PANNING on MODULAR SYNTHESIZERS | Q148 and Q158 tutorial

video upload by synthesizersdotcom

"🎛️ Join us as we explore the sonic possibilities of stereo panning using the Q148 and Q158 modules from synthesizers.com! Perfect for beginners in modular synthesis, and a fantastic tutorial for all content creators looking to up their game. Don't miss out on these essential techniques to create immersive soundscapes."

Modular Panning with Sequencer and LFO

video upload by George B.

"Use promo code BENTON10 for a 10% discount code. This is limited to one time use per customer and capped at $500.00. So if you spend 5k you get $500 off. If you spend 6k they get $500 off. There is no minimum purchase amount - get what you need - but it makes sense to make your one time purchase with code BENTON10 count.
Using a sequencer row as a control voltage to control panning. Also panning with an LFO. Adding two pan channels, LFO driven and Sequencer driven makes a beautiful stereo effect.
Modules used
Voice one - 2) Q106 Oscillators, Q107a Filter, Q109a ADSR, Q960 Sequencer
Voice two - Q106a Oscillator, Q107a Filter Q109a ADSR, Q119a Sequencer, Q173 Gate Math
Voice three - 2) Q106 Osc, Q107a Filter, Q157 S&H++ for LFO (Bass Drone)
Q156 Comparator used for LFO in panning.
Q148 and Q158 both for panning."

Make Any Patch More Interesting - Add a Ring Mod ' Synthesizers.com Patch Tutorial

video upload by Synthesizer Reviews // Tips // Patch Tutorials

"Use promo code KUBIN10 for a 10% discount code [at synthesizers.com]. This is limited to one time use per customer and capped at $500.00. So if you spend 5k you get $500 off. If you spend 6k they get $500 off. There is no minimum purchase amount - get what you need - but it makes sense to make your one time purchase with code KUBIN10 count.

If you need add this module Synthesizers.com offers two choices in Ring Modulators

Q116 Ring Modulator

Q158 VCA2++ Pan, Fade, Mix, Ring, Amplifier

For me, Ring Modulation has always been the key to inspiring patches. While working on a new song for Venus Hum I was having a hard time coming up with a part that I was happy with. I’d been experimenting with velocity and what it can do do create variations within a Ring Mod Patch. So, I made a very standard ARP2600 Ring Mod patch, added velocity to the exponential CV Input and the resulting sound was all the inspiration I needed to play a part that I think is perfect for the song. If you don’t have a Ring Modulator in your system you are missing out on some of the most beautiful and inspiring tones a synthesizer can create.

CLICK FOR MORE »

Modular Synthesizer Voltage Controlled Amplifier

video upload by George Benton

"Continuing the build by adding the Voltage Controlled Amplifier and tying it in with the ADSR and GATE. The Q108 and Q158 are both listed on the synthesizers.com website with specs etc."

Synthesizers.com Composition Contest Videos

Use the player controls on bottom to skip around.
You can find descriptions for each video below. You can find additional Synthesizers.com contest posts here.

Playlist:

1. O Z Hall: Zebra Synth

Dive into the enthralling world of synthesizers and witness O Z Hall's outstanding entry, "Zebra Synth", in the Synthesizers.com Composition Contest. Crafted with unparalleled precision and technique, this remarkable composition combines an array of captivating sounds that will take you on a breathtaking sonic journey.

Hall masterfully utilizes three distinctive patches in "Zebra Synth" to create an immersive soundscape. The first patch features a drone made using a Q106A oscillator, which is meticulously processed by a wave folder. Another oscillator, intertwined with linear FM from the wavefolder output, results in a fascinating "clang tone" that is beautifully amplified by a digital reverb.

In the second patch, a sequenced voice is artfully produced by employing two re-paneled Q106 oscillators. One output is channeled into the input of the linear FM, which subsequently provides intriguing timbral variations. The Q119A sequencer's 3rd row masterfully controls a Ratchet effect, adding even further depth to the composition. An expertly-applied digital delay effect enriches the output of this patch.

Lastly, the lead voice is ingeniously designed using the Q169 Dual Oscillator with Pulse Width modulation. O Z Hall skillfully manipulates the 24db/oct low pass filter in real-time to deliver an electrifying performance. The extended digital delay effect ties the entire sonic experience together.
O Z Hall's "Zebra Synth" draws its arsenal of modular synthesis tools from the Synthesizers.com catalog, including Q106, Q106A, Q119A, Q171, Q148, Q127, Q169, Q168, Q167, Q114, Q174, and Q175A modules. The creative process has been meticulously executed, showcasing how these modules can be combined to engineer a rich and dynamic sound adventure.

