MOOG Mother-32 & Novation Summit space ambient jam

video upload by No Lake

"The Mother-32 has joined the family. This is my very first jam with the machine and I'm totally in love with it. I think M-32 and Summit work really well together and space ambient is one of my favorite genre.

Now, headphones on, eyes closed and let the journey through outer space begin. Track is called "Continuum - chapter 01" and I hope that this is the first page of a long book.

Dedicated to ‪@MarkusGrandpre‬ and ‪@InvertedPopesMusic‬

Visuals by Colin Jones from ‪@ccjmusic‬"

The Novation Summit is the ultimate bargain #synthjam

video upload by No Lake

"Headhones recommended"

"A Moment With Me" (Novation Summit atmospheric-ambient jam)

video upload by No Lake

"To Inky"

Oberheim OB-X8 - Sound Bank '79

video upload by Polydata

"Drawing from the earliest days of polyphonic synthesizers, Sound Bank ‘79 for the Oberheim OB-X8 finds its inspiration in synthesizer music found in documentaries and library music from the late 70’s and early 80’s.

A sound bank comprising 64 patches (8 full groups) for instant inspiration, this set was painstakingly crafted to bring the absolute best out of this fantastic instrument. I was blown away by the quality of tone in this synthesizer, and the sounds speak for themselves.

Recorded completely dry with no effects or processing.

Store Link: polydata.bigcartel.com

POLYDATA music
polydata.bandcamp.com"

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Novation Summit - improvised jam with 6 home-crafted patches

video upload by No Lake

"Just a few notes to share some interesting ephemeral sounds I've created. Which one is your favorite? Headphones recommended!"

Patch 01 : "Empire" 0:00
Patch 02 : "Garden of Peace" 1:09
Patch 03 : "Desperate Wind" 2:12
Patch 04 : "Synthologic" 3:58
Patch 05 : "Titanium Mind" 5:14
Patch 06 : "Chill Evening" 7:00

Bandcamp : https://nolake.bandcamp.com/

GS Music e7 - 7 minutes with the GS-E7

video upload by Raw Synthesizer Demos

https://www.gsmusic.com/

"The e7 is a polyphonic analog desktop synthesizer from Argentina by GS Music that sounds lively and rich and looks beautiful. Easy to use, expressively to play.

It reminds me of some of the best synths ever built but has its own character.

Everything was directly recorded from the outs of the synth into the audio interface. No internal effects nor any additional effects, equalizers, compressors or limiters were used to give you a genuine impression of its raw sound. Let me know your thoughts.

© 2023 Blue Lake Music"

GS-E7 Demo Part 2: Overdubs

video upload by Raw Synthesizer Demos

"What happens when you overdub a rich sounding analog synth like the e7 again and again? And with automation of some parameters like filter cutoff and OSC pitch? How does it sound?
No internal effects nor any additional effects, equalizers, compressors or limiters were used.

Let me know your thoughts.

© 2023 Blue Lake Music"

"Draw me a Ship" (Novation Summit jamuary)

video upload by No Lake

“It is such a mysterious place, the land of tears.”
(Antoine de Saint-Exupéry)

Headphones recommended

My Spotify : https://open.spotify.com/artist/3MAeb...
My Bandcamp : https://nolake.bandcamp.com/

"Dragonflight" (Dungeon Theme, tribute to Jochen Hippel)

video upload by No Lake

"You've probably never heard of this guy and you've probably never heard the original music either but Mad Max, as we used to call him back then, played a major role in my musical roots, maybe the most impactfull musician before I turned 18 and before I was 100% into my masters Vangelis, JMJ, Klaus Schulze and Harrold Budd. This is just a humble 'Christmas improvised revisited jam-cover blah blah blah' of one of his track. Headphones recommended."

Novation Summit.

"Impassive Mountain" (MOOG Subharmonicon & MPK Mini meditative jam)

video upload by No Lake

"'People are beginning to find out that going to the mountains is going home, that wilderness is a necessity.' (John Muir)

Just a few lazy improvised notes inspired by the mountain behind the window.
Headphones recommended."

