MATRIXSYNTH


Tuesday, October 17, 2023

Oberheim OB-SX w/ Magic Box MIDI & BCR2000 Controller

Note: links to listings are affiliate links for which the site may be compensated.


via this auction

Pics of the inside below.

"This is an Oberheim OB-SX 6 voice analog synthesizer. It has been upgraded with a New "Magic Box" MIDIcontrol device from MIDI Soft in Germany. The Magic Box includes 56 additional patches to the 56 already in the OB-SX. This includes a Behringer BRC2000 that has been programmed with the MIDIcontrol software included with the Magic Box. I had new custom Oak Wood end cheeks made that were wood stained to come closer to the OB-SX wood end cheeks. The BCR2000 also has a custom Over-Lay to represent all the parameters for the Magic Box. The connections to the OB-SX are simple, just attach the box to the interface connector in the rear center of the OB-SX and plug the box in. The MIDI connections are as follows, MIDI "In" from the box to MIDI "Out A" to the BCR2000 and MIDI "Out" from the box to MIDI "Thru/Out B" on the BCR2000. The BCR2000 is set up for Stand-Alone 3 or S-3 on the unit. You can change anything you want but this is how it is set up presently to use. Once the BCR2000 is hooked up, press the "Auto" button on the OB-SX to Tune all the Voices. Turn on the BCR2000 and plug in the Magic Box (there is no power switch on the box). I will include both USB power cable and AC power adapter with the Magic Box. I will also include the power cable for the BCR2000 and OB-SX. Once everything is on and tuned, select a Patch from the lower Left controller on the BCR2000 and press "Load", lower Right. This needs to be done each time a patch is selected on the BCR2000. You can also select banks and patches on the OB-SX by just pressing them, this will allow you to use the presets and Edit the patches in the OB-SX from the BCR2000. I will send the instructions I printed out, but you can also go to the MIDI Soft website. This is basically a trimmed down version of an OBXa with full control like the OBXa. The voice cards are almost identical, same CEM3340 VCO's, CEM3310 VCAs, but only one CEM3320 VCF 12dB 2 pole filter. The only difference is that the OBXa has 2 CEM3320 chips, one with the 12dB 2 pole Oberheim configuration and one with the 14dB 4 pole Moog style configuration. Other than that, they are basically the same voice cards and now you have the same controls as the OBXa with the programmed BCR2000 and Magic Box. Also, the OBXa has 120 presets. With the Magic Box, you now have a total of 112 presets on the OB-SX and an extra 56 User presets to make your own patches.

The unit itself has been well kept. All the keys, knobs, switches and buttons work. The unit tunes fine when the "Auto" button is pressed. All oscillators work as they should. All of the keys are very quiet and have nice action. The inside is immaculate. The outside case has some scratches and chips on the hood, the underside has longer scratches. Please review all the pictures before purchasing or making an offer. The unit is very deep, about 20", I had to customize my keyboard rack.

· This is a super rare, from the factory 56 patch (switchless), 6 voice late production version – voice cards are the 4 pin variety and are dated: “Nov 04 1981”

· Coming from the factory with 6 voice cards.

· Has had a full power supply rebuild within the last 3 years, modern capacitors & rectifiers with better specs than the OEM 1981 designs.

· Several other internal items were replaced along with the power supply, including: dip switch selector for the voice boards and *ALL* of the potentiometers on *ALL* the voice cards have been upgraded to the multi turn, “box” style as opposed to the original single turn “dial” type potentiometers. Huge difference in calibrating and holding precise values.

Most of the Oberheim classic sounds are factory presets in this fabulous instrument. It will ship with a power cord. The unit should warm up for about 15-30 minutes before use even though it tunes fine at first power up. The units will be double boxed for protection in shipping. The main unit is also very heavy."

Simple solid clock sync! The Missing Link & ML:2 (Ableton Link) // Circuit Happy at Knobcon 2023


video upload by DivKid

"Giving the demo without any audio to listen to is a big move. A bold move made possible by rock solid behaviour from the devices from Circuit Happy. We have The Missing Link Junior and ML:2 Eurorack modules that are both Ableton Link enable devices for not just clock sync and reset but bar position aware behaviours for triggering and syncing to the patterns too. Impressive all round."

All parts here. See the post labels below for more.

