Studio Electronics Boomstar 4075 Analog Synthesizer ARP Filter SN 100097

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Roland Jupiter 6 With Tauntek Mod SN 280707

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"- Outstanding cosmetic condition

- All functions work ( see embedded YouTube video for a quick playthrough )

- Includes Tauntek Mod, which offers loads of new features:

1) MIDI Sysex patch and patch preset save and restore - saves or restores entire tone RAM (all 48 patches and 31 patch presets) in one operation (tape save/load works as before)

2) MIDI CC parameter changes are now supported. Separate control of upper and lower voices in split mode for most parameters. (No CC's are transmitted)

Maximum rate for CC reception is two per 19 mSec period, which is approximately 105 CC's per second. If CC's are sent faster than this, some will be dropped.

3) Non-volatile storage of MIDI channel and user settings

4) User settings for the following:

a) Mod wheel CC destination can be any one of the following:

VCO mod by LFO1 amount
VCF cutoff mod by LFO1 amount
VCA mod by LFO1 amount
LFO1 rate
XMOD manual amount
Pulse width
VCF cutoff
VCF resonance
b) Arp can be clocked by MIDI instead of internal clock, with five divider settings

Can be configured to require Start/Stop, or just free-run

c) Factory patches and patch presets can be read from the EPROM instead of user patches in RAM.

(User patches are not changed)

d) "All notes off" MIDI messages sent by original code every time the last key was released can be disabled.

5) Arpeggiator "Down then up" mode has been changed to a random arpeggiator mode.

6) VCO waveform buttons now toggle, making it easier to enable multiple ones. They can all be turned off.

7) VCO sync can now be set to "both ways" although this doesn't seem particularly useful

As noted above, MIDI CC reception is now supported for controlling patch parameters."

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Access Virus B Rackmount Virtual Analog Digital Synthesizer

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"Following up on the success of the popular Virus, Access unleashed an upgraded model in 1999, the Virus B. The original Virus A had 12-voice polyphony, but the new OS in the Virus B doubles the polyphony from 12- to 24-voices and the oscillators, from 2 to 3 per voice. The new OS also added an enhanced programmable 32-band vocoder. There are now up to 82 simultaneous effects, a retro-phaser (6-stage stereo phaser with 24 filter-poles), chorus/flanger, ring modulator, multiple forms of distortion, an analog boost algorithm, and an envelope follower. Up to five FM (Frequency Modulation) modes are also on-board now and many new sounds have been created for this bigger and better version of the Virus.

OS 4.0 was released in late 2000 with even more amazing features! The update is downloadable from Access (free of charge!) and comes installed in all new Virus synths to ship after its release. OS 4.0 adds a reverb with advanced features such as pre-delay sync-able to Midi clock. There's also a groove delay, surround sound capability, external effect sends using the individual outputs, an Intelligent Random Patch Generator, sound categories to sort all your patches in a logical order, Direct FX to use your Virus as an effects-processor while maintaining full polyphony, 16 independent arpeggiators with numerous patterns and realtime parameter access, and an advanced distortion module with lo-fi and filter dsp-effects. OS 4.0 makes the Virus one of the best analog modeling synthesizers to date! Complete control of parameters is available via MIDI. "Adaptive Control Smoothing" ensures ultra smooth parameter changes. There's also a free Emagic sound-driver based Editor/Librarian for Windows and MacOS."

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Access Virus Classic Desktop Virtual Analog Digital Synthesizer

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"The screaming red color scheme was adopted from the Virus Classic Line you know from the Virus rack Classic. In addition the factory presets have been revamped and come as a hand optimized best of collection chosen from the extensive archive of Virus sounds available."

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Analogue Solutions Oberkorn 3x CV - 2X Gate Analog Sequencer SN 10418

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"3 channel CV sequencer with 2 Gate channels. All analog with some interesting features when self patching the positioning. Internal or external clock with CV over tempo. This is a very solid and flexible piece of gear for any eurorack or synth studio. Comes with original power supply. Works perfectly."

