MATRIXSYNTH: Search results for EG WaveSHAPER


Showing posts sorted by relevance for query EG WaveSHAPER. Sort by date Show all posts
Showing posts sorted by relevance for query EG WaveSHAPER. Sort by date Show all posts

Tuesday, December 14, 2010

Introducing the Intellijel uMod, uAtt and uScale

"uAtt: 4hp quad passive attenuator. Has jumpers to select log or lin response.

uScale: 4hp quantizer and intelligent interval module
-buttons to select scale notes
-duo leds show scale pattern (red) and realtime quantized note (green)
-Special multifunction "shift" input operates in range +/-12 semitones. Jumper on pcb to select 0-10V or +/-5V interface.
-With shift you can alter the output in multiple ways including: transposing before force to scale, transposing in scale (e.g. a value of "4" results in the note transposed 4 scale degrees instead of 4 semitones) and post scaling which allows very interesting key changes. The shift destination can be routed to the main noteA, interval note B, both or the scale root (again creates really interesting scale changes). Output B (interval note) is derived from the root note. It can be selected as +/-12 semitone value.
-interval note can also remain chromatic (not forced to scale) so that you can have fixed intervals. Nice for FM perhaps.
-8 banks x 8 scales of store/recall
-manual scale root note shifting (essentially shift scale left/right)
-** in process of adding a scale select mode via shift input
-This thing makes anything sound musical!!!


uMod
-this is the first of a series of collaborations with analog guru David G. Dixon and based primarily on the SSM2164 quad VCA chip
In his words:
Quote:
It’s a ring modulator with a twist. It’s got a “Q Balance” knob which puts it into four-quadrant multiplication in the middle, and – or + two-quadrant multiplication at the left and right. The X and Y inputs also have rectifiers which pass the –, –/+, or + portions of each signal with the flip of a switch. This, along with the adjustable multiplication, gives a whole range of sonic possibilities not generally available from ring modulators. It also makes a wicked waveshaper as well as a very interesting CV mangler. See the attached document for some random scopeshots (will post soon). AC/DC coupling switches on each input add to the possibilities. Plus, since it’s based on opposing linearized 2164 VCA pairs on the same chip, it is very accurate and has almost no CV bleedthrough (unlike most ringmods).

Special thanks to Haven, James Cigler, and Shawn for great input on these modules.

These three are in production and price/ship date will be announced soon. uScale takes more work since it requires programming and calibration but I am working 24/7 to get some units shipped before x-mas (even if it is a small batch)."
www.intellijel.com
via Muff's

Saturday, June 01, 2019

Korg Z1 Physical Modeling Synth

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"PHYSICAL MODELING Synth!

There many ALGORITHMS whose structure can be routed in 13 path signal or algorithms roughly organized in 2 family groups: - Virtual analog (7 algorithms) + Virtual acoustic (6 algorithms)

ELECTRIC PIANO MODEL
REED MODEL
PLUCK MODEL
ORGAN MODEL
BOWED STRING MODEL
STANDARD OSC
COMB FILTER
VPM OSC (Phase Modeulation)
RESONANCE OSC (Bandpass resonant)
OSCILLATOR SYNC (Slave Oscillator)
RING MOD
CROSS MOD

Friday, January 30, 2009

A brisk theme close-up


YouTube via attorks
"Again this video has close-ups so you can follow most of what is happening. At the end of the video I am slightly losing track of the beat but I don't think it is to obvious. The first sequence you hear is performed by the MFM Modular using the CGS Steiner Low Pass filter. The second sequence you hear is performed by the Synthesizers.com Modular using the Ian Fritz 5Pulser Waveshaper and All-In EG. The chords (sort of) are played on the Clavia Nord Lead 1. The solo's are performed on the Creamware MiniMax ASB using the AKAI AX80 keyboard."

Tuesday, December 20, 2022

4ms Shaped Dual EnvVCA - Daedelus Jam


video upload by 4ms Company

"Our friend Daedelus using their Shaped Dual EnvVCA for a little radio scan inspired sample jam! Unlike conventional analog envelope modules, the waveform of each envelope can be controlled with a slider or CV without changing the envelope timing!
#4msENV #4msDEV #4msSHEV
------------------
Shaped Dual EnVCA
https://4mscompany.com/shapedenv

The Shaped Dual EnvVCA is a two-channel analog envelope generator with variable waveshaping and a stereo linear VCA. With a wide time range from an hour to 2.5kHz, and a plethora of CV inputs and attenuverters, it can be used as an LFO, audio-rate oscillator, slew limiter, waveshaper, ASR/ADSR/complex EG, independent audio/CV VCA, envelope follower, sidechain processor, and general utility module. Each channel has dedicated linear outputs plus attenuverters and offset controls for the variable waveshape outputs, making it an ideal modulation source and stereo VCA. 100% analog, 20HP, $339
------------------
http://4mscompany.com/stores.php
https://4mscompany.com/ENV
https://4mscompany.com/DEV
https://4mscompany.com/SHEV
https://www.instagram.com/daedelus"

Monday, December 12, 2022

4ms Shaped Dual EnvVCA - Patch Detail


video upload by 4ms Company

Follow-up to this post.

