MATRIXSYNTH

Saturday, September 05, 2026

Free Synth - FB3 by Full Bucket Music (No Talking)


video upload by Elektronick Musick

"Simulating the classic Kawai K3/K3m synthesizer from 1986.

https://fullbucket.de/music/fb3.html

'Simulation of the original wave generator unit
Original factory sounds
Up to 64 voices polyphony
User interface can be used to edit the original K3/K3m units
SysEx and User Wave import and export
Resizable user interface (not "N" version!)
Supports MTS-ESP by ODDSound dynamic micro-tuning
MIDI Learn – all parameters can be controlled by MIDI CC
Plug-in supports Windows and macOS (32 bit and 64 bit)
No AI tools were used, except for a few stylistic improvements to the English in the manual
Of course, FB3 sounds nothing like the hardware, and especially the filters are crap. That said I hope that all the non-nitpickers will have fun with my plug-in.'"

Also see Kawai K3 as a plugin | FB3 from Full Bucket (and it's awesome)

Update smart Lab development what are the changes?


video upload by errorinstruments paul tas

Ambient Electronic meditation -live Berlin school inspired Ambient music


video upload by RandomVoltage

"Ambient electronic meditation

Ive recorded this a couple months back-if you following me for a while you probably recognise this setup and vibe! I must have forgotten about this version and just came across it while putting together an album..

This is also available on Bandcamp now with four more tracks and similar vibe…"

https://randomvoltage.bandcamp.com

#ambientmusic #relaxingmusic #spaceambient #spaceambientmusic #analogsynthesizer #moog #arp2600 #arturia #minifreak #solina #electronicmusic #dawlessjam #sounddesign #scifimusic #lofimusic #sleepmusic #strymonelcapistan #eventide #klausschulze #brianeno #berlinschool

Friday, September 04, 2026

Sequential Fourm - The Non Prophet Presets


video upload by kgbirmingham media

"Sequential Fourm – The Non-Prophet Presets
I almost didn’t buy the Fourm, because most of the demos I watched focused on the “Prophet Sound,” which is great, but I was hoping for more versatility then that.
When I got it home and went through all the Factory Presets, I soon discovered that it is a very versatile synth with lots of character and it is quite capable of producing Non-Prophet Sounds!
So, the following are a whole bunch of Non-Prophet sounds, with a few classics put in, just because.
I did not apply any effects and the only plug-in I used was a Limiter.
Enjoy!
For the Techies
Here is the list of Presets.

He Ran the Octave CAT SRMII Through Verbera + Freqlux... What Emerged Is Insane!!!


video upload by HanzVolt

"Forbidden combo: Octave CAT SRM II + Hotone Verbera + Frelux. Analog synth into modern reverb and modulation — this is what the stack actually sounds like.
Octave CAT SRM II analog synthesizer demo with Hotone Verbera (IR/reverb/freeze) and Frelux. Raw oscillators, filter, space, and movement. No fluff.
Gear: Octave CAT SRM II | Hotone Verbera | Hotone Frelux
#OctaveCAT #CATSRMII #HotoneVerbera #AnalogSynth #SynthDemo #HanzVolt"

Also see Octave CAT SRMII + Hotone Verbera Journey through space…

RECODRUM-S - new Recodrum Overview


video upload by Arthur Joly

www.recosynth.com

Chromatic Easel


video upload by Todd Barton

"Feeling a bit chromatic today . . .
Instagram @synthtodd
Patreon / synthtodd"

Slow Grace - Prophet-10 : Arp Axxe : Looper


video upload by Johan Boberg

"Sit back and relax."

Prodigy Pulse - No Other Sounds. Just These. | Martinic Prodigy


video upload by Solidtrax

"100% Insurgent Circuits & 100% ‪@MartinicCom‬ Prodigy | Demo no. 2

50% Intro Offer - Get the sounds behind Prodigy Pulse!

Get Martinic Prodigy and Solidtrax Insurgent Circuits at 50% off:
https://martinic.com/prodigy
https://solidtrax.nl/product/insurgen...

Composed, mixed and mastered in ‪@bitwig‬ Studio 6.1"

parallels // LinnStrument + Melbourne Instrument Nina


video upload by the audio dump

"Some quick technical notes since I wasn't feeling the live annotation on this one. If you notice “SWITCH 1” lighting up intermittently on the left side of the instrument, that’s showing when I’m using the sustain pedal. The switch is assignable, so that isn’t necessarily what it means in every LinnStrument setup, but for me it’ll generally be sustain unless otherwise noted.

For those unaware of the Linnstrument, it was created by Roger Linn and has 8 independent rows of notes. By default these are tuned in fourths but mine is tuned (low to high) EAEADGCF. The red lights are a custom setup and do not indicate any specific notes or scales like the stock setup; I made them to resemble the fretboard markers on a guitar. The white lights show what is being played as well as all other locations on the grid where those same pitches occur. You can customize these lights however you want to. I really can't say enough good things about the Linnstrument, so if you have any questions let me know.

The Nina is being restricted to 8 voices despite it being a 12 voice synth. This is to allow a longer release while letting the voice allocation keep things from getting too muddy. The patch is intentionally simple and you can read the details from the front panel. One thing I really like about the Nina is that the oscillator waveforms are not just on/off, so this patch is based around a morph between a triangle and a saw. All effects are internal and from the Nina.

The Nina is being controlled in MPE mode - there is not a lot of in your face MPE gestures here like extreme independent slides, but per note vibrato and occasional slides for phrasing have become practically essential to me now. I really hope more synths add MPE support over time because at least personally it is very much a "once you try it you don't want to go back" sort of thing for performance. Another important feature of MPE is being able to play unison intervals, since the exact same pitch can occur on multiple channels at once (which you can hear here a number of times).

This music came together very quickly, though I had some other ideas that didn't fit here, so most likely this will be the first in a series of 'parallels'."
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