Rheyne - Three Mothers and a Drummer (Moog DFAM and Mother-32 x3)

Published on Jan 1, 2018 Rheyne

"A sequenced jam using the Moog DFAM and the Mother-32 (x3). Also used (in the case behind the DFAM) are the Erica Synths Black Clock v2, Pico SEQ, Black Octasource, Black Hole DSP, Make Noise Wogglebug, and Tempi. Reverb is from a Strymon BigSky, and delay is from the Erica Synths Black Hole DSP."

Rheyne - Three Mothers

Published on Dec 30, 2017 Rheyne

Playlist:

1. Rheyne - Three Mothers, part 1 (Moog Mother-32 self-oscillating filter)

The first of three vids using only Moog Mother-32 synths. In this patch, all sounds are from the self-oscillating filters. The VCOs and LFOs are only used for modulation. The sequencers are playing the default 1-step pattern, with stepped-random voltages from the assignable outputs controlling the pitch of the filters and the rate of the LFOs.

The output of each synth was sent to a Yamaha MG12XU mixer, with a Strymon BigSky on an aux-send. Audio was recorded onto a Tascam DR-44 directly from the mixer. Although it sounds like there's delay present, these are actually modulations from a square LFO. The only effect is reverb from a BigSky.

2. Rheyne - Three Mothers, part 2 (Moog Mother-32 pad, bass, and melody)

In this patch, the top Mother handles bass, the middle Mother plays the slow melody, and the bottom Mother is the pad / arpeggio saturated in reverb.

3. Rheyne - Three Mothers, part 3 (Moog Mother-32 x3)

The third of three vids using only the Moog Mother-32 (x3). The top Mother handles the slow melody, bass is from the middle Mother, and the bottom Mother-32 handles both the kick and the snare (2 voices from one Mother). Reverb is from a Strymon BigSky. The only other equipment used was a Yamaha MG12XU and a Tascam DR-44.

Rheyne - Sequenced Jam #63, part 2

Part 2 added to this post.

Rheyne - Sequenced Jam #63 (Spock in the Morphagene)

Published on Dec 3, 2017 Rheyne

"A sample of Spock from 'Space Seed' in the Morphagene. Kick is from a Moog DFAM, snare is from a Make Noise 0-Coast, arpeggio is from a Noise Engineering LIP, and bass is from a Make Noise DPO. 8 additional LFOs from Silent Way are sent through an Expert Sleepers ES-8. Sequenced with the Winter Modular Eloquencer.
Reverb is from a Strymon BigSky. Audio was recorded straight from the mixer.

'Spock' and 'Space Seed' are trademarks of CBS."

Update:

Rheyne - Sequenced Jam #63, part 2

Published on Dec 7, 2017 Rheyne

"An alternate version of the patch from Sequenced Jam #63, recorded in case of any legal issues with the Leonard Nimoy sample from the original recording."

Need For Storms

Published on Nov 26, 2017 Need For Storms

This one in via Soviet Space Child.

Playlist:
1. Clast - Need For Storms

clast (klæst) n. Rock fragment or mineral grain produced by the breakdown of larger rocks. Eroded and smoothed when transported by waves, clasts may form new rocks through cementation and compaction.

Music performed live on a briefcase Eurorack synthesizer.

Video by Mika McKinnon. Footage taken in Long Beach, BC, Canada.

2. NFS - Modular Experiment #4 (Morphagene, Telharmonic, Clouds)

3. NFS - Modular Patch Experiment #3 (Morphagene, Telharmonic, Clouds)

Patch experiment layering the Telharmonic under the Morphagene running this reel by Rheyne Music

Clouds for reverb. Tape saturation in Logic Pro X.

4. NFS - Modular Patch Experiment #2 (Mother-32, Maths, Logic Pro X)

Noisy, bass-heavy patch experiment using two Moog Mother-32s and a Make Noise Maths. FX from Logic Pro X.

5. NFS - Modular Patch Experiment #1 (Mother-32, Maths, MS-70CDR)

Patch experiment using two Moog Mother-32s and a Make Noise Maths. FX from a Zoom MS-70CDR pedal. Recorded in Logic Pro X.

Rheyne - Sequenced Jam #61

Published on Nov 15, 2017 Rheyne

"Recorded on top of a coffee table. Bass is from a Moog DFAM, the kick is from a Noise Engineering LIP, the pad is from a Make Noise Morphagene through an Erica Synths Black Hole DSP, and the slow arpeggios are from both VCOs of a DPO. Reverb on the overall mix is from a Strymon BigSky."

Rheyne - Sequenced Jam #60

Published on Nov 12, 2017 Rheyne

"Percussion is from a Moog DFAM and Noise Engineering LIP. The pad and bass is from a Moog Mother-32 (x3). Some Fender Rhodes chords are coming from a Make Noise Morphagene."

