Signal flow is: PROPHET 5==>SRE-555 Tape Echo==> Siemens 295b EQ ==> Eventide 2016 Reverb==> Prism Orpheus AD/DA
Left Channel is SRE-555 Output A, Right channel is SRE-555 Output B. Chorus is output from A+B. Spring Reverb is output from B. Tape Delay is Output B. Direct Signal is output A.
All video shot with a Nikon D90 using a Nikkor 1.4 Aperture 50mm lens, along with 18-200mm f/3.5-5.6G zoom."
YouTube via Organgrinder010 — June 12, 2010 — "A little test of the Audio-Technica PRO 24-CM Test that I bought for my Canon 7D. The unfortunate fact is that the AGC in the camera is not yet bypass-able so the quieter the source the more hissss you are going to hear. The good thing about this mic is that it records XY stereo pattern vs. the internal mono mic, but there is also a noted increase in audio quality and frequency range. I would recommend this mic if you do lots of run n' gun concert recording or other venues which provide a nice loud sound. If you're a filmmaker looking for a mic for your DSLR to record high quality sound for most situations, then I would look elsewhere. A good preamp would then be needed.
The organ is my old trusty Hammond L-143. No leslie, just stock output through the internal speakers. I don't know my Santana as well as I should..." inside a Hammond organ. Note I try to only post organ vids that are somewhat synth related, otherwise the number of posts going up would get even more out of control. I'm posting this as you can see the internals of the organ compared to synths.
"Full length video of the performance in SJU Utrecht at Linux Audio Conference 2010 on 3. May. Not much to see, more to hear. Algorhythmical composition processes been live controlled and augmented with some live playing. The piece is done in Pure Data and running on a Linux laptop (Arch Linux), all sounds are synthesized in realtime without samples or prepared tracks. More about Elektronengehirn: elektronengehirn.de facebook.com/pages/Elektronengehirn/127902504097 myspace.com/elektronengehirn"
YouTube via EricWhitacresVrtlChr — March 21, 2010 —
Think additive synthesis.
"PRODUCED AND MANAGED BY:
Scott Haines
COMPOSED AND CONDUCTED BY:
Eric Whitacre
Representing 12 Countries:
Austria
Argentina
Canada
Germany
Ireland
New Zealand
The Philippines
Singapore
Spain
Sweden
United Kingdom
United States of America"
"Here's a photo of the new [April] Skiff tabletop enclosure that Make Noise will soon ship to us. Also in the photo are a few Pressure Points controller modules, the new Points Expander prototype, the Make Noise blank panel which are now available, a couple Doepfer modules and connections provided via Tiptop Audio Stackcables. Photo by Josh Kay. LINK: www.makenoisemusic.com/."
Update via George P. Macklin in the comments: "For those interested you can find a current thread on the Muff Wiggler forum."
video added below.
YouTube via IMAG0011.ASF
"here's what is going on in the video-
using 1 section of the Sport Modulator to modulate a VCO. sorry about the awful audio smile
that section of the SM is VC'ed by the other section, which has been set to cycle. the external input is a random voltage source. an external LFO is patched into the S/H input jack (which either acts as a Hold input or the Sample input, according to what mode its in). the patch doesn't change throughout the video- the only thing being done is changing modes by pressing the buttons
first, the SM is in Lag mode, Hold is being initiated periodically by the external LFO. then it is switched to Hold mode, the LFO then functions as the sample control. next around :36, Cycle mode is selected, and the SM is cycling in Hold mode, with the rate still being externally modulated, finally, the mode is changed back to Lag mode while still cycling. the output is being made to hold periodically by the LFO.\
hope that is somewhat clear smile
working on getting this out asap, hopefully by the end of feb!"
YouTube via kebunator — June 12, 2010 — "This is a song demonstrating the sounds of the Yamaha SY-1 synthesizer. Since it is a monophonic analog synth, no chords can be played. The song was made by multitracking to a computer. No other effects were used than a Roland Space Echo and channel EQ. The drums are sampled. For mixdown, the tracks were subgrouped and transfered to a Tascam 38 8-track tape recorder. The song was mixed in realtime with an analog mixer to a stereo cassette deck. EQ and limiting was used for the final digital master."
"This is the first run of my lunetta, a simple cmos modular synth. What you see left to right: 4040 divider, 4051 multiplexer and a 40106 quad squarewave oscilator.
"Attempt at playing the thing, although it feels more like it's playing itself :). What you see left to right: 4040 divider, 4051 multiplexer and a 40106 quad squarewave oscilator."
Lunetta 1, adding a shift register and DAC
JvGrieken — June 12, 2010 —
"I've added a 4015 dual shift register to the board and used a breadboarded r2r ladder and VCO to try making some melody. Not really happy with the results yet, but a better VCO might do the trick."