Novation Summit - Generative ambient & FM synthesis

video upload by No Lake

"One thing that I haven't tried with this synth yet is a good old meditative generative ambient (for those who aren't familiar with the concept, it's a piece of music created itself from an initial set of musical elements and by specific rules defined by the composer and his machine).

So, I created three self-generating patches that play simultaneously at 40BPM and several sequences with modulation frequencies. The three LFOs are now playing ping-pong with each other. Of course, everything follows predefined rules to avoid a complete mess. They just "modulate together" in harmony. It's basically FM synthesis. But FM can be hazardous, eventful or even crazy. It takes time to reach something pleasant and relaxing.

The Novation Summit and the Novation Peak do have a strong FM engine and these synths can be turned into a modular synthesizer. Then I just had to add some real-time effects on everything and off we go.

It might sound easy, "you just ask the synth to play music for you", but there is a lot of preparation that goes into making it all work. It's far from easy. I mean, anybody would do it overnight otherwise. In fact, you can't just snap your fingers, it often takes more time than creating a new song from scratch. But the result is totally different as you can hear. It is therefore more of an exercise in style. Something that I've always wanted to try and I've had this synth for three years now (almost to the day).

Although, my cup of tea is more about creating melodies than planting a seed and waiting for it to germinate, hoping for the best and wrapped in some technical demo. But when it works, it can be very soothing. I almost fell asleep the first time I listened to the final result^^

It's so much fun though and I'm still a big fan of the genre. It creates something different than usual. Something fresh and unpredictable. So, for those who have 20 minutes to spare, I invite you to use headphones, close your eyes and meditate with me in the ethereal world of procedural music."

Novation Summit - Generative ambient & FM synthesis (part 02)

video upload by No Lake

"Just another try with something a bit weirder and some floating notes on the Push. I turned the comments off because I don't want to be like "buying your interest" but if you wanna share something, don't hesitate to do it on part 01 and I'll answer to you with great pleasure.

Both attemps are available for free on my Bandcamp : https://nolake.bandcamp.com/album/sum..."

【エレクトーン演奏】みずうみのうた （まつうらようこ）"Mizuumi no Uta (Song Of The Lake)" by Yoko Matsuura ・YAMAHA D85・D800

video upload by adamstan84

"シンガーソングライターのまつうらようこさん（@user-yy1kn5io3q）が作ってくれた素敵な曲をエレクトーンで弾いてみました。
陽子さん、お誕生日おめでとうございます！"

"I played a wonderful song written by singer-songwriter Yoko Matsuura (@user-yy1kn5io3q) on the electric tone.
Happy birthday, Yoko!"

Yamaha EX5 Demos by Snupps

videos upload by Snupps Synth channel

Use the player controls to skip through videos.

1.

A demo of a effect sound i made, Under the Name The Abyss, its a strange sound. And only the EX5 can achieve this type of sounds, I used no external FX for this and there is almost no layered tracks, mostly one continous recorded track. I used the AWM/FDSP engine for this, Cheers!

Yamaha EX5 Demo The Abyss 2. Public Transport (Yamaha EX5 Demo)

A ambient track, where i mostly use my Yamaha EX5, and most specifically a sound i made under the name Transporter, which kinda sounds like a bowed string instrument, where i used the FDSP synth engine. I also used my Korg M50 and Kawai K5000s for some more layered sounds. All the sounds were made by me.

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Universal Audio PolyMax - Sound Bank '79 - Vintage Patches

video upload by Polydata

"Drawing from the earliest days of polyphonic synthesizers, Sound Bank ‘79 for the Universal Audio PolyMax finds its inspiration in synthesizer music found in documentaries and library music from the late 70’s and early 80’s.

A bank comprising 35 patches for instant inspiration. The goal was to squeeze as much vintage analog juice out of this plug-in as possible, primarily working within the constraints of classic vintage synthesizers. PolyMax has excellent tone while keeping one of the best parts of using vintage synths: a clear and simple interface.

Sound Bank '79 is a series of vintage tones for different synths and plug-ins, so look out for future releases. Recorded completely dry with no external effects or processing.

Link:
polydata.bigcartel.com

After payment, you will receive the file in your email within 24 hours.

Drop a comment of what other hardware or software sound packs you're interested in.