"Delving deeper, Rick Batyr sets up a Shaped Dual EnvVCA patch w/ notes.
#4msENV #4msDEV #4msSHEV
------------------
Shaped Dual EnVCA
https://4mscompany.com/shapedenv

The Shaped Dual EnvVCA is a two-channel analog envelope generator with variable waveshaping and a stereo linear VCA. Unlike conventional analog envelope modules, the waveform of each envelope can be controlled with a slider or CV without changing the envelope timing. With a wide time range from an hour to 2.5kHz, and a plethora of CV inputs and attenuverters, it can be used as an LFO, audio-rate oscillator, slew limiter, waveshaper, ASR/ADSR/complex EG, independent audio/CV VCA, envelope follower, sidechain processor, and general utility module. Each channel has dedicated linear outputs plus attenuverters and offset controls for the variable waveshape outputs, making it an ideal modulation source and stereo VCA. 100% analog, 20HP, $339
------------------
http://4mscompany.com/stores.php
https://4mscompany.com/ENV
https://4mscompany.com/DEV
https://4mscompany.com/SHEV
https://www.instagram.com/rick_batyr_..."

Friday, March 30, 2018

Orthogonal Devices ER-101 ER-102 Demo Patch Eurorack CV Gate Sequencer


Published on Mar 30, 2018 SonicVoltage

"Orthogonal Devices ER-101 ER-102 Warm Up Demo Patch - Eurorack CV Gate Sequencer (Full Review Soon)
In this ER 101 Sequenced eurorack patch, I am only using the ER 101.
The ER-102, Expansion Module, is not being used.

The ER-101 is a 4 tracks CV and Gate Eurorack Sequencer Module with one Gate and two CVs output per track.

Kick: Hexinverter Mutant Bassdrum
Snare: Hexinverter Mutant Snare
Hats: Mutable Instruments Branches + Analogue Solutions HH88 + Doepfer A-136 DIS

Pads:
Erica Synths Pico Voice + AJH Synth GEMINI 2412 Dual Filter

Lead Drone:
Erica Synths Pico VCO + Sputnik Modular Quand VCF/VCA + Erica Synths DSP + Doepfer A-143-2 Quad ADSR

Bass: Studio Electronics Tonestar 2600

Plucked String Type: Mutable Instruments Rings

Abstract Data ADE-32 provides external clock for the Orthogonal Devices ER-101 Sequencer.

Xaoc Devices Batumi provides a couple of LFOs"

Update:

Friday, June 23, 2017

Serge Modular by RandomSource Development Videos


Published on Feb 9, 2015 Random*Source

Playlist:
1. Serge Modular by RandomSource
In collaboration with and under license from Serge Tcherepnin, Random*Source will offer a range of Serge modules, combining the original Serge circuits with the advantages of today's technology.

2. Serge Variable Slope Filter (VCFS) for Euro by Random*Source
Some basic waveforms run through the Serge Variable Slope Filter (VCFS) for Euro - available very soon from Random*Source under license and in cooperation with Serge Tcherepnin.

The R*S version of the filter features high-end THAT VCAs and a Q knob to increase the resonance and sonic range covered by the unique filter.

3. Serge DSG Random*Source (prototype) tracking comparison
Comparing the tracking of the (left side of the) TimeGen Oscillator in the STS Creature (tuner on the left) with the new version of the Random*Source DSG/DUSG (tuner or the right). The Serge DSG is an extremely versatile module which can be used as a oscillator, however, it is much more than that and not primarily designed as an oscillator (and is not temperature-compensated). Traditionally the tracking is rather limited, but I'm quite happy with the the new R*S version (prototype) which is quite accurate over more than 2 octaves even with the most challenging waveform (negative sawtooth = RISE set to max).
Both modules were tuned to C and identical waveforms (SAW) and played using a keyboard and the 1V/Oct input.

4. Serge DSG mk2 - geometry
This is a quick demo showing some of the amazing waveforms generated by the Serge DSG mk2 (4U version) by Random*Source - this is not inteded to sound nice! One side is the normal output, the other the new Pulse (square) output. A Serge 8-step sequencer is used to modulate, no other modules used.

5. Serge DSG mk2 1V/Oct tracking test
Testing the tracking of the new Serge Dual Universal Slope Generator (DSG) mk2 by Random*Source. While the DSG traditionally tracks only over 1-2 octaves, I could get the DSG mk2 (in a best case scenario) cover 4 octaves up to 440 Hz ...

6. Random*Source Serge DSG mk2 and Variable Slope Filter (VCFS)
Testing a newly built Serge VCFS using an updated pcb layout and some radical part choices ... single patch, LOWPASS and BANDPASS out recorded as a stereo track. Serge DSG mk2 acts as a sound source... Filmed with a BMPCC and Angenieux 4X17B, graded in Davinci Resolve

7. Serge NTO Waveforms
Quick demo of the basic waveform outputs of the Serge New Timbral Oscillator by Random*Source - including the new PULSE out, the VARIABLE OUT and some feedback patching for the VARIABLE OUT to get more amazing wave shapes ...
The NTO Variable Out does *not* blend or mix the normal waveforms, but is a unique (voltage controlled) waveshaper. This can be used to feed the normal outputs (e.g. SINE or PULSE) back into the VC VAR input for a whole range of new shapes.
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