MATRIXSYNTH

Black Corporation Kijimi Polyphonic Analog Synthesizer Module SN 1637

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Roland SH-101 SN 319417

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"1983 Roland SH-101, classic synth recently overhauled by our in-house service department. Internally clean, recapped and calibrated. Includes the original handle and mounting hardware. Includes newer aftermarket power supply."

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Oberheim OB-12 49-Key 12-Voice Synthesizer

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Sequential Circuits Pro-8 SN 02052

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"This synth takes its internals and body work from the better known Split-8 synth from Sequential Circuits.

This electronic keyboard is an 8 voice polyphonic, bi-timbral analog synth with the ability to split or layer two oscillators.

One of the most notable oddities with the Pro 8 is that you can filter FM one patch with the output of another when stacked in double - this creates some very unusual and unique sounds.

The Pro-8 makes for a very nice programmable polyphonic analog synthesizer with complete MIDI implementation. With 8 voices and 8 oscillators (Curtis 3394 SENTE chips) the Pro-8 is a heavy contender against the Roland Juno-106! However programming the synth, while straightforward and intuitive, is limited to adjusting one parameter at a time assigned to one Data knob. This limits performance ability but is no problem during studio use.

The keyboard features splits and layers, all of which can be saved with patch data. Choose between 8 voice polyphony with 1 oscillator per voice, 4 voice polyphony with dual oscillators per voice, 2 voice polyphony with a mega 4 oscillators per voice, or the unison mode which is just a fat 8-voice solo mode for trance bass and lead heaven! Similar to the Juno-106, the Pro-8 uses a Chorus effect to liven up the sounds. Sonically the Pro-8 sounds much 'thinner' than a Roland Juno-106, however, this 'thin' sound is characteristic of Sequential and is quite nice. The wooden side panels definitely give the Pro-8 that vintage flare!"

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Moog Minimoog Voyager XL 61-Key Monophonic Synthesizer

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Casio CZ-5000 61-Key Synthesizer SN 305426 w/ Original Box & Manuals

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Korg Poly 61M Synth Vintage Analog Keyboard w/MIDI

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EXPLORER - Cinematic Pad & Space Soundtrack on Cobalt 8x (synth jam) #ambientmusic #cinematicmusic

video upload by * I Hate Robots *

"Synth jam solo on Cobalt 8x with only Atlantic Shimmer
NASA FREE LIBRARY (Apollo) : https://www.nasa.gov/history/alsj/als...
___________________________________
Composed, produced & performed
by I Hate Robots
℗ 2024 CableTwist Productions - I Hate Robots"

Korg MS-50 Autoplay #1: part 4/5 | sequential patch #korgms50

video upload by Dr. Kunz

"Fourth part of a sequential patch with VCO and VCF cross-modulation, combined modulation voltages, rhythmic pulses and two independent audio outputs. Different level settings in the Adding Amplifier can produce a variety of patterns from the combination of two envelope curves and a pulse, displayed on the voltmeter. The remaining free modules can be integrated to further expand the patch complexity.

This video is a fraction of an hour long experiment around this patch, I've shortened and divided it in five parts to make it more accessible. The wiring is presented at the beginning of each video.

Thanks to @IppeiTambata for his inspirational looping machines.

Effects: Yamaha SPX-90II stereo echo, Korg SDD-3000 modulated delay, some level and eq adjusting on the Mackie 1402.

Recorded with Tascam DR-60 MKII

00:00 start
00:07 movement #4
00:20 wiring list
01:18 pattern change
02:00 pattern change
03:00 pattern change
05:00 pattern change
05:50 pattern variations"

Olivella GRAVEDAD | Waveshaping explorations

video upload by Olivella Mod

"Headphones or stereo speakers recommended 🎧

Part one of a self-patching exploration of the sonic possibilities within GRAVEDAD, monitoring both MASS outputs in stereo. No effects used.

Olivella Modular | Eurorack synthesizer modules designed and made in Argentina.
For retailers, contact and more info, visit https://www.olivellamodular.com/

Thanks for watching!"

Update:

Olivella GRAVEDAD | Waveshaping explorations (Part 2)

"Part two of a self-patching exploration of the sonic possibilities within GRAVEDAD, monitoring both MASS outputs in stereo. No effects were used."