MATRIXSYNTH: Search results for Astronauta Pinguim


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Showing posts sorted by date for query Astronauta Pinguim. Sort by relevance Show all posts

Monday, July 29, 2013

Eberhard Schoener and the 2nd Moog Synthesizer Returned From John Lennon

via Astronauta Pinguim where you'll find a five question interview with Eberhard Schoener.

"In the late '60s, Eberhard Schoener set up the Bavaria-Studios for Electronic Music, and he was also one of the first musicians in Germany to purchase a Moog Synthesizer (the same Moog that later appeared in records by Popol Vuh and Klaus Schulze). In 1971, Eberhard Schoener released "Destruction of Harmony", a record in which he recreates pieces from Bach and Vivaldi using his Moog Synthesizer..."

Regarding the Moog modular:

"ASTRONAUTA - You had one of the first (if not the first one) Modular Moog Synthesizer in Germany. How and when did you purchase that?

SCHOENER - Actually it was Moog No. 2 and it returned from John Lennon. He influenced me a lot and for years it was one of my favourite instruments."

I'm curious if this is the same system used by George Harrison:

George Harrison & His Moog Modular - Zapple & Electronic Sound

Monday, July 08, 2013

Festival Oscillations/SESC Vila Mariana Featuring Herb Deutsch & More

via Astronauta Pinguim (Googlish translation below)

"Festival Oscillations

SESC Vila Mariana

Apresentação:

O termo “música eletrônica” é associado, principalmente nos dias de hoje, à raves e pistas de dança do mundo inteiro. Mas nem sempre foi assim. Houve um período no qual as coisas eram bem diferentes e o termo era utilizado quase que exclusivamente de forma acadêmica nas faculdades de música, que tinham entre seus mestres nomes que trabalhavam com estruturas musicais mais radicais e inovadoras, geralmente utilizando tecnologias recém inventandas e ainda em desenvolvimento. O período que vai desde as primeiras experiências com geradores de som construídos eletrônicamente e o uso destes aparatos para gerar ritmos dançantes é tão grande e tão cheio de mistérios que merece ser estudado com mais profundidade e, somente com estes estudos e o acesso do ouvinte à eles, entenderemos melhor a evolução pela qual a música moderna passou no ultimo século, acarretando inclusive mudanças sociais e comportamentais importantíssimas para a humanidade. Ao trazermos ao Brasil nomes como Herbert Deutsch, Harald Grosskopf, Hans-Joachim Roedelius e Silver Apples, não só realizamos um festival inovador - nunca antes realizado no nosso país - como também trazemos uma parte importante e (ainda) não devidamente documentada da música mundial!

Participantes do Festival Oscillations:

Herbert Deutsch – O compositor, arranjador e inventor norte-americano Herbert Deutsch - nascido no início da década de 30 - foi o grande nome ao lado de Robert Moog na invenção do sintetizador. Foi ele quem procurou o doutor Moog com a idéia de um novo instrumento baseado nos estudos de osciladores controlados por voltagem, já em andamento nas pesquisas de Robert Moog. Herbert Deutsch foi parte importante na confecção do protótipo numero um do sintetizador Moog, instrumento que mudou completamente a forma como a música passou a ser criada e apreciada nas últimas 5 décadas. Desde o início dos anos 60, ele tem se dedicado a lecionar nas cadeiras de Musica Eletrônica e Composição na Hofstra University, em Nova York. Herbert Deutsch apresentará sua famosa palestra/concerto/demonstração “From Moog to Mac”, que abrange desde seus primeiros experimentos com música eletrônica, ainda nos anos 50, até suas mais recentes pesquisas na área, passando pela invenção do sintetizador em 1964. Herbert utilizará instrumentos originais para suas demonstrações no auditório do SESC Vila Mariana.

