MATRIXSYNTH

Moog Spectravox: Modular Patches & Ideas. Vocoder Synth Demo

video upload by Anton Anru

"Modular Voices is a soundset for the semi-modular synth and analog processor Moog Spectravox.
It is a collection of 50 presets: 24 Synths, 13 Plucks, 6 Percs, 7 Drones.
There is a wide range of timbres inside the pack: simple and complex, dark and bright, vintage and modern, noisy/distorted and soft, musical and experimental, harmonic and inharmonic.

Some patches are in 'synth mode' and can be played with a keyboard, while others are in 'processing mode' — they process incoming audio and modulate it. Some patches combine the two modes: they process audio and can also be played with a keyboard.

📗 Get the soundset: https://bit.ly/4d7XUHW

Synths and plucks are excellent for use with arpeggiators or sequencers. Drones produce dark, distorted tones with heavy modulations, FM, noise, etc. They can be used as pads in genres like techno, industrial, or ambient to create a certain inharmonic atmosphere. Perc patches are perfect if you are looking for unusual and unique rhythmic additions to your performance or track.

Tones using external audio require playing a sample attached to the patch. You will find all samples with the patch name, as well as its role (PROGRAM or CARRIER), in the Audio Content folder. Load the samples into your workstation, set up Spectravox according to the image, and play the sample(s). Adjust the PROGRAM GAIN LEVEL yourself. It may not match the image if you have changed the sample's volume level. PROGRAM GAIN LEVEL can affect the tone, for example, causing distortion at high values, as well as the envelope of the entire patch if PROG TRIG - EG is used.

In most cases, I use synthesized chords for CARRIER and rhythmic sounds for PROGRAM. Be sure to try using your unique content. For CARRIER, you can create a sequence of chords or pads using a VST synthesizer. For PROGRAM, you can use vocal samples. There are many options.

For tones in the PLUCK and SYNTH categories, I usually use external arpeggiators or sequencers. This allows you to keep your hands free to work with the synthesizer parameters.

The patches are suitable for many genres: Techno, Ambient, House, Deep, Progressive, Trance, Minimal, IDM, Downtempo, Synthwave, Retrowave, Electronica, Dark/Noise, Industrial, Breakbeat, Drum and Bass, and others.

The soundset is presented in the form of PDF-Document. Each page contains notes that explain how the patch works, what parameters are worth tweaking during playback, and how to develop the timbre during a performance. If you make all the settings consciously and try the things mentioned in the notes, you will learn a lot about the synth and discover its true depth.

Each patch has an audio example, it helps to understand how the timbre is supposed to sound.

To recreate these patches, you will need up to 8 patch cables. You will also need a stackable cable or a splitter/multiplier. The document includes detailed information about using an external keyboard with CV/Gate outputs.

Moog Spectravox is a versatile device that can be used in various ways:
- It can generate a complete signal without additional devices and audio input.
- It can produce musical tones that can be played from a keyboard or used with external sequencers and DAWs.
- It can process external audio signals, passing them through the Filter Bank and modulations.
- It can operate in Vocoder mode.
- It also supports combinations of these different scenarios. For example, using the Vocoder with an external audio signal, plus playing notes from a keyboard or sequencer.

All of this requires connecting various sources to Spectravox. In the PDF document, I will detail the routing scenarios I used. You can either fully replicate them or use them as a starting point for your own scenarios."

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Korg DSS 1 Jam 1

video upload by Ross Totino and Fans of Collision

"Korg DSS 1 Jam 1 using this web app https://modernretro.epizy.com/dss1wave/ to load a Korg DW 6000/8000 waveform into a Korg DSS-1, creating a preset, which I did not save, being processed through an Eventide H9."

Kawai SX-240 soundscape II - When all we do destroys us

video upload by MIDERA

"Well... my friend offered me his SX-240, the one I repaired. I guess I couldn't say no to that. I bought it. I'm not 100% sure I'll keep it - just with everything I have, there's so much stuff and I'm realizing I just don't get around to all of it, but it's nice to take it for a spin. So here I go.

Eventide Blackhole VST for reverb.

Recorded June 30th, 2024."