Tuesday, October 01, 2024
UNO Synth PRO Desktop Ik Multimedia Analog synth in action - no talking
video upload by Blossom Bisquits
"UNO Synth Pro gives you the power to create almost any analog synth sound you can imagine. With its unique dual filter, 3-oscillator paraphonic design, 256 presets, 64-step sequencer, studio-grade effects, expanded connectivity, and more, UNO Synth Pro opens up new avenues for music producers.
Available in two versions to suit every musician’s needs: stage-ready with a metal chassis and the best Fatar semi-weighted keyboard; or ultra-portable, USB-powered, and with a capacitive keyboard, UNO Synth Pro brings the next generation of analog sound design to everyone, in a smart format that fits any space or budget."
Moog Minimoog Model D 1974 Walnut Vintage Original Synthesizer w/ Hard Case SN 6295
E-MU Systems Drumulator Drum Machine SN3856 w/ Factory Soundset
Note: Auction links are affiliate links for which the site may be compensated.
via this listing
Pics of the inside below.
"This Drumulator has the Factory EPROM Sound Set. Fully working unit, battery still having a good 3v and saving patterns well. Purchased this one locally earlier this year, got the button contacts cleaned up and replaced A and B drum triggers and a couple of control buttons since they were totally shot. So while the case interior indicates some markings of interesting provenance, but really doubt it was used by any bands potentially called EMF but who knows? I can't prove otherwise. Anyway...refer photos for cosmetic blemishes, scratches."
via this listing
Pics of the inside below.
"This Drumulator has the Factory EPROM Sound Set. Fully working unit, battery still having a good 3v and saving patterns well. Purchased this one locally earlier this year, got the button contacts cleaned up and replaced A and B drum triggers and a couple of control buttons since they were totally shot. So while the case interior indicates some markings of interesting provenance, but really doubt it was used by any bands potentially called EMF but who knows? I can't prove otherwise. Anyway...refer photos for cosmetic blemishes, scratches."
Oberheim Xpander Desktop
Korg MS-10 w/ SQ-10 Sequencer SN 130170 & 151111
Note: Auction links are affiliate links for which the site may be compensated.
via this listing
"The Korg MS-10 is an analog, semi-modular monophonic synthesizer made by Korg in the late 70's. It is essentially a single oscillator, single filter version of the more famous MS-20. One valuable feature the MS-10 has, that the MS-20 does not, is pulse width modulation. It has the same classic low-pass filter of the MS-20 and you can patch any audio source through it."
"The SQ-10, produced in 1978, is a classic analog sequencer from Korg's MS series. It offers 12 steps (max 24), 3 channels of voltage (2 CV & 1 Gate), portamento, 6 cycle options, individual trigger outputs, and external control."
via this listing
"The Korg MS-10 is an analog, semi-modular monophonic synthesizer made by Korg in the late 70's. It is essentially a single oscillator, single filter version of the more famous MS-20. One valuable feature the MS-10 has, that the MS-20 does not, is pulse width modulation. It has the same classic low-pass filter of the MS-20 and you can patch any audio source through it."
"The SQ-10, produced in 1978, is a classic analog sequencer from Korg's MS series. It offers 12 steps (max 24), 3 channels of voltage (2 CV & 1 Gate), portamento, 6 cycle options, individual trigger outputs, and external control."
Vermona Mars & Mars Control
Note: Auction links are affiliate links for which the site may be compensated.
via this listing
"The Vermona M.A.R.S is a compact synthesizer that is just a single rack unit high and 2.5-inches deep. It was released in 2006 and Vermona opted to keep the front panel design just as simple and compact as the unit itself. It features a stylish silver design with knobs, LEDs, and LCD.
The first knob is the PROG/PARAM, which is turned to select presets and pushed to activate them in Play Mode. It is also used to select parameters in Edit Mode, as well as change between modes, which is accomplished with a push and hold. Next is the Value knob, which is turned to adjust values. It can also be used to audition the active preset and clear the internal note memory by pressing it. There's also a Brilliance knob for adjusting the cutoff frequency in a smaller range and a Volume knob for setting the main output level of this synth. Between these four knobs, a lot can be accomplished and by limiting their numbers Vermona has kept the front panel uncluttered.
The only other things on the front panel are the 2-line LCD, the section LEDs that show which synthesizer section is being edited in Edit Mode, and a set screw that is used for tuning the synth. The screw is a rather interesting addition to the synth, but provided you warm up the M.A.R.S sufficiently it stays stable, so you don't have to mess with master tuning too much. The back panel of the M.A.R.S is just as clutter-free with only a Footswitch/ENV 1 Out, 9-12V AC jack, MIDI In Jack, MIDI Out/Thru jack, and output jack.