Harald Grosskopf - Nascido no final dos anos 40, na cidade de Hildesheim (Alemanha), Harald Grosskopf é, desde o início da sua carreira artística no começo dos anos 70, um dos músicos mais atuantes da sua geração. Participou de mais de 100 discos de bandas e artistas importantes do chamado "krautrock", como Wallenstein, Cosmic Jokers, Ashra Tempel, Klaus Schulze e Walter Wegmüller, entre outros. Em 1980, Harald Grosskopf lançou seu clássico LP “Synthesist” (relançado recentemente pelo selo norte-americano Rvng Intl), além de atuar como músico na banda de apoio da cantora Lili Berlin, na primeira metade dos anos 80. Nos anos 90 e 2000, Harald participou de projetos ao lado do também músico e produtor alemão Steve Baltes (Sunya Beat e N-tribe), além de dedicar-se à sua carreira solo e também retornar à banda Ash Ra, onde permanece até hoje. Harald Grosskopf tem 6 discos solo lançados, sendo o mais recente uma nova roupagem do álbum “Synthesist” (1980), agora renomeado “Synthesist 2010” (Rvng Intl).

Hans-Joachim Roedelius - Hans-Joachim Roedelius é um dos principais nomes do "krautrock" (como era chamado o rock e a música eletrônica/experimental feita na Alemanha nos anos 60 e 70) e também pode ser considerado um dos principais e mais criativos pioneiros de várias subdivisões da música eletrônica, da "ambient" ao "industrial", devido à originalidade dos projetos e bandas nas quais foi integrante ao longo de 45 anos de carreira. Fundador do trio Kluster - ao lado de Conrad Schnitzler (ex-Tangerine Dream) e de Dieter Moebius -, do Cluster (com Moebius) e do Harmonia (com Moebius e Michael Rother, ex-Kraftwerk), Roedelius é um dos experimentadores mais sutis (e ao mesmo tempo um dos mais radicais) dentro das suas áreas de atuação, sendo citado como influência de nomes como o produtor Brian Eno, com quem Roedelius gravou 3 álbuns nos anos 70 ("Tracks and Traces", gravado pelo Harmonia em 1976, "Cluster & Eno" e "After the heat", ambos gravados por Roedelius, Moebius and Eno em 1977).

Silver Apples - Influência tanto para apreciadores da música eletrônica - aquela feita nos primórios, com equipamentos analógicos e sem toda a tecnologia "facilitadora" de hoje em dia - como para fãs do rock experimental que se fazia nos anos 60, o Silver Apples é uma das bandas mais interessantes da história da música mundial. Formada na segunda metade dos anos 60, a dupla original era constituida pelo baterista Danny Taylor e por Simeon Coxe III, executando uma parafernália eletrônica inacreditável na época (Simeon chegou a utilizar nove osciladores de áudio controlados por um mecanismo no qual ele utilizava as mãos, os pés e até os joelhos e cotovelos para tocar ao vivo). Nesta época a dupla gravou três discos imprescindíveis em qualquer coleção: "Silver Apples" (1968), "Contact" (1969) e "The Garden" (gravado em 1969, mas lançado somente em 1998), álbuns que colocaram os Silver Apples para sempre na história da música como uma das primeiras bandas eletrônicas de todos os tempos, antecipando inclusive toda a revolução eletrônica capitaneada pelo Kraftwerk e outras bandas alemãs na década seguinte. Hoje em dia, Simeon Coxe III mantém o legado da dupla vivo (apesar do falecimento de Danny Taylor em 2005), se apresentando nos maiores festivais de música do mundo! O Silver Apples se apresenta pela segunda vez no palco do SESC Vila Mariana.

CURADORIA/ DIRECAO ARTISTICA:

Monday, June 10, 2013

Barbara Eugenia with Astronauta Pinguim

Bárbara Eugênia fala sobre seu novo trabalho - Metrópolis 04/06/2013 - Parte 1

Published on Jun 7, 2013 metropolis·5,108 videos

"É o que temos! Este é o nome do novo e segundo disco da cantora Bárbara Eugênia."

Two videos featuring Fabricio Carvalho of Astronauta Pinguim on Minimoog and Crumar Tocatta with a MATRIXSYNTH T-Shirt! The top one is on Brazilian national TV! Thank you Fabricio! :)

Barbara Eugenia Por que brigamos
Published on May 24, 2013

"Lançamento álbum "É O que Temos" - Sergio Porto, Rio de Janeiro"

Monday, May 13, 2013

The Korg VC-10 Vocoder on Astronauta Pinguim


KORG VC-10 Talking Music Ad via this post on Astronauta Pinguim.  Click through for a review on the VC-10 including videos and pics.

