"Only 222 of these beauties were ever made. This is #138/222. A hidden gem monster bass and lead boutique synthesizer. A true work of art and visual masterpiece. Now is possibly your last chance ever to own this rare blue beetle in such pristine condition with all of its original packaging. It includes the original box, manual, certificate of authenticity, matching sustain pedal, power supply, and a few other accessories in the box. It will be packaged very securely for shipment around the world."
"Unique, hard-to-find and collectible. Original full color Yamaha FB-01 Tone Generator FM Syntheziser 6 page promotional brochure. Stunning triple gatefold layout and full detail description and specifications of this mighty little synth from 1986.This ultra-rare and significant brochure was published to introduce Yamaha's first truly affordable desktop synth module, and help launch the home studio revolution.
8 1/2" x 11". In excellent near mint condition.
Check my other listings. I'm selling a large collection of original vintage brochures, price lists and newsletters featuring synthesizers, guitars, effects boxes, samplers and signal processor from the Dawn of MIDI, early to mid 80's, including Fender, Oberheim, Sequential Circuits, E-Mu, Moog, and much more! Also, coming soon, synth magazines from the same era..."
"A Human League Favourite - You probably never realised you've heard it, but its a super flexible things. The Yamaha CS-15 from 1979 has got 2 state variable VCFs, 2 VCAs, 2 VCOs, 2 ADSR envelopes, 2 Pitch envelopes... and 2 independent routings - you get the gist. The Yamaha CS series isn't as well known as Moogs, Arps and Oberheims, but they can pack quite a punch.
A 12dB filter may have been its future downfall, but its more like a mini modular (like the Kawai 100F I demo'd here ) [posted here]
There's essentially a single 2 VCO monosynth, plus an additional path with noise and one of the VCOs. The additional patch (the upper section) has its own filter, VCA etc. The only real downside is a single LFO for all modulation. The CS30 takes things further but this is a more compact and cheaper unit."
"Korg Phase8 es un dispositivo musical peculiar y asequible, con un precio por debajo de 100 €, que estará disponible a finales de año. Utiliza barras de metal accionadas por un electroimán, permitiendo generar sonidos únicos mediante la manipulación de pocos parámetros: nivel/velocidad (que puede llegar a saturar y romper el sonido) y envolvente, que controla la duración y el ataque del sonido, desde percusivo y corto hasta más suave y prolongado.
Destaca por su construcción robusta y metálica, lo que resulta sorprendente para su bajo costo. Ofrece opciones creativas como la posibilidad de añadir apagadores, golpear las barras manualmente para producir sonidos o usar la acción electrónica. Incluye un modo de grabación por pasos (step mode) que permite registrar pequeñas secuencias de hasta 8 pasos, aunque también es posible grabar a tiempo real. Cuenta con un efecto con tres variantes, incluyendo delay (desde breve tipo slap o más extenso y con feedbacknpara crear eco) o modulación, capaz de trémolo y variaciones de tono, que se pueden ajustar para añadir animación o prolongar la duración del sonido.
En cuanto a conectividad, dispone de puertos USB, MIDI, sincronismo y una entrada de voltaje que controla alguno de los parámetros comunes. Es un dispositivo rudimentario pero curioso, que da forma a un instrumento simple y económico. Aunque no se espera un rendimiento complejo, su diseño metálico y la posibilidad de experimentar con sonidos lo convierten en una propuesta muy singular, desarrollada en la sede de Korg en Berlín."
Googlish:
"The Korg Phase8 is a unique and affordable musical device, priced under €100, and available later this year. It uses metal bars driven by an electromagnet, allowing unique sounds to be generated by manipulating a few parameters: level/speed (which can saturate and break the sound) and envelope, which controls the duration and attack of the sound, from percussive and short to softer and longer.
It stands out for its robust, metal construction, which is surprising given its low cost. It offers creative options such as adding dampers, manually striking the bars to produce sounds, or using electronic action. It includes a step recording mode that allows you to record small sequences of up to 8 steps, although it is also possible to record in real time. It has an effect with three variations, including delay (from a short slap-like delay to a longer one with feedback to create echo) or modulation, capable of tremolo and pitch variations, which can be adjusted to add animation or extend the duration of the delay. sound.
In terms of connectivity, it has USB, MIDI, sync, and a voltage input that controls some common parameters. It's a rudimentary but interesting device that creates a simple and inexpensive instrument. While complex performance isn't expected, its metallic design and the ability to experiment with sounds make it a very unique offering, developed at Korg's headquarters in Berlin.
"Arcaico Murena is a feature-rich analog module designed to deliver a distinctive, unpredictable, and versatile sound. With a width of 26 HP and a depth of 38 mm, the Murena is a concentration of functionality in a compact space.
A 6-channel mixer, each equipped with a distortion VCA, attenuverter and switches to select the internal routing destination. The channels are divided into two groups of 3, allowing flexible stereo management. Each VCA can be controlled either manually via the panel or via bipolarized CVs, offering extensive modulation possibilities.
Each group of 3 channels terminates in a multi-mode filter , capable of generating extremely aggressive sounds. After the filter, the signal can be routed to a distortion or directly to the mix. This configuration allows the two groups to be treated as a stereo pair or to use A-B crossfade modulation for dynamic transitions.
Every parameter of the Murena is manageable either from the panel or via CV, offering complete and creative control. The ability to patch the module to itself allows endless sonic combinations to be explored, making each use unique and unpredictable.
6-channel MIXER/VCA with CV attenuverter, cv and switch for routing (3-channel stereo mixer or 6-channel mono mixer or a combination of both)
Independent mono output of all 6 channels (clean)
2 multi-mode VCFs (LP/BP/HP) at 12db/oct with CV attenuverter, independent clean outputs, indepentent distorted outputs, fade output and 1V/Oct control (tuned up to 5 octaves)
OVEDRIVE with cv control on each filter
Stereo/mono/dual mono output and mono A+B output controllable via cv
