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Thursday, September 30, 2010

STG .MIX Eurorack Module

STG .MIX Eurorack module Raw from thonkblog on Vimeo.


"Here's the sound of the STG .MIX Eurorack module.
4 different waveforms from a TipTop Z3000. Not too noticable on the Square, but as I change the waveforms the clipping effect (apparently based on the Moog CP3 module) becomes very apparent."

STG .MIX Eurorack module filtered from thonkblog on Vimeo.


"Sine, Tri and Saw from a TipTop Z3000 filtered through a Make Noise QMMG. If you watch closer for the 'flatline' at the peak of the waveform you can see as the clipping takes place."

The .MIX is a 4HP eurorack mixer with 3 inputs and a bipolar output with a makeup gain stage lifted from the Moog CP3. They'll be available to order from Analogue Haven by Monday (most likely).
http://stgsoundlabs.com/

Resonant Pavilion (design 1)

Resonant Pavilion (design 1) by starvelab
http://starve.org/resonant.html
"The Resonant Pavilion (2010)
by Michael Trigilio (of Neighborhood Public Radio)
Created to accompany the opening of the new RESNICK PAVILION at the Los Angeles County Museum of Art (LACMA).

An interactive soundwork designed to be heard in and around the new Resnick Pavilion at the Los Angeles County Museum of Art.

Call 1-888-361-4NPR (4677) and sing-along, respond, or create any other sound over-the-phone. These interactions will be folded into future iterations of the soundwork in an ongoing podcast hosted by LACMA.

made using: Dewanatron Triple Slice, 4MS Noise Swash. Wiard Borg Filter, Wiard Oscillator, Moog Moogerfooger Ring Modulator"

RARE SYNERGY SYNTHESIZER SIA BOARD

via this auction

"This Synergy SIA board is part of what you need to convert an original Synergy I synthesizer into a Synergy II+. A Synergy II+ is the commercial version of the Bell Labs Digital Synthesizer, and a Synergy II+ lets you program the Synergy synthesizer by an external computer (a Kaypro II) to load voices and store them on floppy disc and program timbres using CP/M software called SYNHCS (SYNergy Host Control System). The SYNHCS version 3.182 CP/M software for Kaypro II was included along with this Synergy SIA board and it has the complete Synergy voice cartridge library on Kaypro CP/M disc and the Synergy SIA board. SYNHCS v 3.182 is the lsat and most complete version of the SYNHCS software for controlling and editing the timbres on the Synergy synthesizer, and it's also insanely rare. As far as I know, no one else has SYNHCS v. 3.182 from 1985. Everyone else seems to have SYNHCS v. 3.15 from December 1983. As you can see, this board comes in two parts including MIDI ports because adding MIDI to the Synergy I synthesizer is part of the function of the Synergy SIA board."

Ludwig Synthesizer Phase II POSTER Fuzz PSYCHEDELIC

Note: Auction links are affiliate links for which the site may be compensated.
via this auction

"It's a LARGE 17" X 24" and looks amazing framed."

Ambient Drums crushed


YouTube via duncanperson | September 30, 2010

"A short, progressive song performed on the DRM1 through the OTO machines biscuit. Biscuit provides delay and distortion. A bit of reverb added in Live 8.

This video hopefully shows some of the more unusual analogue sounds the DRM can produce."

Flame Triode Amplifier and Oscillator, more experiments.


YouTube via nylesteiner | September 30, 2010

"More info is available at http://www.sparkbangbuzz.com

The performance of the flame triode has been greatly improved by two factors: 1 assisting the filament heat by running AC current through it and 2 using 300 VDC plate voltage instead of 200 VDC. 300 volts was not available when the first flame triode video was made. It now is capable of driving a pair of 8 ohm headphones at a reasonable level.

This video shows the flame triode being used to drive a pair of 8 ohm headphones from a very high impedance (10 megohm) input. Even though a high to lo impedance output transformer is used, amplification is necessary in order to drive the headphones at the higher level heard in the video.

This video also shows the flame triode used as an audio oscillator using transformer feedback. A high impedance transformer is necessary so one was made by putting two "voice coil to grid" transformers back to back.

I am using a simple propane, no air mixture, flame. The flame source is an orafice from an old propane barbecue cooker. I used it because it was handy.

Played and recorded m'own music."

Instrument from DIY Synth Class at Harvestworks


YouTube via hansteg | September 30, 2010

"Participants in Phillip Stearns' DIY Synthesizer Building Class putting together a short documentation of the instrument they created. Here's my contribution... the other videos will be available here: http://tinyurl.com/diysynthhw"

Waldorf Microwave XTk


via this auction

"This is the ten voice version and it runs the final OS: 2.33."

Note the knobs are the original nuclear power plant style knobs vs. the newer style knobs on this XTk. Waldorf changed the style with the later blue models of the Q.


KORG microPIANO Presentation, Tokyo 2010.09.10


YouTube via KORGINC | September 30, 2010

"高級感溢れるおしゃれなミニチュア・デジタル・ピアノ microPIANO のプレゼンテーションの模様をお届け致します。

ミニ・タイプのピアノながら、演奏感にこだわったミニ61 鍵。音色も、ステレオ・サンプリングしたグランド・ピアノの重厚感あるサウンドをはじ­め、オルガンやベル、トイ・ピアノなど、豊富な音色で演奏ができます。


今回の映像では、鍵盤を押さえるだけで自動的にフレーズを奏でる「ショート・フレーズ­音色」や、オルゴールのように楽しめるデモンストレーション曲についても実際にお聴き­頂けます。


コルグ microPIANO 製品情報:http://bit.ly/9uqfV1"

Googlish:
"Miniature digital piano microPIANO luxurious stylish design will deliver a presentation.

While the mini type piano, 61 key mini-sticks with a sense of play. Tones, including sound profound feeling of stereo sampled grand piano, organ and bells, toy piano and can play a rich tone.


In this video, just plays automatically hold the key phrase "short phrase sounds" and hear real guests also enjoy demonstrations like the music box tune.


MicroPIANO Korg Products: http://bit.ly/9uqfV1"

"11th dimension" Korg EMX, D-50 & DX-9


YouTube via TheSynthFreq | September 30, 2010

"Korg EMX sequence, with DX-9 bass patched being controlled by EMX though Midi. The DX-9 bass patch was created for this track. The D-50 patch was played live and improvised over the drum machine sequences. I switched between 3 different patterns that I created, to form a 'song'.
All sounds on the D-50, DX-9 and the Korg EMX were created by me using FM and L.A.S synthesis.
Please enjoy :)"
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