MATRIXSYNTH

1984 Roland Jupiter 6 61-Key Synthesizer

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Sequential Circuits Prophet 2000 owned by H. Hancock?

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via this listing

"This one was used by the great Herbie Hancock for a concert in Rome in the late 80.

(It was Signed by Mr.Hancock on the front panel...unfortunately a little faded after all over 30 years)

8x analog VCF, 8x analog VCA, extended memory,

unusual for the keyboard version - 8 individual outs are installed.

Everything works great except for one of the eight individual outputs,

which does not play, however the main outputs Left, Right work perfectly.

Anyway, it plays beautifully. The instrument comes with a hard case.

The original Italian owner made a video - demo, which is in the link below."

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Vibing with the KORG miniKORG 700FS Synthesizer #korg #synth #shorts

video upload by Nicolas Melis

gear heads know #lofibeats #chillmelodies #pink #synth

video upload by PANTōNE VU

Looks like a pink Love Hultén creation. I'm not finding this specific one in the archives.

Robust 🦸‍♂️ (Roland TR6S Rhythm Performer // S1 Tweak Synth // J6 Chord Synth) Synthwave

video upload by 2-Minute Warning

"In the wake of my previous video, here's a synthwave-like jam featuring the same 3 little boxes from Roland: the TR-6S (Drums), the S-1 (Bass) and the J-6 (Arp/Chords) 😉

The track starts with a drum pattern from the TR-6S where I only used the TR-707 Analog Circuit Behavior engine (I.E. no static 707 samples), modeling the quirks and instabilities of the analog envelope and amplifier stages that came after the D/A converter 🤩 (the TR-707 was PCM based, but still had some randomness thanks to the analog part after the D/A converter).

I also used the DRIVE master effect of the TR-6S to add some dirt and energy (the DRIVE somehow also act like a compressor).

I recorded 3 DRUM patterns (2 main parts and 1 break) but as I used the probability, sub probability, parameter-lock features etc. the drum patterns seem to be longer than 1 bar!

Then come the BASS (played by the S-1, I recorded 4 patterns which are 4-bar long for this) and the ARP/CHORDS played by the J-6 (I decided not to sequence this instrument as I wanted to trigger it live and bring some organic fluctuations to the track 😊).

For the sync part, the TR-6S is sending MIDI to the S-1, and the S-1 is sending analog clock to the J-6 (there was no need to start the J-6's sequencer as the ARP/CHORDS were triggered in real-time)."

Vinyl chops on the EP-133 KO ll

video upload by Q Noise

"Sampled a Jazz record that I picked up recently and made a beat with the EP-133 KO ll."

Free Jazz with Zazou and Korg piano Grand

video upload by Kaona modular music

"Kaona Skippy Live + Skippy + Zazou + Korg Piano Grand. You can see the Zazou control at 2:16."

TMMY - Soul Searchin ( Generative Modular Jazz Funk )

video upload by tmmtommy

this is what it sounds like with the lights out 01

video upload by The Bleeple Syndicate

"a short demo of the qarv modulating the moog sound studio"

CUNSA v/s FUMANA: The same patch on two different filters!

video upload by Frap Tools

"A few years ago we animated a bass line through Fumana for a short video. It was a cool experiment, so we decided to do a step-by-step guide. And then we thought that it would be fun to replicate the same patch concept on Cunsa, a totally different filter that shares with Fumana basically just the size. Which one do you prefer, if any?"

00:00 Introduction
00:35 Animate a bass line with FUMANA
04:50 Animate a bass line with CUNSA