via the comments of this post.
If you know more about this one, feel free to comment.
The image is from the Nishimoto Laboratory.
Complicated Protocol
YouTube via ComplicatedProtocol. Via Dewb in the comments.
Wednesday, August 08, 2007
electro-music European Modular Event 2007
Via Matt:
"The first sets of photos from this awesome event that just wrapped up: chateau_sonore, pedrotrotz, the original thread on electro-music
Looks amazing, doesn't it!?
Matt"
Yep, I would say so. : )
"The first sets of photos from this awesome event that just wrapped up: chateau_sonore, pedrotrotz, the original thread on electro-music
Looks amazing, doesn't it!?
Matt"
Yep, I would say so. : )
Prophet64 Meets MOOG
Remember the Prophet64? Here's a one built into a custom case with MOOG style knobs and small display. It was seen on sheebo's MySpace page. Via sequencer.de.
alka
Title link takes you to a flickr set featuring a Roland SH-101, a field and in some shots, Bryan of alka.
"they were used for promotional purposes for my project: alka. I am currently working with Roger O'Donnell on his upcoming CD and my solo CD "principles of suffocation" will be out this month on the 21st on electronic eel records...
i hope you like the shots.. if you do, feel free to use one for matrixsynth. keep up the excellent work..
bryan michael"
"they were used for promotional purposes for my project: alka. I am currently working with Roger O'Donnell on his upcoming CD and my solo CD "principles of suffocation" will be out this month on the 21st on electronic eel records...
i hope you like the shots.. if you do, feel free to use one for matrixsynth. keep up the excellent work..
bryan michael"
MOOG The Source
Click here for shots via this auction. Be sure to check out Matrixsynth-b for more.
"The Moog Source was notably used by New Order to create all the bass parts for their hit 'Blue Monday' and was the replacement to the Minimoog and has the classic moog lead and bass sounds. The Moog Source is a monophonic microprocessor-controlled analog synthesizer manufactured by Moog Music from 1981 to 1985. The Source was Moog's first synthesizer to offer patch memory storage. The design was also the first (and only) Moog synthesizer to feature a flat-panel membrane keyboard to replace the standard buttons, knobs and sliders. In addition to the memory capable of holding 16 presets, the Source features a 37-note keyboard, and two VCOs that can be selected between three waveforms and three octaves. Programmed presets can be saved to a cassette interface to free up the onboard memory for additional new patches. The 24dB/octave VCF has parameters for keyboard tracking, cutoff frequency, resonance, and envelope amount. There are two ADSR envelope generators that can be set in single or multi trigger modes, one for the VCF and one for the VCA. For modulation, the Source features LFO and sample and hold. The Moog Source is a 2-VCO, micro-processor-controlled, programmable monophonic synthesizer, with 16 memory locations, and a 3-octave, 37-note (C-C) keyboard. It features an arpeggiator and a digital sequencer with memory for two seqences of up to 64 notes. The Source was one of the first to use digital parameter access for programming, a method now commonly found in today's synthesizers, using membrane switches, a two-digit LED display and a single data knob. Both VCOs have three available waveforms (sawtooth, triangle, and pulse; with pulse width modulation) and three available octaves (32', 16', and 8'). VCO2 can be detuned at fixed intervals and it can be also synced to VCO1. The mixer section features levels for VCO1, VCO2 and Noise. The VCF (24dB/octave) has parameters for keyboard tracking (off, 1/2, and full), cutoff frequency, resonance, and contour (Moog's word for envelope) amount. There are two ADSR envelope generators, one for the VCF and one for the VCA. The envelopes can be set in single or multi trigger modes. The LFO (triangle and square waveforms) can be routed to the VCOs and the VCF. The Source also features a sample-and-hold which can be routed to the VCF. To the left of the keyboard is the pitch bend and the modulation wheel, along with two octave-switching buttons. These and a volume knob are the only dedicated controls. On the back panel are the audio out, cassette interface, a recessed pitch knob (for fine tuning), and CV and S-trigger inputs and outputs."
ARP 2600
Title link takes you to shots via this auction.
ARP 2600 model 2600P, serial number 26846, and matching keyboard model 3604P, serial number 36846.
ARP 2600 model 2600P, serial number 26846, and matching keyboard model 3604P, serial number 36846.
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH