"The synth works perfectly and is in great cosmetic condition.
The German-made Hartmann Neuron was a polyphonic synthesizer that attempted to break new ground using a new form of synthesis and sound-modeling that was reportedly based on technology found in neural networks. The mechanism involves analysis of audio files (samples) and creation of digital computer models of these sounds which can then be re-synthesized and processed using the extensive amount of on-board data-wheels and joysticks with control of more 'musical' sonic aspects such as instrument shape, size and acoustic behavior. The joysticks allow for real-time tweaking of up to three parameters at once - 3D modeling in a true 5.1 surround sound environment. A truly unique and rare synth! Great for sound design!"
"Free taster pack exclusively crafted for the UDO Super 6 Keyboard and Desktop. Includes Keys, Pads, Lead & Distorted Cinematic FX patches. Designed for immersive sound exploration!
"In this special workshop, Andreas Zhukovsky, the founder and designer of Endorphin.es, shares insights into the company's innovative approach to modular synthesis and effects pedals. Andreas showcases a 4U 104hp modular system, featuring drums and several voices controlled by the powerful Ground Control sequencer.
Enjoy this recording of the workshop to gain a deeper understanding of Endorphin.es products, their philosophy, and how to integrate these fine tools into your own music. Watch and discover the potential of this versatile modular system and effects pedals!"
"Bagài can be a random voltage generator, a clock burst, a fluctuating random voltage generator, an analog sample and hold, a downsampler, a bitcrusher, a clock generator, and probably a lot more that we haven't thought about yet."
00:00 Introduction 00:30 Interface overview 01:22 The clock section 01:53 The random clocks 03:34 The clock CV input 04:08 The external clock input 04:30 The clock button & gate! 05:25 The noise section 06:01 The sample and hold section 07:06 The sample and hold input and a difference with sap 09:46 The quantized S&H section 10:43 Downsampler and bitcrusher: audio-rate clock 13:32 The fluctuating section and the global rate of change 14:21 The probability distribution 15:59 Fluctuating and probability distribution CV input 16:45 The clock burst section 18:02 The clock burst gate input 18:33 The burst clock input 18:47 Final patch and closing remarks
"I got my Doppio ( a Double Espresso) when I visted Dutch Modular Fest in 2023. It was still a prototype and I think it was officially announced eight months ago. I saw it again at DMF 2024 and I agreed with Tom (all three of them) to make a video about it. I really like to support the small manufacturer, so this video is sponsored by me and I paid full price.
Doppio is one of those modules you'd set and forget, a module you can always rely on when things get loud, and a module you can depend on when your source material is barely audible. So in a nutshell, it's a stereo AMP that can amplify your source 1x, 5x or 21x. If you want to blow things up, you can also try modular level and make it 21 times louder, and maybe add some extra drive to it. Need more? You can also patch dual mono to achieve a x42 gain but I can't think of a scenario where I'd use this creatively. When used incorrectly, it will saturate your source to a point where I'd say it's ruined.
When used creatively, there are no rules. When use correctively, less is more.
When dynamics are unpredictable, the module provides a limiter, which attenuates your peaks and avoids your sound from clipping.
If you're coming in TOO loud, the limiter will try do damage control, but results may vary between 'not so bad' and 'abandon all hope'. So gain staging for your intended use will always be important. If you use regular modules and a decent mixer, your mixer may already provide soft-limiting (e.g. Erica Synths) and this will not be a must-have module. So always check before you get gear lust.
I use it a lot, preferrably just before my output module, or near my mic preamp. It's a permanent part of my 'new' Utility Case, which I've prepared to have the modules I often use always nearby, regardless of the subject of a video."
"L-1 DM VCF from the L-1 Filters Collection.
It's state-variable filter with double cells. It gives 24dB/oct filtration.
Comparing to other filters of the Collection:
This one is most 'ideal' working.
It gives stable equal loudness selfoscillation in full frequency range.
It has thinnest resonance spike, so the resonance sounds not so 'bold' as others.
It sounds sharp and clean. If you want fat and dirty - this is not that one.
It adds less overtones and harmonics to the sound comparing to other filters of the Collection.
Someone can say it's too cilinic and dry, but often this is exactly what is needed."
"DELIA's Morph feature is a powerful creative tool in addition to its versatile palette of sounds and motorized knobs. Morph is one of DELIA's sound design and performance superpowers. Morph can transform your sound; create truly unique timbres and a powerful expressive performance tool.
Essentially Morph gives you access to 2 different patches, where you can combine or mix between 2 different patches, be they similar in sound or completely contrasting.
Morph interpolates the settings across the entire front panel, unlike an audio cross-fader. Morph transforms the settings across the oscillators, filters, envelopes including all the modulation matrix assignments.
By default, almost every patch on DELIA has 2 sounds loaded into A & B. The Morph knob moves between A & B, where you can see the front panel knobs moving and responding to the changes between the 2 patches. Press the button next to the Morph knob to switch instantly between A & B patches. When lit, this button indicates you are on the B patch.
Moving the Morph knob immediately prompts the option on screen to either save your current settings to position A or B . This is great for those moments when you hit on a sound you love - a very fast and intuitive way to create new patches. Just don't forget to save your preset when you're done!
To LOAD a new sound to Morph, hit LOAD, find the preset you want then hit OPTIONS where you'll be able to load the patch to A or B.
Morph can also be a modulation destination, easily assign your modulation source and dial in the Morph amount!
Whether you're looking for subtle way to shape your sound or create wildly contrasting timbres, Morph is a lot of fun, like having eight arms. It's a source of happy accidents and equally a powerful way to manipulate your sound on DELIA."
"The synth works perfectly and is in great cosmetic condition.
