Bad Gear - The END of Volcas

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. Volcas are awesome: the original meme synths that kicked off an ongoing trend of miniaturization in music technology and turned countless promising musicians into irredeemable gear addicts.

However, everything must come to an end, so today we are going to talk about Volca Sample New Generation. You might be surprised that my original Volca Sampler - although prominently featured on this channel - never actually received the Bad Gear treatment, that this is the very last member of the existing Volca family to be reviewed here and let’s discuss why I don’t think there’s ever going to be another Volca as we know it.

Volca Sample is not a sampler

Bad Gear - The END of Volcas

Chapters:
00:00 Intro tune
01:02 Overview Korg Wolca 2
01:57 How to play tonal stuff
02:12 UI, Workflow
02:49 Reverb Effect, Analog Isolator
03:12 Sequencer (Step Jump, Active Step, Motion Seq)
04:00 Sample Import, Computer Integration
04:27 What else??? (Connectivity, Pricing,...)
04:50 Hate
05:15 Jam 1 ( Lo-fi House )
06:11 Jam 2 ( Drum'n'Bass )
07:16 Finale ( Proto Bass Music )
07:46 Verdict"

KORG NTS-3 kaoss pad – secret new Sinevibes plugin teaser

video upload by Sinevibes

Casual Cric! 13th December 2024

video upload by Future Sound Systems

"Casual afternoon hangout with Cric"

Dawless #melodictechno with TS1 #eurorack #sequencer .

video upload by bvr-instruments

"This video deals with minimal eurorack gear to make techno without DAW. The sequencer is the TS1and despite it's tiny cpu power it has now ability to receive any external midi keyboard notes to be recorded live and play them thru midi output.

This demo was performed with :
TS1 sequencer, Bass Drum from @bvr-instruments.net,
Bitbox micro from 1010Music ,
Filtare SEIII from Division 6
UDO super 6 synthesizer."

Four channels of wiggle - Envy Machine by RYK Modular Demo

video upload by Stazma

"Hey there!
I've already uploaded a short jam with the RYK Envy Machine but here we go for a proper demo showing how it work (and a few other jams).

Have fun!"

Make Noise Shared System + QMMG

video upload by Akihiko Matsumoto

"Make Noise Modular Synth (Sample Pack) https://akihikomatsumoto.bandcamp.com...

Morphagene Sample Source: https://akihikomatsumoto.bandcamp.com..."

Creative Sound Design with a Matrix Mixer: Herbs & Stones Pathways (w/ Critter & Guitari + OTO BAM)

video upload by pitch patch

"This is a demo of the Herbs & Stones Pathways. A powerful, hands-on matrix mixer that can transform your sound design process. From unique routing possibilities to dynamic feedback loops and CV modulation, Pathways opens up endless sonic opportunities."

Elektron Syntakt Tutorials by Dave Mech

video uploads by Dave Mech

vague vision ... Elektron Digitone II ... dubstep, chillstep

video upload by substan

"A performance on the Elektron Digitone II
Recorded in one take.
Mastered in post.

As always ... the project file & music on Patreon.
The great support from my patrons makes all of this possible ... thank you so much guys !! / substan

Substan Bandcamp Page: https://substan.bandcamp.com"

When Worlds Collide | Why I don't need a lock-in amp | COLLIDE 4 Ep. 03

video upload by Cinematic Laboratory

Cinematic+Laboratory+COLLIDE+4

"I didn't realize my episode 01 was about three weeks ago. It felt like three months or more. As you may know, this channel is not sponsored and I usually do my research before I buy a module. So far, it didn't work out well and since I am planning to clean-up my collection in 2025, it ended up on my 'may need to go' list.

Don't get me wrong, I think it deserves the 2024 eurorack design award. It's just me not getting along very well. It's advertised as a lock-in amp, but its main purpose is kind of useless in electronic music. So it's meant to be creatively 'abused' and 'repurposed'. Please note I am not trying to use it as a lock-in amp, I am exploring new creative ways to use it.

Instead of making sure your delicate faint source doesn't clip, you'd go for 30 dB gain compensation, turn up the resonance and then gain the filter some more. It's designed to isolate a faint sinewave hiding in a wall of noise and extract phase and amplitude. But why should we even want to do that? And then there's a simple ringmod, a relatively simple sine VCO with TZFM support and some logic. It can't process stereo signals because it will cancel out your center information.

Since I have a huge collection of modules, I always wondered about making my own 'recipe' with a separate amp, filter, frequency shifter, ring mod and quadrature VCO. I think I came a long way this time, only enforcing the idea that the C4 is 'obsolete' in my collection. So even though it's an excellent module, you'll need to double check if you can build one with separates. It wouldn't be a lock-in amp, but I truly believe I don't need one in its designated role and I will explain why.

If you do not agree, PLEASE don't just dislike this video, but share your tips and patching tricks, so the community will be able to learn how to appreciate it - including myself.

And then I hooked up the C4 with my improvised version, and a wonderful world of magic opened up. It was so good that I decided to keep the C4 after all, and follow that path. So it's an all over-the-place personal struggle video, but I think it's real and honest. We all end up struggling from time to time. However, my number 1 rule is 'when you feel a module sounds bad, you're not patching it right'. It's not always true, but it encourages me to try things.

Hainbach is a master in restoring life to old 'crap' we'd throw away as trash, and I love his work. But I am not Hainbach and he's not included in the box. I can only stumble in his footsteps. Fortunately, I can just be myself and do my own thing. Just like there's nobody like YOU either."

COLLIDE 4 | Episode 04 | Post-Collision Course

video upload by Cinematic Laboratory

"I felt I had to make this episode before anything else. In episode 03 I posed the question whether or not I'd need a 'lock-in amp' in eurorack. I got myself into kind of a rut after making two episodes, wondering if I made the right decision to get one. And if this happens, I need to openly reflect on that because there's something to learn from it. If it happens to me, it will definitely happen to you too, because I make these mistakes for a living.

By all means I never meant to say 'do we need a C4'. It depends on your own journey. It turns out Hainbach needs four. Blush Response definitely loved every single HP of it. For his genre and style, the C4 immediately delivers. Truckloads of it.

I was hoping to open a discussion and learn from others, but I've also seen signs of the wasp-nest cancel-culture. I've seen comments I had to delete and I permanently muted some. I do not allow any insults to me, my fellow youtubers and beloved manufacturers. To anyone. But I am too old to get angry about it, or take the insults personally. I learn from personal opinions, I learn from revising my own conclusions, and I always rectify a few episodes later, sharing any new insights. This is a good example.

I kind of promised if there would ever be an episode 04, it would be about a C8, a dual COLLIDE 4. I'll need to work some more on that, but the lab now has two. I had to pay for both of them myself, so there's no 'paid promotion' of any kind. There were no discounts. This is also why it's so much fun to run this channel. I try to be honest, but I can't be objective. I don't ever want you to buy two because I did. I want you to know what you're getting yourself into. The COLLIDE 4 is an open platform. It has no intended use except the scientific measurements of cyclic waveforms in noise. What you get out of it is what you dialed and patched in.

Thanks for your patience and resilience, and be nice to each other."