Image on NIN. Sent my way via Ken.
Sunday, April 01, 2007
More Musikmesse Pics
Title link takes you to a few more shots. Arturia Origin pictured. via sequencer.de.
Elton John MOOG Realistic MG-1 Advert
via Megamule who also notes: "I love my MG-1. Even after acquiring a Voyager, I kept mine around because it is a great performance synth. Another bit of MG-1 trivia. I read in TapeOp mag that all the synth on Ween's "Mollusk" album was done on their producers MG-1."
A4: a better form factor for modular synthesizers?
Rick Jelliffe sent me a link to an article he wrote on O'Reilly Digital Media which proposes a new form factor for modular synthesizers. The form factor? A4 - the standard size for a sheet of paper outside North America and the Phillipines. The article is in response to Grant Richter of Wiard calling for the use of different materials for modular faceplates to cut down costs (see this post). Title link takes you to full article. The following is an excerpt:
"But for the rest of us, Grant is entirely right, but it is more than just the cost, it is also the time delay and logistics and also the lack of flexibility that causes users problems. Why is it that we currently have the several dozen different form factors for synthesizer modules?
I think there is another way to approach the issue that solves several other problems, especially for the new and DIY maker: adopt A4 (the paper size used outside North America and the Philippines) as the standard size for module front panels. 210 x 297 millimeters or 8.27 x 11.69 inches.
The first question that probably will pop up is Rick are you insane? A4 is about the same size as US letter paper, surely that is way too big? Plus it isn’t an even multiple of any of the current standard sizes…what gives?
Well, lets start off by redefining the problem. DIY people need to buy the expensive panels because they don’t have the skills or tools to cut and make decent panels themselves. But buying in a good-looking panel has a hidden cost: it makes it difficult to evolve and experiment with the module, in particular with anything that requires new knobs, lights or jacks: so new functionality has to go into a new module, which then needs a new panel. Plus if spend your cash on panels, you don’t have a brass razoo for other modules: there is a substitution cost. So Grant is right that the cost of panels is a disincentive to purchasing panels, but it is also a disincentive to incrementally evolving them."
"But for the rest of us, Grant is entirely right, but it is more than just the cost, it is also the time delay and logistics and also the lack of flexibility that causes users problems. Why is it that we currently have the several dozen different form factors for synthesizer modules?
I think there is another way to approach the issue that solves several other problems, especially for the new and DIY maker: adopt A4 (the paper size used outside North America and the Philippines) as the standard size for module front panels. 210 x 297 millimeters or 8.27 x 11.69 inches.
The first question that probably will pop up is Rick are you insane? A4 is about the same size as US letter paper, surely that is way too big? Plus it isn’t an even multiple of any of the current standard sizes…what gives?
Well, lets start off by redefining the problem. DIY people need to buy the expensive panels because they don’t have the skills or tools to cut and make decent panels themselves. But buying in a good-looking panel has a hidden cost: it makes it difficult to evolve and experiment with the module, in particular with anything that requires new knobs, lights or jacks: so new functionality has to go into a new module, which then needs a new panel. Plus if spend your cash on panels, you don’t have a brass razoo for other modules: there is a substitution cost. So Grant is right that the cost of panels is a disincentive to purchasing panels, but it is also a disincentive to incrementally evolving them."
zorlon cannon demonstration
YouTube via meatlog.
"test of a voltage-controlled audio noise / pseudorandom gate generator module inspired by the atari 8-bit computer's sound generation algorithm"
The Havestman
Korg M1 Synthesizer
Korg M1 Synthesizer - Part One
Korg M1 Synthesizer - Part Two "Plus 1" Expansion
YouTube via williamenroh.
Korg M1 Synthesizer - Part Two "Plus 1" Expansion
YouTube via williamenroh.
Matrixsynth by Johan
Click the image for a bigger shot. Via Johan of random voltage. Guess the synth.
Pretty damn cool. Thanks Johan! BTW, I make this my new wallpaper. It looks great centered on black.
Descent - Parallax
YouTube via hamsterdunce, aka Dave of umop and The Packrat.
"Original song - get CD on umop.com! More progressive rock ultra wanky horse puckey for you."
Ensoniq FIZMO
Title link takes you to shots pulled via this auction. This one almost went up on Matrixsynth-b, but I really like this shot. I remember when the FIZMO came out. It bombed because people were expecting it to sound like an agressive analog style synth, because of all the knobs. It doesn't emulate analog well at all. Why? Because it's a transwave synth which was Ensoniq's rendition of wavetable synthesis. The oscillator sources were what they called transwaves which you could sweep through in time. It made for some interesting textures. FIZMO was an appropriate name as it was definitely capable of some fizzy sounds. For an example of an oddball FIZMO sound, check out this post. When I first ran across it, it reminded me a bit of a drawn out pad in the same vein of COIL's After the Snow. If you ever plan to own a FIZMO, be sure to read this. If you don't you might find yourself with a dead FIZMO.Previous FIZMO posts
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
