then, that the sounds that tug at the heartstrings of boom-bap, lo-fi, and, subsequently, Modbap — meaning the fusion of modular synthesis and boom-bap (or, indeed, any form of hip-hop) — are those demonstrating great texture, lush degradation, soft distortion, and big bold strokes of color.

Classic beloved drum machines were often processed with outboard gear; recorded to tape; pressed to vinyl; played over big, booming sound systems; sampled; resampled, and so on. It is no surprise, therefore, that those are the sounds that become nostalgic and reminiscent of all that the black-owned Eurorack modular synthesis and electronic musical instrument manufacturer adores about classic lo-fi boom-bap production, with HUE representing its attempt at bringing that vibe into Eurorack as a 6HP-width module.

Acting as a COLOR PROCESSOR, HUE’s effects chain signal path is as follows: DRIVE, FILTER, TAPE (saturation), LO-FI, and COMP (compressor), with the panel layout allowing for the DJ-style FILTER knob to sit in first position for ease of tweaking — LP (low-pass) when turned to the left through to HP (high- pass) when turned to the right. Digging deeper, DRIVE boosts and lightly distorts the signal, while SHIFT+DRIVE adjusts the DRIVE tone; the TAPE effect is intended to impart cassette tape saturation, while SHIFT+TAPE adjusts the intensity; LO-FI adjusts bit depth, while SHIFT+LO-FI adjusts sample rate; and, lastly, the one-knob COMP mini-pot serves as the final glue in the signal path that brings everything together. There are also DRIVE CV, FILTER CV, TAPE CV, and LO-FI CV inputs, as well as mono INPUT and OUT connections, collectively opening up a wealth of creative possibilities. Put it this way: when throwing creative modulation at it, HUE is truly a textural beast.

But best of all, HUE puts the power to shape and transform its user’s sound at their fingertips — perfect for beefing up drums while equally as magical when working on melodic content, which is exactly why it pairs so well with Trinity (https://www.modbap.com/products/trinity), the fourth entry in Modbap Modular’s expanding Eurorack product lineup as a three-channel DIGITAL DRUM SYNTH ARRAY, and Osiris (https://www.modbap.com/products/osiris), a sensational-sounding BI-FIDELITYTM WAVETABLE OSC (oscillator) module for Eurorack (introduced to widespread critical acclaim at last year’s Knobcon Number Nine). Needless to say, HUE — like its Eurorack siblings — exemplifies Modbap Modular’s musical mantra: Made for Eurorack, dope enough for boom-bap!


Expected to ship in late-October 2022, HUE is available to preorder at an MSRP (Manufacturer’s Suggested Retail Price) of $299.00 USD via San Clemente, CA, USA-based distributor Electro Distro’s growing global network of dealers (https://www.electro-distro.com/dealers) — including Sweetwater (https://www.sweetwater.com), the USA’s number one eCommerce provider of music instruments and pro audio gear — or directly via its dedicated webpage (which includes more in-depth information) here: https://www.modbap.com/products/hue



Music Thing Modular - CONTROL


video upload by Thonk Synth DIY

"BUY CONTROL HERE - https://www.thonk.co.uk/shop/mtm-cont...

Control is four big finger-friendly knobs for precise & playable tweaking from Music Thing Modular designed by Tom Whitwell, he writes:

After spending a lot of time working on smaller and smaller projects, I realised that many Eurorack synths were missing something critical: controls that are big enough to be fun.

Control is an absurdly simple module: Four big knobs that output voltages. Connect those voltages to modules, and you have high-precision, intuitive control. Connect those voltages to several modules, and you have interesting, repeatable confusion.

The first two channels (top two knobs) are also attenuators if something is plugged into the leftmost sockets.

The voltage on each channel can be 0–5v (middle), 0–10v (up), or -5v to +5v (down). When using a channel as an attenuator, keep it in 0–5v or you’ll get weird gain or offset (which you may want).

There are two extra outputs. Change outputs just the changes as they happen. If a knob is turned quickly to the right, it will output a little burst of positive voltage. If a four-handed performer turns all four knobs quickly anti-clockwise, it will output a chunky pulse of negative voltage. Patching Change into an input creates a primitive clock.

Diff is a difference rectifier, inspired by NonlinearCircuits, but with a slightly different circuit. It compares the difference between 1&2, and between 3&4, and finally outputs the difference between those two differences. The aim was to create a bumpy, unpredictable voltage between 0 and 10v. It’s not random, but it’s not easily predictable, either.

Each knob has its own bi-colour LED to provide visual feedback on how much voltage is being output. There are also LED indicators for the Change and Diff outputs.

And that's just about it. The circuit isn't designed to be super precise. It works best when you patch into a bunch of points in a complex patch, then just sit back, listen, and make small (or big) movements with the knobs.

The pots themselves are a bit special: high quality TT Electronics P260T – as used in SynthTech modules.

Website: http://www.thonk.co.uk"

KRISCHER - Analog Polyphonic Synth / DIY KIT


video upload by John Krischer

Synapse Audio DUNE3 - "Mindscape" Soundset (50 Presets)


video upload by LFOstore

"Soundset is here - https://lfo.sellfy.store/p/dune3

DUNE 3 is an amazing virtual synthesizer that provides the highest sound quality and allows to create the whole range of sounds. In this brand-new soundset created by a well-known sound designer Otto K. Schwarz, you will find 50 ready-to-use royalty-free presets, that will give you a new taste of your music production!

