Roland TR-808 Drum Machine

via this auction

Maxim MDS1000 - Simmons SDSV Clone

flickr set by Loscha
(click for more)

"A Japanese clone of the Simmons SDSV. Build quality is pretty good, although they didn't use rust-proof metal on a few places (like the screws that hold the modules in), this is trivial. My unit has a dodgy power supply I haven't had time to re cap and re-regulate yet, so it doesn't work reliably. Sounds great when it works, though!"

Crumar Spirit

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via this auction

Not the best shots, but you don't see these often.

"Only 100 made in the world in the 1980's .This synth is number 43. Kept in a smoke free environment and never taken on stage.

If you are here, you probably already know the history on this Rare Crumar Spirit .The Spirit is one of the most complex, challenging, and - above all - powerful monosynths ever produced. . Sounds amazing- aggressive & fat. Everything works great. This one is a gem. The Crumar Spirit was originally designed by Bob Moog( himself), Jim Scott & Tom Rhea and released back in 1983. It has a 37 note keboard with 2 vco's.The two oscillators feature basic sawtooth, triangle and square waves and can be synced together.

The filter section is very nice featuring low-, high- and band-pass filters and switchable 12dB or 24dB slopes. Other features of the filter include an independent envelope with inverted and normal ADSR, key tracking and single or multiple triggering of the filter. Some other features of the Spirit include a built-in ring-modulator, an Arpeggiator with 3 different patterns and that can be linked to the LFO, and there's an external audio input for running external sounds through its filters, LFOs or Ring Mod.

For the hands-on approach, the Spirit is sure to please. There are 24 knobs, 10 switches and 15 sliders to start. There are 3 performance wheels for controlling the Pitch, Mod-X and Shaper-Y modulation effects (see LFO specs below). Using those with the Arpeggiator can get pretty wild. The Arpeggiator features 3 modes: Ripple (Up/Down), Arpeggio (Up several octaves) and Leap (Goes up 1 and then 4 octaves). There are also Auto and preset Glide modes for getting some elasticity or bending effects. Since all the LFOs, envelopes and filters are quite flexible you are sure to get some weird noises, fat basses, synths, etc. with the Spirit. This is a synth that rewards patience, experience, and a lot of thought rather than aimless knob twiddling. But once you've mastered it, all the classic analogue timbres are at your fingertips: warmth, smoothness, grittiness, and screaming analogue pain, all produced with depth, expression, and as much complexity as you could ever desire."

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VINTAGE SANKEI KEYBOARD SYNTH

via this auction

"Unusual item made by Sankei in the 1970`s, the unit includes a Keyboard and various rhythms, cassette deck and 3 band radio, it also has a built in Mic but that does not work. Everything else works except the rewind function on the cassette deck. It comes with 2 external speakers and has input for an external mic. Condition wise it is in good condition but the Keys have gone a little yellow through age. It is a great retro looking item and will definitely turn heads."

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Moog Prodigy analog synthesizer modified

via this auction. Note this one is from a different seller than this last post. Both Health Club mods.

"Modifications have been made by Health Club Music.
8 jacks have been added and 2 knobs to make the Prodigy a much more flexible synth. Additional mods are available at an extra charge.
Now this prodigy can be connected to a MIDI to CV/GATE converter and more!
The added mods are:
knob for DRONE level, so the VCA will stay on. This makes filtering sounds much better. It can also distort in a very good way if it is turned all the way up when the keyboard is played.
knob for AUDIO INPUT level
jack for AUDIO IN (audio signal to the filter via the mixer)
jack for VCF IN (this is a CV INPUT for the filter)
jack for VCA IN (this is a CV INPUT for the amplifier)
jack for OSC IN (this is a CV INPUT for the oscillators)
jack for KEYBOARD IN/OUT (this can be a CV in or CV OUT)
jack for S-TRIGGER IN/OUT
jack for GATE IN
jack for LOW LEVEL AUDIO OUT"

Korg Guitar Synthesizer Model X-911

via this auction

"6 instrument sounds and 5 VCO generated waveforms, can all sound at once.

Instruments: Electric Bass 16'; Tuba 16'; Trumpet 8'; Distortion Guitar 8'; Violin 8'; Flute 4' - All fully functioning.

Waveforms: 16' Rect. (2); 8' Sawtooth (1); 8' Square (1-NOT WORKING*); 4' Square (1)"

TipTop Z2040 Self Oscillate

YouTube via thedeepelement

Moog Prodigy Modified by Health Club Music

YouTube via selectimputor. via this auction. What's wrong with the video? :)
"The two jacks in the M of "MOOG" are the Osc 1 and Osc 2 CV Outputs
The O in "MOOG" is the CV in
The G in "MOOG" is the Gate in
The tip of the G in MOOG is the VCF Input
Additional Modifications can be made by Health Club music per request."

x0xbox+TR-909

YouTube via pac209
"This case for the x0x is available from x0xsh0p.de! Great job, and of course the sound kicks ass :-)"

Me playing Depeche Mode "Everything Counts" 101 version

YouTube via DX5
"New "Everything Counts" update.
There are two sounds sampled from the original: the famous metallic-reverberated sound at the beguinning and the previous one before the chorus.
*There are a few wrong notes on the final solo

Equipment:
Emu Emax, with sampled sounds coming from a JX-8P and DX7 II, and library (including bassdrum and snare).
Yamaha DX7 II FD.
(this setup is the same Martin Gore and Alan Wilder played on MFTM Tour)

Roland JP8000 (midi sequenced)
Kurzweil PC1x

Backtrack running in Pro Tools with Reason re-wired.
Composed by Martin L. Gore."