POLYDATA music
polydata.bandcamp.com

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GForce / Oberheim SEM - Sound Bank '79

video upload by Polydata

"One of the most beloved, unique and musical sounding synthesizers has been perfectly recreated by GForce and endorsed by Oberheim. A classic design with a wonderful sound that just works. This plug-in is a tool that is simple, yet can fit so well in a wide array of productions.

A bank 30 patches for instant inspiration and to help you get working quickly. The goal was to highlight the raw analog tone and musicality of the SEM design, primarily working within the constraints of the original Oberheim module. This is one of my favorite mono plug-ins, and a perfect way to get that sound without spending thousands of dollars.

Link:
polydata.bigcartel.com

After payment, you will receive the file in your email within 24 hours. Recorded with no external processing - what you hear is all from the plug-in.

POLYDATA music
polydata.bandcamp.com

Instagram - @poly.data

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Cherry Audio Mercury-6 - Sound Bank '79

video upload by Polydata

"Drawing from the earliest days of polyphonic synthesizers, Sound Bank ‘79 for the Cherry Audio Mercury-6 finds its inspiration in synthesizer music found in documentaries and library music from the late 70’s and early 80’s.

A bank comprising 30 patches for instant inspiration. The goal was to squeeze as much vintage analog juice out of this plug-in as possible, primarily working within the constraints of the original Roland Jupiter-6 analog poly synth. This plug-in sounds awesome and brings the classic Roland sound and user interface that we all love.

Sound Bank '79 is a series of vintage tones for different synths and plug-ins, so look out for future releases. Recorded completely dry with no external effects or processing."

Link:
polydata.bigcartel.com
00:00 8:00 am Sprinklers
00:12 Cassette Demo '88
00:24 Digital Hand
00:35 Early Computer
00:51 Film Scanner
01:02 Filter IC
01:11 Greater Houston
01:21 Hall of Mirrors
01:39 International Connection
01:49 Jefferson Ave
02:07 Journey South
02:18 Landline
02:29 Linotype
02:39 Made in Japan
02:53 Mar Vista
03:06 Microprocessor
03:17 Midwest Truck Route
03:29 Night Bus
03:47 PBS Animation
03:58 Photosynthesis
04:11 Pop Fizz
04:29 Pre-Midi
04:39 Printing Press
04:50 Production Year 1979
04:59 Program Bumper
05:09 Rainfall
05:19 School Gym
05:29 Trail to Lake
05:40 Vessel Set Sail
05:51 Watershed

Sequential Prophet REV 2 - Sound Bank '79

video upload by Polydata

"Drawing from the earliest days of polyphonic synthesizers, Sound Bank ‘79 for the Dave Smith Instruments / Sequential Prophet Rev 2 finds its inspiration in synthesizer music found in documentaries and library music from the late 70’s and early 80’s.

40 patches for instant inspiration. Sound Bank '79 is a series of vintage tones for different synths and plug-ins, so look out for future releases. Recorded completely dry with no external effects or processing.

Link:
polydata.bigcartel.com

After payment, you will receive the SysEx file in your email within 24 hours. Loads into User Bank 2 by default, slots 1-40.


POLYDATA music
polydata.bandcamp.com

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Korg NTS-1 & Liven 8Bit Warps - Boating Lake Ambient - Jamuary 10th 2021

ChrisLody

"The Liven 8Bit Warps in this video was kindly supplied by Sonicware

I'm super late with Jamuary and I suspect I'll be a little busy this year with other music based duties, but I'll try to join in where I can

This jam came about after experimenting with the midi out on the Liven 8Bit warps which sequence external devices, it also accepts audio from external devices though a stereo 3.5mm socket so it seems like a pretty good match for the Korg NTS-1 seeing as it has no sequencer

The 8Bit Warps sends sync, note and CC data from any knob or recorded knob movement, though I couldn't really find any midi CC's that matched up well with the Korg NTS-1 (cutoff for example is a different midi CC) so I stuck to adding a bit of variety by hand to the notes sent from the 8Bit Warps sequencer

The patch playing on the NTS-1 is 'Milk Bottle' from my recent NTS-1 Megademo video. The rest of the audio is synthesized on the 8Bit Warps then recorded and played back from it's built in audio loopers.