Get ready for deep, bright and colorful pads that take you beyond the event horizon; cosmic leads that reveal the consciousness of the listener; breathtaking arpeggios with hypnotic power - and many other sounds that will surely please you.

Whether you're creating ambient, EDM, soundtracks or experimental music, this collection of sounds will always be at your service!"

Moog ONE vs Arturia PolyBrute // The Definitive Comparison


video upload by Starsky Carr

"https://patreon.com/starskycarr
I say definitive.. there's another on the way!!

A look at the Moog One and the Arturia PolyBrute together. They're both superbly flexible VCO polysynths with dual analog filters per voice - a ladder filter and a state variable.

The Moog ONE here has 16 voices and the PolyBrute has 6, so there are differences in what you can do when stacking voices plus lots of other differences. BUT... the Mog One really did remind me of my PolyBrute when I first tried it in @Dan Stirling studio.

And they're both capable of some simply stunning sounds.

Other main differences are:
3 oscillators per voice vs 2
Eventide Effects on the Moog
Effects are Mod destinations on the Arturia
Eventide Has CV connectivity
Arturia can morph between tones.

... so lots of differences but enough similarities I thought to put them together.

Thanks to Dan for lending me this one:
www.danstirling.co.uk"

Elektron Digitakt Time Stretch Trick : Hacking the Sequencer and LFO


video upload by Perfect Circuit

"We got some advanced Takt-Trickz all about Time-Stretching for you today!
Read more about this trick on our blog : https://bit.ly/3SMo5cH
Wondering which Elektron Machine is right for you ? Check this : https://bit.ly/3rExtTP
SONG MODE UPDATE : https://bit.ly/3rFhi8W

Our pal Wes walks us through some surgical LFO settings to achieve very smooth synced sample action on Elektron's
Digital Drum Computer : The Digitakt

Get your pen and paper ready because this is an in depth advanced trick !"

Crysalis - Octatrack + Modwave IDM Jam


video upload by DATABROTH

"I've been seriously enjoying the Modwave while I've had it, and I've been meaning to use the Octatrack more often. Really got into the groove with this setup today and created this jam.

Modwave review: https://www.databroth.com/blog/korg-m..."

๐ŸƒThe Approaching Stillness๐ŸŒณ ~ TE OP-1 Field Ambient


video upload by Postmodern Machine

"Hey! ๐ŸŒค

Here's another piece I created on the OP-1 Field in the first few weeks of ownership, and before having to charge the battery for the 1st time! ๐ŸŒฟ

For this track I used the cassette tape (porta simulation) ๐Ÿ“ผ I found it a bit tricky to balance distortion and grit with hiss and input level. This track is fairly hissy on full range systems, but it still sounds very nice. I may end up preferring the vintage 4 track as a compromise between lo-fi and fidelity.

I have enjoyed messing with the various sequencers and the modulation section. This track has a healthy dose of the mother reverb, but the master effect is the mono delay, which in this track is set to repeat many times. As it's coming up in the center position it almost adds a 5th sound source to the 4 tracks. ๐Ÿ”‰

This piece is coming off the OP-1 as a mix. I stored the 4 tracks in case I need them later, but essentially just mastered the mix after recording it into my DAW through the analogue listed below. The piece is as performed in this case, with no edits. I want to see what the OP-1 field alone is capable of ๐Ÿงจ

๐Ÿ“บ Check out my current music releases ๐ŸŒ—
https://postmodernmachine.com/"

Bad Gear - Teenage Engineering OP-Z


video upload by AudioPilz

"Become a Patron and get access to music clips from the show, additional content, Bad Gear samples and even more AudioPilz madness

https://www.patreon.com/audiopilz

Welcome to Bad Gear, the show about the world's most hated audio tools. Today we are going to talk about the Teenage Engineering OPZ. Is this compact multimedia synthesizer and sequencer with visualization options based on vj footage and the unity engine an actual improvement over its older sibling, the Teenage Engineering OP-1? Does the implementation von iOS devices like an iPhone or iPad actually work?

Thanks to Synth Repair Wizard Thomas for lending me his OP-Z and bringing old stuff back on track:
https://www.instagram.com/bluerabbit.music/

Chapters:
00:00 Intro tune
01:12 Overview Teenage Engineering OP-Z
01:35 Drum Tracks
01:48 Synth Tracks
02:12 Synth Engines, Sample Player
02:36 Synth Parameters
02:53 Resonant Filter
03:05 ADSR Envelope, LFO
03:24 Send FX
03:32 Master FX (Chorus, Drive, Filter)
03:43 Tape FX
03:50 Punch-in FX
04:07 Gyro
04:11 16 Step Sequencer, Pattern Chaining, Step Components
04:47 Projects
04:53 Standalone, iOS App, Bluetooth
05:11 Sampling, Internal Microphone, USB
05:21 Upgrades, Modules (line, oplab, rumble)
05:35 USB-C, USB Midi, Midi Host
05:51 Multimedia Features
06:05 What else??? (Mute Groups, Pitch Bend, Build Quality, Battery,...)
06:26 Pricing & Thanks
06:45 Hate
07:07 Jam 1
08:01 Jam 2
09:08 Finale
09:38 Verdict"

Roland SH-01A Boutique Series Synthesizer with Sequencer

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