MATRIXSYNTH


Saturday, March 31, 2007

Oberheim Mini-Sequencer w/ ARP 2600 and ARP Sequencer


video upload by 123synthland.

Note this is the sequencer for sale in this post.

"Here's a quick patch we made demonstrating the Oberheim Mini Sequencer we recently put on the market. It's triggering an ARP 2600. This particular Oberheim Sequencer has been modified. One of the mods is a CV input to transpose the sequencer CV output - a very useful feature. Here we show pitch transposition occuring every 32 steps. We achieved this by using clock division and an ARP Sequencer's quantized sequence output. You can transpose the sequence using other external CVs, like the CV out from a 1 volt per octave MIDI to CV converter, a 1 volt per octave output from a vintage synth, etc. The cute little yellow and green box is the legendary Tone Tweakers Mojax 3x4 - only the most complicated and awesome electronic musical device ever made!!! ;) This short sequence reminds us of something off Depeche Mode Violator. You may or may not agree, but we hope you enjoy it anyway. And yeah, those are latex gloves. We wear gloves cause our gear's so smokin' hot it would otherwise burn us. :) Email us anytime at minime123@onebox.com"

Musicmesse Phot Set via dreikelvin

Title link takes you there. MacBeth M5N pictured.

via Rob.

Interview with Henning Krane of Don Juan Dracula


I recently discovered Don Juan Dracula back on March 4th, this year, when their manager Shane Chisholm contacted me about doing an interview with the band. I'll be honest and say I was a little reluctant at first because this site is about "the synths and not the band," but I liked what I heard, so I asked him if it would be alright to focus on synths and run the interview with their keyboard player. I got the thumbs up, and the following is that interview. I've been listening to their album for some time now and I must say I really do like it. Catchy stuff that will get stuck in your head for days and keep the energy going. Don't miss the videos below. One of which, "Run Away With You" features a kid in the video with a custom toy keyboard. Apparently the kid in the video made it when he saw Hennings keytar and they decided they just had to let him use it in the video. Pretty cool. That said...


1. How many members of the band play synths?
Henning: Our songwriter Henrik uses keyboards as well as guitar when he writes songs, but while recording and live it's me who playes the keyboards.

2. When and how did you get into synths?
Henning: In 2000 I think, Henrik asked me to play keyboards in his new band. I hadn't really played keyboards before, but like a lot of kids I was forced to take piano lessons when I was growing up, so I still remembered a little. When we started out, all we had was Henriks old Casiotone MT-800 and a Casio SA-10. Those two keyboards were the basis of our first EP and live-shows for a couple of years.

3. Do you view yourself as a synthesist, keyboard player or both?
Henning: I don't really see myself as neither actually. I like to collect old keyboards, synths and gadgets that make cool sounds. And I play them in a band.

4. What synths do you use in the studio and on tour.
Henning: Live i mainly use a Yamaha SHS-10 as a MIDI-Controller for the Korg Microkorg. That way I'm able to move around more on stage. I really like the diversity of the microkorg, and the simplicity of it's interface. Being able to quickly switch between custom sounds and finished presets makes it ideal for live use, which is probably why everyone is using them these days. Though it seems everyone is using one these days.

I also still use that old Casiotone and a Yamaha kids organ once bought at a flea-market for the lead-sound of "Take Me Home". We have gradually moved away from the pure Casio-pop sound, using more real instruments as well as synthesizers and not just FM-keyboards.

In the studio we have started to use more soft-synths lately as well, mainly because it's easier, and cheaper. Unfortunately we don't have the money to buy every synth we want.

We will be recording our next album soon, and we're looking to purchase the new Korg MicroX before that. I'm also trying to get hold of a Korg MS-10 for the studio-session. Everytime I buy a new synth or keyboard we try to use it somewhere in the recordings. That way we get a variety in the sound. I try to not use the same sounds more than once... We have used quite a lot of different gear over the years. Mainly cheap kids-like stuff, I just like the sound...

5. What is your favorite synth and why?
Henning: The Casio VL-1. Just because it's so small, and still so funny sounding. And it's a calculator as well. A friend of ours actually used his on a math exam once...

6. What do you think about the role of synthesizers in music today and it's influences in the past? What would you consider to be you main influences (musicians, technologies, anyone)?
Henning: The last couple of years you have started to hear more and more bands becoming popular using synthesizers in their songs, and I like that of course.
-Vince Clarke (Depeche Mode, Yazoo -not so much Erasure) and OMD has influenced me a lot with their simple monophonic style of playing and composing.
-As well as Casio.

7. What is your dream synth and why?
Henning: I have been dreaming of getting a Moog Prodigy and a Yamaha Cs-5 for a little while. Because they are the synths mostly used on my favorite album by Depeche Mode "Speak & Spell".

8. Do you prefer a particular type of synthesis (analog, digital, modular, FM, etc) and why?
Henning: I do (of course) prefer real vintage analog stuff, because it's the "real deal". But it's very hard to get hold of here in Norway, and lately americans on ebay don't want to send their stuff to Europe anymore. I also have a love for beaten up kids' casio stuff. I still look for them at flea markets every spring.

9. BTW, I was wondering what the little keyboard in the "Run Away With You" video was?
Henning: haha !
-it's actually a danish kids toy keyboard called "elektronisk keyboard 11 -100" gaffa-taped onto a kids guitar!
-The kid in the video made it himself actually before the videoshoot after he had seen pictures of me with my keytar. So we had to let him use it...

--------------------------

And there you have it. I want to thank Shane Chisholm and Henning Krane of Don Juan Dracula for taking the time out for the interview. I also want to give a big thanks to Shane for giving out 20 free downloads of DJD's album to Matrixsynth readers (they are all gone, btw). DJD is about to break out on the international scene and I wish them all the luck. I had a great time going back and forth with them for this interview. When they get big, remember... You saw them here first!

I'll leave you with two of my favorites from the band:

Don Juan Dracula, Runaway With You


Don Juan Dracula, Take Me Home


Previous Posts on DJD

Roland Jupiter-8

Title link takes you to shots pulled via this auction.

via Jason.

MOOG Voyager Blue White Wash Limitted Edition


Title link takes you to shots pulled via this auction

I try not to grab stock photos as they are readily available on the web, but this is just absolutely stunning. Note the seller is Novamuik. I've dealt with them in the past and they are a great shop - highly recommended. Be sure to check out the other shots at the auction or the title link.

ETI 4600

Title link takes you to shots pulled via this auction.
Details:
"This is a very rare ETI 4600 synthesizer by jaycar electronics. The ETI came out as a kit in which you could build week by week with each issue of the jaycar magazine. This synth has been professionally put together (electronics)."

MOOG The Source

Title link takes you to shots pulled via this auction.

Roland CSQ-100

Title link takes you to one more shot via this auction.

Oberheim OB-Mx

Title link takes you to shots pulled via this auction.

The Don Buchla Oberheim.

Previous posts and samples

How To Choose a Synthesizer - 1973



Title link takes you to shots pulled via this auction. Published in 1973 via the Boston School of Electronics.
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