MATRIXSYNTH

Wiard Demo

YouTube via bunnyman2112
"Demonstration of Wiard Waveform City, Omni Filter, and Borg modules"

DCAM Synth Squad Quicktip 14 - Cypher FX Sample and Hold

YouTube via FXpansion
"Here we take a look at the Cypher FX plugin which allows you to process external audio though Cypher's various components. In particular we'll look at applying sample and hold oscillator function to the incoming audio.

For more information on DCAM Synth Squad, please visit:
http://www.fxpansion.com/synthsquad"

scoreLight at Miraikan

YouTube via daito. Also see this post for an earlier video.
Click here for some other awesome videos by daito - don't miss them.
"'scoreLigh'" by Alvaro Cassinelli, Daito Manabe, Kuribara Yusaku & Ishikawa Masatoshi.
http://www.k2.t.u-tokyo.ac...."

Electronic World with Roland V-Synth Vocoder , Minimoog, Synthesizers.com & dark Energie..

YouTube via Synthiefrau
"Hi my lovely Synthfolks, here is my newest dry with my sweet synthetic friends;-)) Roland V-Synth vocoder Card, Minimoog, Synton Syrinx, Synthesizers.com, Alesis SR 16 Drummashine and my little baby Doepfer Dark Energie...;-)"

Duophonic Evolver - part 1: how to polychain

YouTube via RanKirlian
"This video describes how to connect and configure 2 Evolver synths to increase polyphony by using the polychain feature. For this video I used a Mono Evolver Keyboard and the Evolver Desktop."

DuoPhonic Evolver - polychain part 2: play & control

Juno 60 and JX 3P by Alien Robot Dance

YouTube via se7ense7
"www.myspace.com/alienrobotdance for mor music

Just a quick video, trying out the iMovie software, and demonstrating some sounds of these 80's analog Roland synths"

Modular synthesizer-Q118-Q117-Q110

YouTube via fystasjoppheng
"This is www.synthesizers.com. A modular synthesizer made by Roger Arrick. I,m having fun by using the Q118(instrument interface module), by taking the mixer(Q113) output in to the input of Q118, output it back to the amplifier(Q108)input. This make the nice overdrive(nasty) sound.
Next is some basic use of the noise(Q110) low frequency to the sample & hold module(Q117).
In the last part of the video I,m just fooling around by turning as many knobs and keys as possible.
I hope you like it!

Kjell Gierstae"

something about us cover

YouTube via atomolab. AtomoSynth on Ebay
"Hello. I made a version of Daft punk's something about us using the Mochika3, microkorgXL and kaoscillator."

Linn LM-1 HiHat

YouTube via rolandsh1000
"This video documents the sample output of the Linn LM-1 as compared to the Oberheim DXa. The Linn LM-1 has been well noted for its characteristic 'groove' which is felt to be unique among EPROM-based digital drum machines.

Many have suggested that the slightly imperfect timing of the Linn LM-1 is responsible for the feel and I think that's at least partially true. But the LM-1 also has a unique way of creating its HiHat sound, which I wanted to show.

Most EPROM-based drum machines (re)trigger their Hat sample from the beginning of the sound in the stored EPROM. This gives a consistent but static delivery of the sound sample. The LM-1, however, has its EPROM clocked continuously, which means the sample is always being looped. To trigger the Hat sound, the LM-1 merely applies a volume envelope to the DAC. This means that the LM-1's HiHat output is a little different each time it is triggered. My guess is that Roger Linn did this either because memory was very expensive in the late 1970's or he's brilliant in realizing that each strike of a real cymbal is unlikely to be exactly the same ... or both!

The video shows the EXT CLOCK OUT of the LM-1 triggering the DXa via the Oberheim's EXT CLOCK IN (not MIDI). The top trace is the Hat sample of the Oberheim DXa and the bottom trace is the Hat sample output of the LM-1. You can clearly see the difference in the sampled waveform between the two machines.

I tried hacking my DXa to do this and it sounded kind of cool, but you really have to have the right HiHat sample for it."