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Kodamo EssenceFM Mk2

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Bll instruments Elyra w/ KODAMO Based Synth Engine

video uploads by Bll instruments

From the makers of the BLL SHORT - Controller Box for Novation Circuit

"Elyra is a new instrument, a crossover between a Synth and a Guitar or a Bass."

via Bll instruments

"A MODERN SYNTH PLAYED LIKE A GUITAR OR A BASS

Elyra is played with the typical gestures of playing guitar and bass and all the energy that comes from it. You play with your whole body.

There are two strumming aera for strings, one dedicated to back and forth and another dedicated to bass and arpeggios.

Elyra is designed to be played by both righ-handed and left-handed people.

You can also play it placed on a table or on your knees like a groove box.

A POWERFUL AND UNIQUE COMPOSITION TOOL

With up to 16 voices polyphony, spread across 16 instruments/layers and with is powerful sequencer , Elyra is more than a groovebox, it is a composition tool.

You can have one instrument with 16 voices or 16 instruments with one voice and everything in between.

Because Elyra is battery powered, you can carry it anywhere with you and play for several hours.

You can play and sequence all your other instruments via MIDI port.

A SOUND ENGINE MADE FOR US BY KODAMO

At the core of Elyra there is a powerful and beautiful sound engine created for us by Kodamo.

It is a virtual analog engine based on substractive synthesis with just enough FM synthesis to offer a vast sound territory.

It has many parameters to sculpt and create a unique sound.




RAISED TOUCH BUTTONS

All Elyra buttons are touch sensitive pads made up of a slightly raised area allowing the user to feel physical feedback.

This is capacitive sensor technology which offers an extremely fast response time of 2 ms.

There are 5 distinct areas on the main panel:

the fretboard composed of 4 * 12 pads

the strumming area separated into two type, A and B

two assignable slider

an OLED screen with its wheel and its 8 contextual buttons"

Note Elyra supports both Guitar and Key modes. See https://bllinstruments.com for additional info.

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Dark jam with the Ableton Push 3 Standalone (live performance)

video upload by Jay Hosking

"A live synthesizer jam performed entirely on the Ableton Push 3 Standalone, recorded to a stereo audio out.

I'm hoping to play some more live shows this year, and that means I want to create another live set. I thought that if I were creating a new live set, I might as well create a bunch of new songs at the same time. And if I were creating new songs, I might as well try a completely different style/genre of music.

So here's my first attempt. The Push 3 Standalone is still the best choice for me, in terms of making a live set. It has its limitations and foibles for performance, but in terms of sheer number of tracks and effects, in terms of sequencing length and arrangement, and in terms of reducing the mental juggling necessary during a set, the Push 3 works well for me.

Many of the tracks were bounced down to audio, to increase the number of elements in the song. I may also eventually add a stereo effects loop with the Zen Delay, but that's for a future video. For now, I'm happy with this template, and looking forward to creating more like it.

Thanks for listening.

Ableton Push 3 Standalone - all sounds and effects and such
Many in-the-box sounds used as well, notably Tympo from Teletone Audio, which was used for the drum sounds

Recorded and performed live to a stereo channel, with EQ, compression, and limiting on the master.

https://jayhosking.bandcamp.com"

06- The Yamaha CS-5- THE CRUCIAL FUNCTION

video upload by AutomaticGainsay

"Here is a demonstration of the sound and functionality of, perhaps, the most crucial function of a synthesizer: the amplifier."

AutomaticGainsay Yamaha CS-5 posts

Feedback Modules LFO100 - VCF2600 modulations

video upload by Feedback Modules

"VCF2600 is set in resonance mode and modulated by the LFO100.
All the waveforms and functions are tested one by one."

LFO 100

Complex analogue LFO from a vintage Japanese modular system!

We injected some steroids in this LFO and the results are lot of features.
Not only you can use individually the 8 waveform outputs, but you can use the
alternative two linked outputs for which you can select any of the waveforms.

This alternative output has a VCA so you can fade in the LFO signal in a

defined duration with a potentiometer.

The stairs like waveforms can be changed from 16steps, 8steps, 4steps or mangled.
All of these are seasoned with cv control and waveform reset.

2600 VCF

This filter is based on the classic 2600 from the seventies and uses the LM3900 Norton opamp chip.

It has an audio inputs, two CV ins and an audio out.

You can control audio input level, CV levels, frequency cutoff and resonance.

It has a beautiful sound and it can go from relatively clean to dirty and screamy depending on audio signal level and resonance.