"Produced between 1978 and 1982, the Korg VC-10 vocoder was the most popular among the many vocoder models made in the 70’s by several manufacturers. When the VC-10 came on the market, both the Korg - originally called Keio Electronic Laboratories - as the voice decoder (or vocoder) had some years of existence. What Korg did was attach a synthesizer to something that already existed and that was what made this instrument extremely popular: portability and the convenience of having a vocoder that didn't require external instrument to generate audio signal and modulate the pitch. They created a "self-sufficient” vocoder – you could only plug a microphone into it and was all ready to go!"

via Fabricio Carvalho on The MATRIXSYNTH Lounge

Wednesday, March 20, 2013

Herbert Deutsch From Moog to Mac


Herb Deutsch's latest compilation of his work is now available on Amazon.and iTunes. You might remember a live video excerpt from the release in this interview post by Astronauta Pinguim.  Molly Sheridan wrote in to let us know she has a full review of the album on NewMusicBox here.  Be sure to check it out.

"Presented in chronological order and spanning a period from 1963 to 2007, the works included on From Moog to Mac demonstrate the process of experimentation and development that Herbert Deutsch went through as he created work for Bob Moog’s iconic synthesizers and then on into computer generated sound..."

Sunday, March 03, 2013

Astronauta Pinguim: An Interview with Larry Fast

"Lawrence Roger Fast was born in Newark, New Jersey (USA) on December 10th, 1951. Since his childhood Larry was very interested in music and electronics. He started to build early electronic circuits about 1966 and his first contact with the Moog modular synthesizers was on 1968. Some of his own designed devices started to be sold on commission on late 1971. Larry attended Lafayette College in Pennsylvania, where he obtained a degree in history in 1973.

In the early '70s, Larry Fast had the opportunity to meet Rick Wakeman, who played with the famous progressive rock band Yes at that time and asked Larry to build some synthesizer modules to him. It was just before Yes recorded their live album "Yessongs" (recorded in 1972 and released in 1973) and Rick Wakeman used the modules built by Larry on this album. In June of 1973 Larry went to England to give minor technical support to Rick Wakeman on Yes' album "Tales From Topographic Oceans" while circulating his own music demos to labels in London.


In 1975, Larry released "Electronic Realizations for Rock Orchestra", the first album from his solo project - Synergy - and in the same year he collaborated with the British-German band Nektar on an album ("Recycled", 1975) and the subsequent tour. In 1976 the second Synergy album, "Sequencer" was released (Larry is finishing the artwork to re-release "Sequencer" remastered from the original analog mix tapes in 24 bit 192 khz audio and digipak format right now!). Also in 1976 he was invited to play the keyboards with Peter Gabriel, who had recently left Genesis to become one of the world's most creative and famous artists. Larry played with Peter Gabriel for 10 years (from 1976 to 1986) and recorded 8 albums (in part or whole) with him: PG1, PG2, PG3, PG4, Plays Live, Birdy soundtrack, tracks on Shaking the Tree and So.

During the period that Larry was the keyboard player of Peter Gabriel's band, he found time to consult with Moog to develop at least two very famous synthesizers, the Polymoog (1976) and the Memorymoog (1982) and also kept his Synergy project, releasing 6 albums more: "Cords" (1978), "Games" (1979), "Audion"(1981), "Computer Experiments, Volume One" (1981), "The Jupiter Menace Soundtrack" (1982) and "Semi-Conductor" (1984). In the late '80s he worked as the A&R coordinator and executive producer for The Audion Record Company, the legendary electronic music label and released "Metropolitan Suite" (1987). In 1998 Semi-Conductor Release 2 was released with a lot of bonus tracks and in 2002 "Reconstructed Artifacts", an album containing digital re-recordings of previous Synergy tracks, was released. Most of Larry's Synergy albums were re-released in various editions, some of them with bonus tracks!"

You'll find the full interview on Astronauta Pinguim.

via Fabricio Carvalho on The MATRIXSYNTH Lounge

Sunday, February 10, 2013

An Interview with David Borden - The Early Days of Moog

"In the late '50s he attended the Eastman School of Music, in Rochester (NY) and it was during this time that he discovered the electronic music of Otto Luening, the man who founded the Columbia-Princeton Center for Electronic Music with Vladimir Ussachevsky. This interest in electronic music eventually led David to meet Robert Moog in 1967 and - two years later - to found the first all synthesizer ensemble, Mother Mallard Portable Masterpiece Co. In the early years, Mother Mallard used monophonic modular Moog synthesizers and was the first live act to take the Minimoog on stage - when it was still being developed - in May, 1970. Mother Mallard recorded some great pieces that still sound fresh and modern nowadays!"

via Astronauta Pinguim where you'll find the full interview.  You'll find links to additional interviews by Astronauta Pinguim here.

