Sync-Gen II Proto Demo 1.wmv

YouTube via innerclock2004 | February 03, 2011 |

"Rough hand held iPhone demo video. Sync-Gen II software under Ableton Live 8 driving Cync-Lock and Kawai R-100 via Din-Sync. Single audio loop in Live playing across grid-locked R-100 pattern. Precision Sync and Slave Transport taken care of by Sync-Gen II."

Sync-Lock TR-808 MPC-60.mp4

YouTube via innerclock2004
"In this video we initially hear a recorded TR-808 audio loop playing from Ableton Live 8. As before, Live is driving the Sync-Lock via the Sync-Gen Plugin which is in turn driving a genuine TR-808 via Din Sync and an Akai MPC-60 MKI via Midi Clock. I first mute and then un-mute the TR-808 audio loop in Live so you know what it sounds like in isolation. Next I move to the real TR-808 and turn up the master output. I then turn to the MPC-60 and turn up the master output also. On the MPC-60 I hold the [Note Repeat] button and improvise on the Snare and Hi-Hat in quantized 16ths so you can hear the tight sync with both the real TR-808 and the Live audio loops as well. I turn down the real TR-808 for a few bars so you can hear just the MPC-60 and Live playing in sync and then bring the real TR-808 back up again in the mix. Finally, I take out the audio loop playing in Live laving just the TR-808 and the MPC-60 playing until the fade."

Sync-Lock Pro Tools.mp4

YouTube via innerclock2004
"This time we are using Pro-Tools LE and a 003 Control Surface on a Mac G5. A basic demo but here we see an external Roland MV-8000 and a rather cranky Roland SH-101 being driven direct off Pro-Tools via the Sync-Lock. Prior to shooting the video I recorded two identical passes of the MV-8000 Midi Pattern to separate tracks in Pro Tools. No editing was done on these takes at all. On pressing [Play] on the 003 Transport what you hear initially is these two Pro Tools Audio Tracks plus the MV-8000 and the SH-101 running live via the Sync-Lock. You can clearly hear the audio tracks and the live audio phasing and the tone of the phase does not change which indicates no drift in the sync. I then zoom in on the G5 screen so you can clearly see both audio tracks and the click track grid and just how well they line up. Next I mute the Audio Tracks in Tools and then the MV-8000 leaving just the SH-101 pattern playing. I then un-mute just the two Audio Tracks. Again, you will hear the phasing is constant between both takes. I then wind back up the MV-8000 midi pattern volume. Next I tangle with the cranky SH-101 output jack and do one final mute of the two audio tracks again before finishing."

Sync-Lock Elektron SH-101 Jam.mp4

YouTube via innerclock2004
"This Video shows the same audio tracks playing from Ableton Live via an Edirol FA-101 Soundcard. Outputs 3 and 4 from the FA-101 drive the Sync-Lock which in turn drives an Elektron Machine Drum via Midi Clock and a Roland SH-101 via the External Clock Input. Initially we hear only the Elektron Machine Drum pattern. Next we push [Play] on the SH-101 Sequencer which is being externally clocked from Live via the Sync-Lock Trigger Out. Next we move to the Mixer and bring up the DAW/Live Audio Tracks in the mix. I then move over to Live and individually Mute/Unmute the Audio Tracks. I then move back to the Roland SH-101 and use the [Transpose] Function and then tweak the filter setting in real-time. Finally I turn down the Elektron Machine Drum for a few bars so you can hear the SH-101 and DAW Audio on their own and then back up again to finish."

Update:

Sync-Lock Roland Jupiter 8 Live Jam.mp4

YouTube via innerclock2004
"In this video, same basic groove as before - Two Audio Loops playing in Live, Sync-Gen Plug-In driving the Sync-Lock from a pair of FA-101 Soundcard Outputs. The Sync-Lock still driving the Elektron Machine Drum via Midi Clock but also a Roland Jupiter 8 via the Trigger Output to the ARP Clock Input. Played notes initially and then [Hold] is pressed while changing parameters in real time."

Sync-Lock Jam 2.mp4

YouTube via innerclock2004. Remember, you can search on innerclock2004 for prior vids.
"Two Loops in Live. Sync-Lock driving Elektron Machine Drum. Easy to hear how well the DAW Audio and the external hardware lock together. Snare Track live improvisation is a good example."

Innerclock Systems Sync-Lock Machine Drum Live Jam.mp4

YouTube via innerclock2004
"In this video we first hear two audio tracks playing looped in Live. The Sync-Lock is driving an Elektron Machine Drum and a Roland TB-303 simultaneously. The Kick, Snare and Hat tracks in the Machine Drum"

Sync-Lock Elektron TB-303.mp4

YouTube via innerclock2004
"Ableton Live driving Innerclock Systems Sync-Lock driving Elektron SPS-1UW and TB-303."

Innerclock Systems Sync-Lock MPC-3000 Hardware Sync

YouTube via innerclock2004

"In this Video you see the AKAI MPC-3000 as Hardware Sync Master showing an application for the Sync-Lock in a non-computer based setup. Two tracks are created in the MPC-3000. Track 1 has the Sync-Lock [Pulse] sample loaded and recorded quantized at 64 Triplets which equates to 24ppq. Track 2 has a single sample at the start of Bar 1. These two pulse samples are routed to Direct Outputs 1 and 2 of the MPC-3000 respectively and then the outputs connected to the inputs of the Sync-Lock. Din Sync from the Sync-Lock drives a Roland TB-303 and the Midi Clock drives a midi pattern in an MV-8000. The Click you hear at the start of the video is a Quarter Note Quantized Click from the MPC itself as a reference. Next the TB-303 is turned up followed by the Roland MV-8000 pattern and then a direct feed from the Sync-Lock Analogue Trigger Output. By using this method - dedicated Din Sync (without prior conversion) , Midi Clock and Arp Triggers may be generated from the Hardware Master device without sacrificing or sharing on board Midi Ports that may still be used for Note, Control or Sysex Data. This application may be used with Hard Disk Recorders also. You need two outputs or tracks per Sync-Lock. For lots of external hardware running alternate timing divisions - up to four Sync-Locks can be used with an MPC-3000 using 8 Direct Outputs."

Innerclock Systems Sync-Lock

YouTube via innerclock2004 Innerclock Systems
"Demo showing Ableton Live driving Roland TB-303 and Roland MV-8000 via simultaneous Midi Clock and Din Sync from the Sync-Lock and an FA-101 Soundcard. The Audio Loop playing in Live is identical to the pattern playing from the MV-8000 itself. There is an audio click in Live as a reference so you can hear the Audio Loop in Sync with the grid and you can hear the MV-8000 running off Midi Clock phase when they play together. The TB-303 is in sync with both perfectly. Radical tempo changes do not compromise the sync. The Sync-Gen plug-in allows clock swing which is passed on to the Midi Clock, Din Sync and Analogue Trigger outputs from the Sync-Lock feeding the MV-8000 and the TB-303."