MATRIXSYNTH


Friday, December 05, 2008

THE KEY-COLLECTIBLE GUITAR SYNTH


via this auction

"So fasten your seat-belts & enjoy the read (and if you don't please don't tell me as I'm terribly insecure) About 15 years ago a client of the ad agency I worked for called me with an interesting question; "If money was no object (I wish!) What's the best professional performance keyboard available today--in terms of range and realism of sounds"? As I'm a part time musician all it took was a few calls to confirm it was the KORG m1. 

So my next question was why is the owner of well known telecom products company whose stuff was sold at every local and national retailer asking me about electronic keyboards--telephone keypads, maybe but music keyboards?!?! About six months and 3 non disclosure agreements later, I got my answer, it was called THE KEY. And it was the culmination of serious amounts of R&D time and money. The KEY was a culmination of a dream. It was designed to be an air guitar "brought to life" or an "air guitarists dream machine". 

Essentially it enabled ANYONE regardless how tone deaf they were to sound like the pro of their choice. Bsically the unit had "cartridges" Each cartridge was loaded with a selection of songs (usually representing a genre or artists) the guitar "part" which progressed along automatically was controlled by the "guitarist" in terms of style, rhythm, etc--in other words it was IMPOSSIBLE to play a wrong note and the variations as to how you played the right guitar parts were limited by your imagination or confidence which built along with your comfort level. If you were at all musically adept, you coud actually use THE KEY like a real guitar as the "fins" functioned as guitar strings the "rockers" on the neck functioned like the frets on a regular guitrar with the added benefit of pitch bending, classic "synth style" portimento (the note to note smooth "slide effect") and all the other stuff that was years ahead of its time. Case in point it even had "networkability: with a second KEY via a simple phone jack, plus it could even be used as a MIDI controller--right out of the box. 

And because the Soul of the KEY was a sound board used in the KORG M1,(which back then was over $500, JUST FOR THE BOARD) the voices are nothing short of flawless-both in solo or in full orchstral mode, Basically the unit is layed out as follows;

1)The Neck with the touch sensitive rocker frets which aside from letting you control the "tuning" of the song being played from the cartridge also make the KEY playable like a regular guitar 

2) The Body which has two rows of selector buttons for; a) POWER (obvious) b) LEAD (choose the volume of lead insrtument+switch the "choice" of the lead instrument from whatever's programmed for that song to whatever satisfies our creative curiosity--imagine the signature lead giotar on LAYLA (one of the 9 songs included on the cartridge) replaced with a bagpipe , string section or sitar --all controled by you as you play it note for flawless note,,, 

c) SONG: How you choose the song from the cartridge 

d) VOLUME: self explanatory 

e) KEYBOARD: Guess what the "frets" can control the "strings" like a real guitar or if you want to channel your inner "Stanley Jordan" or "Andy Mcee" you can set the KEY up to play the neck as a second seperate instrument 

Logan Keyboard Duet


YouTube via tretretretretretre6. "vintage italian"

M511c


YouTube via moonmodular

My Little Robot is Alive (analog synthesizer -Nikon D90)


YouTube via pepemogt
"I am just testing some macro lemses on the Nikon D90 and making noises with this robot from Bleep Labs.

Track on background is "Rio" from my album "110" on Static Discos, all bleep noises by the Little Robot..
enjoy!

http://www.myspace.com/latinsizer"

Cwejman VM-1 Meets SH-101


YouTube via bigcitymusic
"We're using the sequencer from the classic Roland SH-101 to play the Cwejman VM-1 Voice Module / Multimode Filter.

The VM-1 is an incredible module that contains a versatile Cwejman oscillator as well as Cwejman's renowned Multimode filter. Unlike the MMF-1 the VM-1 gives you the "Mode Morph" knob which allows you to sweep through the different filter modes. These include low, band, and highpass. You also have the ability to fade between filtering the oscillator and an external audio source.

The VM-1 has 7 different oscillator waveforms to choose from and includes a control knob for pulse width. It has audio outputs for the filter and the voice. The VM-1 also has a versatile envelope section, allowing you to control both amplitude and filter envelopes in conjunction or separately. The best thing is, it sounds great."

Roland GR-300

images at this auction
"Features of the GR-300:
# 6-voice polyphony
# 2 oscillators per voice
# VCOs are directly harmonically locked to each string, but can be tuned separately
# VCF with variable length sweep up and down
# Low Frequency Oscillator, for Vibrato Effects
# Built-in foot switch controls the VCO mode (single/dual)
# Built-in foot switches control the VCO harmonize pitch (detuning of the VCO's)
# Built-in foot switch controls the VCF mode (on, bypass, or inverted)
# Pedal control input for the VCF
# The GR-300 can output either the guitar, the synth, or a mix of the two
# Synchronized, flashing LED status indicators
# Heavy-Duty Construction with Quality Components
# All-Analog Construction"

Roland OP-8

via this auction

Oberheim OB-12


images at this auction

beatles

Richard Devine & Josh Kay (Jeswa) live @ Nophest ATL 2008


Richard Devine & Josh Kay (Jeswa) live @ Nophest ATL 2008 from jeswa on Vimeo.
"Just jamming, nothing serious. A little unadulterated & obnoxious neo-acid.

RD: 808, 303 (Devilfish), Machinedrum, Monomachine, Kaoss Pad, Roland SBX-10 sync box.

JK: Doepfer Suitcase = Livewire AFG, Plan B Model15 (2), MakeNoise QMMG, Doepfer A-119, 188-1y (256), Doepfer A-149-1/2 and a few other goodies. I forget.

...and no computer."
http://devsnd.blogspot.com
http://devinesound.net/

Update via threv in the comments:
Nphest website: www.nophest.com

Rebekah Raff Joins Plan B

via the Plan B list:
"It's with great pleasure I announce that Rebekah Raff will be joining
the Plan B posse effective Monday, replacing the spot vacated by Elias
Angulo who left to pursue other interests.

Rebekah, who studied at CalArts in mid 90s, is an accomplished
harpist and contributor to the esteemed Harry Partch Ensemble. She has performed with Outkast and toured with both Britney Spears and Kanye West. In 2007 she added analog synthesis to her arsenal.

I've had the pleasure, I dare say honor, of working with her for the past year, first with analog synthesis instruction with later efforts focused more in composition. I've pleased to say I've had an effect: She and her boyfriend Andy Kaulkin named their new kitten Mort and their dog Buchla!

As a sidebar here, in the hopes of gaining her approval I have from time to time shown Buchla (she's a gal) my new circuit designs. So far she is unimpressed but I remain hopeful that future efforts will arouse more enthusiasm.

FYI, I recently mentioned this christening to Don Buchla. His comment was striking: "At least I didn't get the cat". No joke!

Anyway, give a greeting to Rebekah. We're pleased to have her wth us.

Rebekah on myspace:

http://www.myspace.com/hipharp"
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