Tuesday, January 29, 2013

An Interview with Paddy Kingsland of the BBC Radiophonic Workshop


You'll find the full interview on Astronauta Pinguim, including mentions of Delia Derbyshire & Daphne Oram.

BTW, today is Paddy Kingsland's birthday.  Happy Birthday Mr. Kingsland!  :)

Pictured: Paddy Kingsland and the EMS Synthi 100 (the Delaware)

"Patrick 'Paddy' Kingsland was born in Hampshire (England) on January 30th, 1947. He took piano lessons in his youth and got his first guitar when he was 15. By this time he also built his own valve amplifier and began to play in a band in his school days. After attending Eggars Grammar School in Alton, Hampshire, Paddy joined the BBC. He was a technician there until, in 1970, he had the chance to join the BBC Radiophonic Workshop, the famous department that was responsible for providing the soundtrack and sound effects to BBC radio and TV shows. Paddy worked there for 11 years and created the music for many programs, including "The Changes", "The Hitch-hiker's Guide to the Galaxy" and several episodes of 'Doctor Who'!

"In 1973, BBC Records released the album 'Fourth Dimenson'. Although it was credited to The BBC Radiophonic Workshop, "Fourth Dimension" is the first solo album released by Paddy Kingsland and includes tracks that he recorded from 1970 to 1973, using mainly the EMS synthesizers VCS3 and Synthi 100 (the Delaware)..."

You can still find the release on Amazon and eBay.

The first synth to enter the BBC? "The first synthesizer arrived in 1970 - an EMS VCS3. It was great for learning about voltage control and making sounds, but no good for playing tunes on. The Arp Odyssey which came a bit later was much better for that."

via Fabricio Carvalho aka Astronauta Pinguim on the MATRIXSYNTH Lounge. You can find interviews with other synth legends on his site or via the Interviews label below.

Saturday, December 08, 2012

An Interview with Bernie Krause on Astronauta Pinguim

Full interview on Astronauta Pinguim here.

Pictured: Bernie and the Moog synthesizer (photo by Jon Sievert)

"Since I do not see too well, my world is mostly informed by sound. So naturally, as a young child I gravitated to music studying violin and composition. When I became a teenager, I switched to guitar (when the hormones kicked in) because… well, you know. When I was in my 25th year I joined a very famous American folk group called The Weavers. After they broke up in early 1964, I moved to California from New York, and began to study electronic music at Mills College in Oakland, which was the leading institution for experimental techniques at the time. While there, I met Paul Beaver, who became my music partner, and together we helped introduce the Moog synthesizer to pop music and film on the West Coast and in the UK."

You can find links to more of Anstronauta Pinguim's interviews with the synth world's greats here.

via Fabricio Carvalho on The MATRIXSYNTH Lounge

Thursday, November 15, 2012

An Interview Tim Blake by Astronauta Pinguim

Timothy Blake of Gong and Hawkwind.  Check out his double EMS Synthi system and Moog System 55.  On his relationship with EMS:

"My EMS relations were mostly with Robin Woob (now the owner) and the technical people, Graham Wood, Graham Hinton, with whom most of the unique modifications to my set-up were designed.

I've met Zinovieff, of course, but not Cockerell or Cary. Peter seemed to look down on those who played the EMS synths, regarding them as toys he sold to finance his huge computer music studio. I have never heard a note of his music!!

I believe I once impressed Peter at an EMS lunch, by enjoying his Cheese with very hottest oh his home-made chutneys!! Strange stuff, Electronic musicians!"

Read the full interview on Astronauta Pinguim here.

via Fabricio Carvalho of Astronauta Pinguim on The MATRIXSYNTH Lounge

Friday, October 26, 2012

And Interview with Hans-Joachim Roedelius of Kluster / Cluster & Eno

Hans-joachim Roedelius birthday is today, October 26. Fabricio Carvalho wrote in on The MATRIXSYNTH Lounge to let us know he has an interview up on Astronauta Pinguim here. It's a fascinating read so do not miss it.