The video is some found footage of a boating lake I found on some mini DV tapes in an auction lot"

Oops They Did it Again - Behringer Introduces the Swing USB MIDI Controller Keyboard

Update: see Arturia's & interface designer Axel Hartman's response further below.

Look familiar?

"32-Key USB MIDI Controller Keyboard with 64 Step Polyphonic Sequencing, Chord and Arpeggiator Modes

The Behringer SWING gives you full control over any synthesizer or virtual instrument in your DAW via USB or MIDI. Featuring a 64-step sequencer with an 8-note polyphonic sequence combined with 32 compact-sized keys and pitch and modulation touch-strips provide unlimited ways to express yourself in a compact and portable package.

The SWING’s 32-compact-sized keys create a perfect balance between size and playability. The keys give you the ability to create more nuanced and colorful passages with velocity and after-touch functionality. Use the Pitch and Modulation touch-strips to add even more character to your music. Chord Play Mode allows you to play a chord with up to 16 notes with one single key for some really enchanting Trance music. The SWING also features a 64-step polyphonic sequencer so you can create any progression imaginable and even play over it. Switch to Arpeggiator mode and create an amazing string of notes that can sync to the clock of any device the SWING is connected to.

The Mode knob on the SWING can select up to 8 saved programs in Sequencer mode, while in Arpeggiator mode, you can select different playing orders such as up, down, inclusive, exclusive, random, note order, double up and double down modes. Select from 8 different time signatures with the Scale knob and adjust the tempo with the Tempo knob or the Tap button. Press the Record button to start recording a sequence. This also doubles as an Append button when holding down Shift. Use this along with the Stop/Clear Last button and you can edit your sequences and arpeggios on the fly.

Update: And a response from Arturia followed by Axel Hartman who designed the physical look of the Keystep:

Arturia:

"Hello everyone,

We have been informed on Sunday November the 22nd of the upcoming release of a new product called Swing, by Behringer. This product is in no way the result of a partnership between Arturia and Behringer.

We have worked hard to create the _Step range. We have invested time and money to imagine, specify, develop, test and market the KeyStep. Along our distributors we have been evangelizing this product, placing it in stores, explaining it, servicing it.

Of course we accept competition, and would absolutely understand that Berhinger give their own interpretation of a small and smart controller that would also be a sequencer. Others do, we have no problem with that and see good for the customer, as well as for the industry, in fair competition.

But this is not fair competition here.

Coco Chanel once said: “If you want to be original, be ready to be copied”. So we could in a way consider the Swing as a compliment.


We could.

In any case, thank you, everyone who came out and supported us these past 36 hours! It's been very helpful, very much appreciated.

Frédéric Brun
Co-founder and CEO, Arturia"

Axel Hartman:

"I do feel the need to comment on the many postings I can find here @ Facebook in several places regarding my thoughts, feelings, but also the truth about the blunt Behringer copy of the Arturia key step.

Arturia and myself, aka my company design box are designing instruments, synthesizers, controllers, interfaces since many years. As industrial designer, I contribute mostly my services on the asthetical side of a product. This is true for almost all hardware products that you know from Arturia. In all cases, Arturia is buying my services - I never licensed any of the designs. Arturia always pays, and naturally owns the output of my work, that - by the way - is alway the result of an in-depth cooperation with their internal team of specialists.

Arturia and myself are working together since many years, and we share the deep desire of designing innovative products. I could never share any of the designs, that came out of that cooperation with any body else, legally not, and not from my personal high attitude in that regards. So anything, pointing in that direction is simply fake information. Neither the company Behringer, nor Uli himself have ever approached me with a request like that. And I would also never ever do something like that - I can not license anything that is not in my possession.

Personally, I feel sad, and am also upset about that sheer copy of a design, that I once created for, and together with Arturia, the team around Frederic Brun. These people have spent lots of efforts and great energy in building a brand and all that belongs to a brands assets. It is simply not right, somebody else is taking advantage of that hard work (which is not only true for Arturia, but for all great brands, that must see their most successful products being copied) I do not understand (Uli) Behringer - with his huge company and the power of many great R&D teams - some of the best and most respected and innovative companies we know in our business, that Uli was able to simply buy in the past with his money. A product like that copy simply can not represent the core values of the people, he could convince to be part of his company. It is simply sad, and I can not understand that move (like many, it seems)."

