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Monday, March 18, 2024

Roland SH-5

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Additional Nightlife Electronics Listings

"The Roland SH-5 is possibly the most feature rich vintage mono synth ever made by the legendary Japanese company. With 2 LFO's, 2 VCO's, 1 variable state VCF, 1 bandpass filter, 2 Envelopes, 1 VCA, S&H, Ring Mod and a simple but powerful switch matrix for routing modulation this synth is more than capable of making some of the most incredible tones and textures you can imagine!

Made in the late 1970's 'green face' Roland era, when their synths had a certain magic sound that is hard to describe. Fizzling and alive with electricity!

A handful of patch points on the back give you access to all the essential controls via CV so that this can play along nicely with a modern set-up.

This particular SH-5 has just been fully serviced in our Synthesizer Rejuvenation and Wellness Centre and comes with a 90 day warranty of good health. Original lid included."

Roland Juno-106

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Additional Nightlife Electronics Listings

"This Roland Juno-106 (Vintage) has been fully tested and is in great working condition. It has been fully serviced at our Synthesizer Rejuvenation and Wellness Centre and given a clean bill of health, along with brand new voice chips from Analogue Renaissance."

Teenage Engineering Op-1 with Antenna

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ASM Hydrasynth 49-Key Polyphonic Synthesizer

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Yamaha - Reface CS

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Alesis A6 Andromeda 61-Key Polyphonic Analog Synthesizer w/ Foot Pedal & SRAM Card

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Korg Mono/Poly Analog Synthesizer SN 371419 w/ Expanded CV Gate Mods

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Groove Synthesis 3rd Wave Wavetable Synthesizer

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Yellow Waldorf Q Rack Mount / Desktop Synthesizer SN 030926136

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The Roland System 100 Synthesizer - variations on a theme ( Part 3) #modularsynth #synth #sequence


video upload by S R DHAIN

"Sometimes, one idea can lead to multiple variations on a theme. And many 60s, 70s & 80s Universal Studios t.v. shows utilsed this mindset with motifs created around the title music.

In Part 1, the sequencer was switched live to go from 4 steps to 8 steps. The basic time signature remained the same.

In Part 2, the sequencer's timing was being changed by bank B's pots. Noise was also used to add a drum part

In this third part, we're still hearing the same 8 notes, but the sequencer speed is being constantly changed by the sample & hold output from the 102 expander.

Note that the low drone pad is also being triggered from the same clock output, but without the lag to smooth out the ramp voltages it's firing out to the 104 sequencer; the speed of the melodic sequence ascends & descends accordingly.

LINKS :-

A selection of my music :-

https://srdmusic2.bandcamp.com/"
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