On the instruments first used: "We used electric organs, cello, guitar, kneeviola, tonegenerators, echomachines and many mostly selfbuilt little electronic devices in the beginning. Brian when he came to our place brought one of the first synths that existed at the time but nothing else, so he played this synth, guitar, bass and he sang. It was not him who produced that album it were the four of us first with/on a fourtrack tapemachine that Michael Rother provided..."

BTW, after you finish the interview, be sure to check out his others.  You can find them by doing a quick search on "Interview" on the top left Blogger search box on the site.  You'll find interviews with John Eaton, Gershon Kingsley, Hereb Deutsch, Vince Clarke and more. 

Sunday, October 21, 2012

Elka Rhapsody 490 Video & Review on Astronauta Pinguim


Uploaded by astronautapinguim on Mar 15, 2011

Full overview and review on Astronauta Pinguim here.

Wednesday, September 26, 2012

An Interview with Jon Appleton - One of the Creators of the NED Synclavier


via Astronauta Pinguim where you'll find the full interview.

"APPLETON - I have the first and the second Synclavier but I don't play them. I am not sure they work. Sydney and Cameron and I developed the instrument first from something called The Dartmouth Digital Synthesizer. It was my conception and their design..."

Check out the "all-star" pic below. You should recognize some of the names. Peter Zinovieff was he man behind EMS. Via Fabricio Carvalho on The MATRIXSYNTH Lounge

Astronauta Pinguim also brought us interviews with Vince Clark, Gershon Kingsley, Herb Deutsch, and Jean Jacques Perrey.

Remember you can find all interviews featured on the site via the Interviews label below.

Tuesday, September 11, 2012

Moog Prodigy Multi-Page Promo Poster / Product Sheet



via Astronauta Pinguim where you'll find the full set of scans and a write-up. Click the pics to read.

When folded out, the poster is 16.5" x 23" inches.

via Fabricio Carvalho on The MATRIXSYNTH Lounge

Thursday, August 30, 2012

The Crumar Toccata


YouTube Uploaded by astronautapinguim on Apr 19, 2011

Via Astronauta Pinguim where you'll find a great overview of the Crumar Toccata including history and pics.

"Founded in the late '60s/early '70s by Mario Crucianelli, Crumar was an Italian company that became very famous in its time mainly by their synths, keyboards and organs (both in compact or not so compact models). Mario was brother from Pierro Crucianelli, president of Elka - another very well known Italian company. Crumar existed until 1987 and the company's golden age was in the second half of the '70s, when they put on the market their "Pianoman" and "Stringman" models (1974) and later the model that combined the two machines in one, the "Multiman" model (1977). Even with this machine achieving a great reputation on the market, for me Crumar's coolest instruments are the "Hammond organ clones" made from 1974 on which had a great sound, very close to Hammond organs, but much more compact and easier to carry than the originals.

The Crumar Toccata organ was released in 1981 as a more compact version of all previous models of these "Hammond clones", more specifically the model T1/C (whose main difference was having one extra octave - higher than the Toccata's four octaves - and drawbars, like that ones from Hammond organs). The Crumar Toccata organ was manufactured until 1986..." Click here for the full post.

via Fabricio Carvalho aka Astronauta Pinguim on The MATRIXSYNTH Lounge

Monday, August 20, 2012

Moog Catalog Featuring Rick Wakeman, Jon Lord, Chick Corea, Jan Hammer, Keith Emerson, Tony Banks



"The Moog Philosophy

'If you're into synthesizers, you have a lot in common with us. We're concerned, and maybe you are too, about some of the hype that's been around on synthesizer design. It's the kind of hype that places too much importance on gimmicks that don't have any real musical purpose.

Musicians Like You Help Design Moog Sinthesizers'"

via Astronauta Pinguim where you'll find the rest of the scans and a full write-up.

via Fabricio Carvalho on The MATRIXSYNTH Lounge

I'm missing the sixth person in the title. Anyone know who it is?

Friday, August 17, 2012

Adebayor, por Lira


YouTube Published on Aug 7, 2012 by cultura

MATRIXSYNTH-T sighting.