The Vermona M.A.R.S features a total of 128 onboard patches, but all of these can be overwritten with your own if you wish. It features the usual assortment of leads, sound effects, and basses that give analog monosynths their distinctive sound, and tweaking everything to your own liking is a simple process. For those who find programming the M.A.R.S via its front panel to be too simple, Vermona also released a special optional control unit. This 2U rackmount module has 56 small knobs that can be used for tweaking all the addressable parameters of the M.A.R.S unit. The unit itself is not quite as stylish or solid as the M.A.R.S but offered an inexpensive way for greater control of the M.A.R.S for those who didn't already have a MIDI controller box.
Overall, the Vermona M.A.R.S was a decent synth for its time that offered powerful analog sounds in a very compact unit."
via this listing
"The Vermona M.A.R.S is a compact synthesizer that is just a single rack unit high and 2.5-inches deep. It was released in 2006 and Vermona opted to keep the front panel design just as simple and compact as the unit itself. It features a stylish silver design with knobs, LEDs, and LCD.The first knob is the PROG/PARAM, which is turned to select presets and pushed to activate them in Play Mode. It is also used to select parameters in Edit Mode, as well as change between modes, which is accomplished with a push and hold. Next is the Value knob, which is turned to adjust values. It can also be used to audition the active preset and clear the internal note memory by pressing it. There's also a Brilliance knob for adjusting the cutoff frequency in a smaller range and a Volume knob for setting the main output level of this synth. Between these four knobs, a lot can be accomplished and by limiting their numbers Vermona has kept the front panel uncluttered.
The only other things on the front panel are the 2-line LCD, the section LEDs that show which synthesizer section is being edited in Edit Mode, and a set screw that is used for tuning the synth. The screw is a rather interesting addition to the synth, but provided you warm up the M.A.R.S sufficiently it stays stable, so you don't have to mess with master tuning too much. The back panel of the M.A.R.S is just as clutter-free with only a Footswitch/ENV 1 Out, 9-12V AC jack, MIDI In Jack, MIDI Out/Thru jack, and output jack.
The Vermona M.A.R.S features a total of 128 onboard patches, but all of these can be overwritten with your own if you wish. It features the usual assortment of leads, sound effects, and basses that give analog monosynths their distinctive sound, and tweaking everything to your own liking is a simple process. For those who find programming the M.A.R.S via its front panel to be too simple, Vermona also released a special optional control unit. This 2U rackmount module has 56 small knobs that can be used for tweaking all the addressable parameters of the M.A.R.S unit. The unit itself is not quite as stylish or solid as the M.A.R.S but offered an inexpensive way for greater control of the M.A.R.S for those who didn't already have a MIDI controller box.
Overall, the Vermona M.A.R.S was a decent synth for its time that offered powerful analog sounds in a very compact unit."
Cwejman VCO 6 Eurorack Oscillator Module
Note: Auction links are affiliate links for which the site may be compensated.
via this listing
Note this is a supporting member listing.
You can find additional listings from the seller here.
"Amazing and much sought after module that sounds so rich."
via this listing
Note this is a supporting member listing.
You can find additional listings from the seller here.
"Amazing and much sought after module that sounds so rich."
Getting experimental with Ear Modular Hadouken, Trot & Boxing
video upload by Signal Sounds
"The Unperson is back on the channel to explore three cool and affordable new units all the way from the underground modular scene in Beijing. Between them, Ear Modular's devices cover noise/random/S&H (Hadouken); unique, pingable filtering (Trot); and switching/logic-based fun (Boxing).
They're available here:
https://www.signalsounds.com/ear-modu..."
Yamaha VSS-200 Digital Voice Sampler + Patch Bay
Note: Auction links are affiliate links for which the site may be compensated.
via this listing
"Rare stereo keyboard which combines 100 2-op FM preset sounds, 10 rhythms and an 8-bit sampling function incorporating a four stage envelope generator and 9 adjustable DSP effects.
This unit has been custom modified to include a 14 point patch bay (five stackable patch cables are included) which allows for the further processing of any sample recorded via the onboard microphone or phono input. The patch matrix generates an array of aliasing, bit crushed, stuttering, bleeping, warped digital degradation, offering numerous unique lo-fi sound design possibilities. See the chapters in the YouTube video description for more details."
Video previousy posted here. Note the patch points are different.
via this listing
"Rare stereo keyboard which combines 100 2-op FM preset sounds, 10 rhythms and an 8-bit sampling function incorporating a four stage envelope generator and 9 adjustable DSP effects.
This unit has been custom modified to include a 14 point patch bay (five stackable patch cables are included) which allows for the further processing of any sample recorded via the onboard microphone or phono input. The patch matrix generates an array of aliasing, bit crushed, stuttering, bleeping, warped digital degradation, offering numerous unique lo-fi sound design possibilities. See the chapters in the YouTube video description for more details."
Video previousy posted here. Note the patch points are different.
PREVIOUS PAGE
NEXT PAGE
HOME
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