CLICK FOR MORE »

Nathan Wilmarth: Voltage Controlled Joy

video upload by synthesizersdotcom

"Experience the Electrifying Sound of Nathan Wilmarth's "Voltage Controlled Joy" – Winner of The DotCompetition 2023! 🎹🎶

Immerse yourself in the enthralling world of synthesizers as we present to you Nathan Wilmarth's award-winning performance of "Voltage Controlled Joy." This vibrant and innovative composition triumphed over all the other entries in the prestigious DotCompetition 2023, hosted by Synthesizers.com.
Nathan's impressive mastery of Synthesizers.com modules manifests itself in this captivating piece, featuring an eclectic blend of electronic sounds and dynamic beats to deliver a truly mesmerizing auditory experience. 🎧🎚️

Dive deep into the intricacies of this multifaceted composition as we unravel how Nathan meticulously designed the enchanting soundscape:
Driven by gates from the Q173, a drum loop breathes life into "Voltage Controlled Joy." The hi-hat, snare, and kick are jointly sculpted with a combination of Q173, Q110, Q107, Q157, Q156, Q112, Q109, Q108 and Q124 modules.

The hypnotic bass line stems from the Q169 #1 oscillator and employs the internal EG, further enhanced by the Q107A and Q158 modules.
The lead/solo playing features the Q169 #2 oscillator with PWM from the internal LFO and runs through a Q150A and Q158, controlled by a Q179.
An intricate arpeggio segment emanates from the Q175A module, while the Q174 Ch.2 manipulates the pitch to create a harmonious blend of polyphonic chords.

The Q960 sequence and its ratcheting effect are facilitated by a standard synth patch and a selection of modules, including the Q106, Q150A, Q109A, Q108, Q128, Q125, and Q963.

In addition, the Q119A plays a vital role in controlling the patch’s captivating progression.

Experience the magic of "Voltage Controlled Joy" and see why it emerged victorious at The DotCompetition 2023. Be sure to shop for Synthesizers.com modules to create your own show-stopping tunes!"

Synthesizers.com Box22 with Upgrades

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"This is a custom Synthesizers.com Box22 system with the following modules:
Q174 MIDI Interface
Q175 MIDI Interface Aid
3x Q106 Oscillators
Q130 Clipper
Q155 Curver
Q125 Signal Processor
Q112 4 Channel Mixer
Q150 Transistor Ladder Filter
Q107 State Variable Filter
Q109 Envelope Generator
Q179 Envelope++
Q157 SH++
Q158 VCA2++
Q108 Amplifier
Everything is in mint condition and works perfectly. This system was purchased new only a few months ago. Also comes with 2 QPS4 power supplies and the following 18 patch cables:

12x QP4MM-12
6x QP4MM-24"

Q158 VCA2++ Ring Modulation Tutorial

Published on Dec 7, 2019

"For more information visit http://www.synthesizers.com/q158.html

Hosted by Roger Arrick of Synthesizers.com"

Q158

New Synthesizers.com Q158 VCA2++ Dual VCA

Published on Dec 2, 2019 synthesizersdotcom

"Hosted by Roger Arrick of Synthesizers.com"

via Synthesizers.com

"The Q158 VCA++ module combines two VCAs along with innovative connectivity to provide a panner, fader, 3-channel mixer and ring modulator functions - all in a single-wide module.

You can never have enough VCAs in a modular system and the Q158 addresses this by providing two full-featured VCAs complete with invertable attenuators and bipolar gain controls.

The signal input and CV input for VCA #1 are normalized to VCA #2, in other words, they are automatically connected to VCA #2 unless plugs are inserted into VCA #2 jacks. This makes patching easy to create a 2-channel panner (one input panning between two outputs) and a fader (two inputs fading to one output).

Automatic connection between the two VCA channels also provides an easy way to do ring modulation (4-quadrant multiplier). Multiplying 2 audio signals produces frequencies that are the sum and differences of the originals resulting in inharmonic bell-like tones, a classic synthesizer function.

VCA channels #1 and #2 are mixed together along with a third un-attenuated channel in the center section. This gives you a 3-channel mixer with 2 of the channels having attenuators. The INVERT switch inverts the polarity of VCA #2's contribution to the mixer and is used to produce ring modulation.

Both VCAs have manual gain controls and VCA #2's invert switch provides simple signal processing functions."