Rheyne - Sequenced Jam #59

Published on Nov 7, 2017 Rheyne

"Sound sources are a Moog DFAM, 2x Mother-32, a Noise Engineering LIP, a Make Noise DPO, and a Morphagene. The vocal sample in the Morphagene is a recording of my voice, speaking the words 'this is only a test.'"

Rheyne - Live Jam #185 (live looping with analog synths and Ableton Live)

Published on Nov 4, 2017 Rheyne

"Live looping with Ableton, analog synths, and a Fender Rhodes. Recorded in one take with no pre-recorded loops or sequences. All effects are from Ableton.

Sound sources:
Moog DFAM
Moog Mother-32 (x3)
Make Noise DPO
Fender Rhodes w/ MXR ZW-44 overdrive"

Rheyne - Live Jam #184

Published on Oct 30, 2017 Rheyne

"Live looping with analog synths, a Fender Rhodes, and Ableton Live. Recorded in one take with no pre-recorded loops or samples.

Sound sources:
3x Moog Mother-32
Moog DFAM
Make Noise DPO
Make Noise 0-Coast
Fender Rhodes"

Rheyne - Sequenced Jam #58

Published on Oct 28, 2017 Rheyne

"Shifting through three 16-step sequences on a Winter Modular Eloquencer in 'pendulum' step mode."

Rheyne - Sequenced Jam #56

Published on Oct 18, 2017 Rheyne

"Winter Modular Eloquencer triggering a Moog DFAM, Noise Engineering LIP, Make Noise DPO, and an Erica Synths Pico Voice. The Morphagene is playing some chords from my Fender Rhodes, triggered by a Tempi.

The Morphagene reel is available here: https://freesound.org/people/rheynemu..."

Rheyne - Sequenced Jam #55

Published on Oct 13, 2017 Rheyne

"Audio from a Make Noise DPO and 0-Coast, with visuals from Max for Live running the 'Vizzable' package of plugins. Ableton's clock is stopped, and is only processing reverb and visuals. The arpeggio in the 0-Coast was played via MIDI before recording."

Rheyne - Live Jam #183 (live looping with 3-voice polyphonic Mother-32)

Published on Oct 12, 2017 Rheyne

"Recorded in one take with no pre-recorded loops or sequences. Sound sources are Native Instruments "Modern Drummer", a 3-voice polyphonic Mother-32 setup using Expert Sleepers Silent Way, a Fender Rhodes through an MXR ZW-44 overdrive, a Make Noise DPO, and a Dave Smith Instruments MoPho keyboard."

Rheyne - Sequenced Jam #54 (Winter Modular "Eloquencer")

Published on Oct 8, 2017 Rheyne

"First patch with the Winter Modular 'Eloquencer' with sounds from a Make Noise DPO, a Morphagene with some Fender Rhodes chords, a Noise Engineering LIP, a Moog Mother-32, and a Moog DFAM. Reverb is from a Strymon BigSky."

Rheyne - Demonstration - Black VC Clock v2 (Erica Synths)

Published on Oct 5, 2017 Rheyne

"An example of controlling an Erica Synths Black VC Clock v2 with a random clock source. The pad in the background is from an off-camera Mother-32 running through an Erica Synths Black Hole DSP. Reverb on the final mix is from a Strymon BigSky.

Download an extended version of the soundtrack at SoundCloud:"

Rheyne - Sequenced Jam #53 (Make Noise Contour and DynaMix)

Published on Oct 3, 2017 Rheyne

"All audio is from a Make Noise DPO, with the new Contour and DynaMix modules, along with Maths and a Wogglebug. Reverb is from a Strymon BigSky."

Rheyne - Live Jam #181 (live looping with Ableton Live)

Published on Sep 30, 2017 Rheyne

"Live looping with analog synths, a Fender Rhodes, and Ableton Live. Recorded in one take with no pre-recorded loops or sequences.

Sounds are from a Moog Mother-32 and DFAM, a Make Noise DPO and 0-Coast, a Dave Smith Instruments MoPho, and a Fender Rhodes. All effects are from Ableton.

Live Jams and Sequenced Jams on BandCamp: https://rheyne.bandcamp.com"

Rheyne - Morphagene Voltage Control

Published on Sep 20, 2017 Rheyne

"This is an example of the Morphagene under voltage control."

Rheyne - LIP and DFAM (Noise Engineering blog guest post)

Published on Sep 19, 2017 Rheyne

"Created for the Noise Engineering blog. See the blog post and interview here: https://www.noiseengineering.us/blog/...

Triggering the Noise Engineering Loquelic Iteritas Percido and the Moog DFAM with a Make Noise Tempi, Maths, and an Erica Synths Pico Trigger. Signals are combined into a Pico Logic in "OR" mode, with one channel triggering the DFAM and the other to the LIP. Bass swells are from a Make Noise DPO, processed in stereo by a modDemix, and using Function for the envelope with its EOR triggering the chord changes on a Morphagene, containing some splices of my Fender Rhodes."