"O convidado de Fernando Faro, Lira, canta ?Adebayor?, música de sua autoria, inspirada no jogador de futebol togolês Adebayor."

Googlish: "The guest of Fernando Faro, Lira sings? Adebayor? Music of his own, inspired by the Togolese footballer Emmanuel Adebayor."

The band:
Lirinha: voice and sampler
Astronauta Pinguim: Minimoog, Crumar organ, Wurlitzer 200A electronic piano and Moog theremin
Neilton Carvalho: guitar
Hugo Carranca: percussion
Angelo Medrado: percussion
Igor Medeiros: bass synthesizer

via Fabricio Carvalho aka Astronauta Pinguim.

Be sure to see previous posts featuring Fabricio Carvalho aka Astronauto Pinguim. You'll find a performance with Lirinha here, and interviews including Vince Clarke, Gershon Kingsley, Herb Deutsch, Jean Jacques Perrey and more.

Ah se não fosse o amor, por Lira

Published on Aug 7, 2012 by cultura

"Lirinha canta ?Ah se não fosse o Amor?, uma composição dele em parceria com Dan Maia."

Ela Vai dançar, por Lira

Published on Aug 7, 2012 by cultura

"Lira fala de sua peça de teatro ?Mercadorias e Futuro? e ainda canta ?Ela Vai dançar?, uma composição dele em parceria com Fábio Trummer, da banda Eddie."

My Life, Memória e Ducontra, por Lira

Published on Aug 7, 2012 by cultura

"Lira fala de seu filho de 9 anos, que compõe e canta, nos mostra um trecho de ?My Life? canta ?Memória? e ?Ducontra?."

Wednesday, August 01, 2012

An Interview with Vince Clarke on Astronauta Pinguim

On his massive synth collection:

"I think I seriously started collecting synths in the early 90's. And then, having run out of space, I stopped. I realized, the only keyboards worth owning were the one's that would be useful to my music making process, and that is still true today. I try to incorporate as many different synths as possible into my music, rather than favor one particular keyboard over another."

Read the full interview with additional pics on Astronauta Pinguim here.


via Fabricio Carvalho on The MATRIXSYNTH Lounge

Tuesday, July 24, 2012

The Moog 1125 Sample & Hold


Astronauta Pinguim has a post up on the Moog 1125 Sample & Hold. You'll find additional pics, some history on the module, and instructions on how to use it (captured in the bottom pic below).

"The 1125 Sample and Hold is a device that captures the voltage range of the synthesizer, creates a pattern and repeats it constantly. The waveform (sawtooth or random) of this pattern is controlled by a slider on the left side of the 1125 -the other two sliders are a glide and the scale controla. Two knobs in the center of the equipment, one for speed (rate) and other for the sample pattern are located above three on/off switches: one to record and the other two to start and stop the sample (a red light indicates when it is working).
Five switches on the right side complete the unit: one to control the extent of sampling, two on/off switches controls the outputs of the instrument, an on/off switch controls the trigger and another controls the size (short or long) of the gate."

via Fabricio Carvalho on
The MATRIXSYNTH Lounge

Tuesday, June 26, 2012

An Interview with John Eaton on Astronauta Pinguim


"It was also in Rome that John Eaton met the electronic engineer Paul Ketoff, inventor of the famous and legendary Syn-Ket [pictured below], in 1964. With the Syn-Ket, John Eaton has conducted more than a thousand presentations around the world and was at one of these presentations, in 1966 at Columbia University, where he met Robert Moog, who fixed the Syn-Ket, damaged during a flight, and also built a synthesizer Moog especially for Eaton! The partnership of John Eaton and Robert Moog also created the Eaton-Moog Multiple-Touch Sensitive Keyboard [left] (which John briefly explained in the interview below)."

You'll find the interview on Austronauta Pinguim in English here and Portuguese here.

Update: I added a Moog-Eaton label below for all posts mentioning John Eaton. Do check it out. You'll find a number of posts including this post with a link to an old video of John Eaton and the Eaton-Moog Multiple-Touch Sensitive Keyboard. You'll find a newer demo towards the bottom of this Animoog post. The virtual keyboard in Animoog is based on the Eaton-Moog Multiple-Touch Sensitive Keyboard.
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