Tangerine Dream bei „Bio's Bahnhof" 1982

Embedding is disabled on this one, so you'll have to click through here. It gets more interesting after the 2:43 mark. This one in via Suit & Tie Guy.

Update: video below in via RetroSound in the comments. The music in the video linked above is Larry Fast, in via essex sound lab in the comments.




Tangerine Dream - White Eagle Live on German TV
Bladerunner788 | Dec 8, 2007 |

"Tangerine Dream with a fashion show freak out."

All Serge Album - Probe:1 The Quadslope Compilation

"This is the maiden expedition. A potpourri of timbres and resonances. Creatures and Animals riding shotgun and a Gator in the trunk. We filled a phrenology head with a mixture of Yak blood and battery acid and smashed it over the hood for luck. Liftoff. The radar detector died outside of the exosphere. We pressed on unabated. The cassette player was stuffed with banana peels and an obelisk obscured the rear window mirror. This is the postcard we sent back. Bon voyage!"

Download on Quadslope


via Hex
Added to the Synth CDs post

VSP-330 Voice Synth Plus beta r2

YouTube via FlakeStick | Feb 28, 2011 |

"Version 2 beta sound test of my Voice Synth Plus VST plugin. Ready for download soon - stay tuned!

Added Features:
- Stunning new GUI looks more like a vintage instrument
- "pitch set" knob for the pitch shift slider
- "tune" knob like the original, global detuning by +/- 50 cents
- ensemble controls: rate, depth, amount
- power button!
- and a wicked new feature....OSC2 detuning! OSC2 is the source for Male 8' and string Bass 16'. Instead of OSC2 being restricted to one octave below OSC1, pitch intervals can now be set. You can also make OSC2 be very close to OSC1 tuning, resulting in two voice unison detuned-type sounds. It takes the classic VP-330 sound to a whole new level - you will not believe your ears!


The audio was recorded in Cubase on four tracks w/ no other processing added - ALL VSP-330!"

50 Modular Frequency Modulation Basics

YouTube via 7thDanSound | Feb 28, 2011 |

"I planned to make a massive FM patch to see how cool that would be. I studied up on Gordon Reids fantastic Synth Secret series in SOS and happily went along. The patch didn't quite turn out as I had planned however and instead of being a bit FM thing it turned out a somewhat modulated sound playing a nice little arpeggiated melody. I like it a lot and I think it shows a bit of the basics of frequency modulation with a modular synth."

Dustontop - Cynthia ZO Track

Dustontop by modularland
"Zeroscillator and rhythm track. No VCF, no VCA, no processing of any kind- Zeroscillator straight into A/D."

March Acid Pattern

via dylan: "The March Acid Pattern is by King Mental.




March acid pattern. see what i see..303 by 'King mental You can grab the pattern data from here The pattern can then be programmed into your tb303 or x0x box to create a new track. The pattern could be programmed into your vst such as ABL or Phoscoyn to create a new track. Transcribe the pattern to midi and send it to your favourite synth to create a new track. Grab the audio file and rework the audio into a new track Then post your finished track or jam into the acid pattern group You can grab this empty pattern sheet from here cheers, dylan"

Korg MS-20 and SQ-10 with Custom Breakout Box

via Craislist LA

"Vintage Korg MS-20 and SQ-10 Sequencer. with a homemade breakout box that lets you program the SQ10 in a sort of 808 groovebox sort of fashion."

This one spotted by Kerry.

270D Synthesis

270D Synthesis from paul sobczak on Vimeo.

"DSI Prophet 08 > Macbook > Korg MS-20 software < Casper Electronics Drone Lab < Korg Kaoss Pad

Track is a part of the Compilation: An Audio Ode to Unicode Dingbat Range 2700–27BF
canadagooserecords.com/​?p=803

The full track "270D" can be downloaded here:
themountainfold.fr.s3.amazonaws.com/​Unicode/​270D.mp3

A thanks goes out to John of Audio Cookbook who hear the track and reminded me that I recorded a video of it some time ago.

audiocookbook.org/​"

PureMagnetic Moog Opus Sample Pack

"Opus is a highly detailed re-creation of the celebrated Moog brass, organ and string machine. Just like on the original, each layer is programmed separately, bringing a unique, lifelike version of the Moog Opus direct to your Puremagnetik library.

Beyond the 3 part stereo mixer of the original, Puremagnetik has created some deeply programmed combinations and stacks. This collection includes twisting, evolving textures, analog techno basses, science fiction effects and more! The Opus sounds are perfect for your synth brass and string sections, plus they have an amazingly rich analog texture that complements a variety of musical styles.

Opus Features
• Over 30 multisampled programs, each with multiple layers to blend
• High Quality 24 bit samples
• Live version includes expertly crafted Instrument Racks with extensive Macro mapping
• Logic EXS version includes channel settings with Logic effects
• Kontakt version includes custom KSP interface and fully loaded effect chains"

Download link and samples at PureMagnetic.

M4L : Build a MIDI Synth in 1 minute! Pt 1 :

Learn to make your own Max for Ableton live synths!

YouTube via eameres2 | Feb 28, 2011 |

"Yes, it's basic, monophonic, and limited to sin waves, but I challenge you to create a velocity sensitive synth in less than 1 minute with fewer max objects!

I'm going to add features in future tutorials, including polyphony, other waveforms, filters, envelopes and much more, so subscribe and tune in! Will include modulation for that dubstep/DNB wobble of course!"

M4L : One minute synth Pt 2 : the ADSR~ envelope : Learning Max for Ableton live tutorial

Uploaded by eameres2 on Mar 2, 2011

"Second Part of our "one minute max" tutorials. Today we add an ADSR (Attack Decay Sustain Release" envelope to our mono-synth. This allows you to control the basic timing of the sound. Short attack and long decay/release for a bell like tone, full sustain and no release for a flute/organ like tone, etc.

I was able to get the bulk of the work done in under a minute, but I took a some extra time to explain things and label our new synths parameters. I don't want to short-change anyone!

Note that the first argument of the ADSR~ object is the trigger, and it preserves the velocity sensitivity "feature" we have going! The envelope varies from 0.0 to 1.0 so multiplying it against our signal is what gives our sound "shape".

Subscribe and tune in 2 days or so, we'll be adding a basic filter and eventually be adding polyphony! And of course useful dubstep and DNB effects!"