And then there's the following mock-up from Atomic Shadow that pretty much sums it up:

Update via Wikipedia: "Music Tribe, formerly Music Group, is a holding company based in the City of Makati, Metro Manila, Philippines.[2] It is chaired by Uli Behringer, founder of Behringer. Music Group rebranded to Music Tribe in December 2017.[3]...

In 2015, Music Group's portfolio included Midas, Klark Teknik, Behringer, Bugera, Eurocom, Turbosound, TC Electronic, TC-Helicon, Lake, Lab.gruppen, Tannoy, TC Applied Technologies and CoolAudio[6]"

Update: And Behringer's response via Musictribe:

"Since various magazines and Arturia have publicly called us out over the launch of our Swing MIDI Controller, we would like to respond and share some facts around the principles of competition and clear up some misconceptions.


Competition is a highly effective tool to drive innovation by empowering Customers to make their best choices and force manufacturers to constantly reinvent themselves. Innovation means progress and this happens on many levels, whether it relates to customer experience, functionality or cost efficiencies etc.
There are 4 established marketing strategies: market leader, market challenger, market follower and market nichers. Here is a great article: https://aytm.com/blog/brand-positioning-for-a-competitive-edge-part-3/


The competition law was designed to avoid companies creating a market monopoly and stifle innovation, which would be detrimental to the rights of the Customers to expect better offerings. The law was specifically designed to encourage everyone to fiercely compete, even when it means over the same functionality and design, provided intellectual property such as utility (functional) and design patents as well as trademarks etc. are respected.


How many Fender Stratocaster or Gibson Les Paul clones are out there in the guitar world and how many SM58 clones are available? How many cars or mobile phones look alike? It is not surprising that Gibson recently lost a substantial legal case trying to prevent others from making V-shape guitars or Fender, who lost all trademark cases related to their Stratocaster design.
The reason is simple: the law encourages competition and provides maximum freedom for companies to engage head-on, all for the benefit of the Customer.


We are spending large amounts of resources on innovation, which is reflected in products such as X32, XR18, Flow, DDM4000, etc. This made us the global market leader for analog and digital mixers and over the years we have built an extensive patent portfolio:
https://community.musictribe.com/pages/intellectual-property
However, we also clearly choose to follow successful brands and products, while adding more features and/or competing on price. Much of our innovation is invisible to the Customer as it relates to our highly advanced and automated design and manufacturing processes and for that we are spending hundreds of millions of US$.
For this reason, we have become strategic partners with Microsoft, Siemens, Adobe and many other Tier 1 companies as we are pushing for extreme digitization and automation.


The follower marketing strategy is a very common business model in any industry, which is enabled by law to encourage competition. With our new Swing MIDI Controller, we followed an established concept, but of course wrote our own firmware with added functionality. However, these unique features will only come to life when we launch our free DAW.


The free Music Tribe DAW will form the heart of an incredible eco-system, where all our controllers, synthesizers and drum machines etc. will integrate seamlessly, thus dramatically improve connectivity and workflow. This will make it incredibly easy for our Customers to create, edit and share their music.
Only our upcoming controllers will feature total integration with our synthesizers, drum machines, digital mixers and other Music Tribe equipment, while also offering standard functionality with all 3rd party products.


For anyone familiar with the industry landscape, Arturia has been cloned for years (Worlde MiniMidi, etc.), while the company has also been “borrowing” from others with their VST replicas of legendary hardware synths, open-source code from Mutable Instruments, the “Expressive Touche” controller or the registration of known “DX7” and “Synthi” marks. Equally, our own analog Xenyx mixers and many other products have been widely cloned.
¬We will absolutely continue to deliver innovative products but also follow our competitors as we expect our products to be cloned - fair play.


We are very cautious when it comes to our follower approach and employ expert intellectual property firms to ensure our products stay within the boundaries of the law; we are committed to never intentionally infringe on other companies’ intellectual property.