Better Spring Reverb! (with more filter features than your filter?) // Bubblesound at Knobcon 2023


video upload by DivKid

"It was great to meet David from Bubblesound at Knobcon 2023. I've been a long time user of his modules and he's consistently made quality modules over the years. The upcoming Spring Reverb module looks at Spring Reverb options in existence and aims to make them better, a fully featured SEM style multimode filter is on the module so you can really shape what's going into the physical spring, changing it's behaviour and sound. There's on board feedback which David is leaning into in this video too for more experimental patching."

All parts here. See the post labels below for more.

A Modular Approach to Eurorack Mixing with BARTENDER & BARBACK // After Later Audio at Knobcon


video upload by DivKid

"Here we have several new modules from After Later Audio from Knobcon 2023. Lenny takes us through Bartender, Barback and Cast Iron which make up a new expandable, modular approach to Eurorack format mixing."

All parts here. See the post labels below for more.

Patch Tuesday | Glistening Arps | Route 4, Delay 1, Generate 3


video upload by Joranalogue Audio Design

"This week on Patch Tuesday: Glistening Arpeggios

Our main sound source is a Generate 3, receiving pitch from a MIDI-to-CV keyboard. Mix 3 is used as a VCA, being modulated by one Contour 1. The two other Contour 1s accentuate the sound by opening the VCA even more. Their inverted signal is sent to the control inputs of Route 4, producing arpeggios.

The extra flavour in this patch comes from Delay 1, clocked by filter 8, resulting in beautiful, lo-fi arps."

Bird-like sequences with bizarre clocks thanks to USTA and FALISTRI


video upload by Frap Tools

"Time to explore more quirky interactions between USTA and FALISTRI!"

Check the other video here.

00:00 Introduction and patch overview
01:23 Using gates to switch the clock on and off
04:42 Changing the gate patterns
05:55 Using preprogrammed patterns instead of random events
07:10 Using an envelope to add ornaments

Roland GAIA 2: Every Factory Preset (no talking!)


video upload by Scott's Synth Stuff

"The Roland GAIA 2 has the best set of factory presets I have heard in a long time on a modern synthesizer. Listen to these presets and this synth will sell itself. It did for me."

Full review and comparison posted here.

ISE-NIN by Black Corporation Ambient Performance


video upload by Martin Stürtzer

"The ISE-NIN is a synthesizer 'inspired by' the Roland Jupiter 8. Both sounds in this track are played at the same time using the dual layer mode. The first patch is sequenced by 'Stepic' by Devicemeister. I added effects from Valhalla DSP (Delay & Room).

This machine was kindly borrowed for making this video. No money changed hands and Black Corporation has no say over the content of this video."

Roland SH 101 meets Chase Bliss MOOD MK1


video upload by Nicolas Melis

0:00 - 1:22. 1
1:23 - 1:55. 2
1:56 - 3:26. 3
3:27 - 4:39. 4

Real World Interface by Verbos Electronics - Overview & Demo


video upload by Stazma

"Today I'll be showing you the new Real World Interface by Verbos Electronics.
This is sort of the first contact with the module, trying all the things I thought i could do and listening to different stuff processed throught it.
It's a very interesting and deep module, and there's so many ways to use it that I'll do a second video with a few more patch ideas soon.

Have fun!"

00:00 Intro
01:11 Fast forward unboxing & first patches
02:41 Module Overview
04:23 Patching a compressor
06:04 Pre-amp & saturation test
08:22 Drum machine driven patches
14:17 A.G.C, Fundamental & Locked VCO outputs
17:54 Stereo pre-amplification & enveloppe follower
22:38 End talk



The Real World Interface is a 3 channel external processing module intended for connecting with sound sources outside the system. The channels are oriented as vertical channel strips. The left and right channels have a built-in condenser microphone, preamp, envelope follower with variable decay and gate extractor. In addition to a preamp, envelope follower and gate extractor, the center channel also has an Automatic Gain Control (fixed high ratio compressor), fundamental extractor (tracking lowpass filter), frequency detector and locked oscillator. Internal microphones are useful for introducing electro acoustic room sound into the modular. Envelope followers can be used to have external signal levels effect parameters such as filter cutoff or level for building dynamics processors. Gate extraction allows external sounds such as metronomes, clicks, claps or room sounds to advance sequencers, trigger sounds or initiate other events. The Frequency Detector can extract the pitch of simple monophonic sounds but is also a semi chaotic CV source in the tradition of such modules since their introduction in the 1960’s. The Locked Oscillator plays a sine wave at the same pitch as the input signal.

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