Many years ago, we were entangled in bitter lawsuits with Mackie and Pioneer, which we all won. But we also recently lost a case against Yamaha in China related to a simple fader knob design that involved a design patent we were unfortunately not aware of. We changed the design, we will pay the fees and move on. Notably, Yamaha themselves were sued by Dr. Dre over their headphone designs (https://www.cnet.com/news/dr-dre-sues-yamaha-over-headphones/) or entangled in other legal matters (https://www.gov.uk/government/news/musical-instrument-firms-to-pay-millions-after-breaking-competition-law), which clearly shows how competitive business is. The heated Apple versus Samsung disputes are a prime example.


It is our Purpose and Mission to empower Customers who don’t have deep pockets and provide them with the best possible equipment at fair prices. We do understand that we are a fierce competitor and at times controversial as we’re relentlessly push the envelope.


We would like to thank all our Customers who have supported us over the past 30 years. We are absolutely committed to continue to deliver the best possible products at the lowest possible cost."

Quasimidi GIGA-Card

Note: Auction links are affiliate links for which the site may be compensated.

This one was spotted here and sent in via M Me.

Never seen one of these before. The following is the description in Dutch followed by Googlish:

"Voordat Quasimidi legendarische synthesizers uitbracht, maakten ze sound expansions voor een aantal duur segment keyboards van onder andere Roland.

Deze expansion is daar een toppunt van. 512 styles en begeleiding patches voor de E-serie keyboards van Roland. Roland heeft zelf een reeks kaartjes uitgebracht onder de types TN-SCx-xx waar maximaal 8 styles op zijn opgeslagen. Dit kastje heeft er dus 512. Deze 512 zijn opgeslagen in blokken van 8, waar via het menu telkens een andere 'kaart' kan worden ingeladen.

Ik heb zelf de E-70 gehad en er best lol van gehad. Vooral de Peter Gunn style waar dat bekende intro van Emerson, Lake and Palmer perfect wordt nagebootst en je heerlijk op kan varieren.

Dus als je nog een Roland Intelligent Synthesizer E-nogwat hebt die TN kaartjes slikt, ik raad 'm 100% aan!

De Giga-card is bij voorkeur op te halen in Zaandam, daar het een wat ouder stukje techniek is. Testen kan helaas niet want ik heb geen E keyboard meer. Verzenden is uiteraard mogelijk, maar zijn alle risico's voor de koper."

Googlish:

"Before Quasimidi released legendary synthesizers, they made sound expansions for a number of expensive segment keyboards from Roland, among others.

This expansion is the pinnacle of that. 512 styles and accompaniment patches for Roland's E-series keyboards. Roland has released a series of cards under the types TN-SCx-xx where a maximum of 8 styles are stored. This box therefore has 512. These 512 are stored in blocks of 8, where a different 'card' can be loaded each time via the menu.

I have had the E-70 myself and had quite a bit of fun. Especially the Peter Gunn style where that famous intro of Emerson, Lake and Palmer is perfectly simulated and you can vary wonderfully.

So if you have another Roland Intelligent Synthesizer E-something that swallows TN cards, I recommend it 100%!

The Giga-card can preferably be picked up in Zaandam, as it is a somewhat older piece of technology. Unfortunately, testing is not possible because I no longer have an E keyboard. Shipping is of course possible, but all risks are for the buyer."

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Metasonix TM 7 Scrotum Smasher Ultra Distortion SN TM7-103 w/ Original Box

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Nice box. The pedal art is by Dave, creator of The Packrat.

"This was purchased new and put away for over a decade. Recently found amongst a bunch of other pedals and random bits of gear wile moving. I own 3 of them along side other Metasonix gear. I had money back then and kinda went nuts on spending.

It is truly as new as it was the day it arrived from Lake Port CA, home of Metasonix. The tubes are fresh and barely even warmed up.

I tried posting it on reverb.com but was blocked from doing so because reverb.com has band the sale of products with 'explicit or offensive content'.

Essentially banning this unit and others from being sold

This unit is loud and extremely aggressive. There is no by pass switch and the knob settings are very sensitive. If you give it time and attention you'll find the sweet spots. The TM 7 is all about those edges. You'll know what im talking about when you plug in a heavy kick drum from a drum machine such as a Roland 808, 909 or JoMoX 888, 999 and JoMox Alpha Base, just to name a few.

Though the real magic happens when you plug a Control Voltage source from a CV sequencer.
Thats right! It also a synth module."

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