MATRIXSYNTH


Tuesday, March 12, 2013

DIY Water Based Oscilloscope

Amazing Water & Sound Experiment #2
Published on Mar 11, 2013

"Add me on Facebook. (click LIKE on Facebook to add me)
https://www.facebook.com/158773774166995

Download the song in this video

Song Name: Monolith

iTunes:
https://itunes.apple.com/us/album/mon...

Amazon:
http://www.amazon.com/s/ref=nb_sb_nos...

Ever since I created the first version of this video a year ago I've been wanting to try it again with more water and better lighting / footage. This is a really fun project and when you first see the results, chances are your jaw will drop. The main thing to keep in mind for this project is that you need a camera that shoots 24 fps.

The effect that you are seeing can't be seen with the naked eye. The effect only works through the camera. However, there is a version of the project you can do where the effect would be visible with the naked eye. For that project, you'd have to use a strobe light.

For this project you'll need:

A powered speaker
Water source
Soft rubber hose
Tone generating software
24 fps camera
Tape.

Run the rubber hose down past the speaker so that the hose touches the speaker. Leave about 1 or 2 inches of the hose hanging past the bottom of the speaker. Secure the hose to the speaker with tape or whatever works best for you. The goal is to make sure the hose is touching the actual speaker so that when the speaker produces sound (vibrates) it will vibrate the hose.

Set up your camera and switch it to 24 fps. The higher the shutter speed the better the results. But also keep in the mind that the higher your shutter speed, the more light you need. Run an audio cable from your computer to the speaker. Set your tone generating software to 24hz and hit play.Turn on the water. Now look through the camera and watch the magic begin. If you want the water to look like it's moving backward set the
frequency to 23hz. If you want to look like it's moving forward in slow motion set it to 25hz.

Have fun!"

via Boing Boing

finallys a synths to match mah eyez


flickr by softestthing
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YAMAHA SY 2

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Kenton MODULAR SOLO High Specification Eurorack MIDI to CV converter

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analoglsd (RSS)

"The Modular Solo is supplied complete with ribbon cable ready to fit into any Eurorack (A100) format modular system.

Power is supplied by the power supply in the modular case via the backplane
Power consumption +12V supply 85mA max / −12V supply 3mA
+5v supply is not required (needs +/−12V only)
CV & Gate signals can be sent via the ribbon cable to the system bus - selected using jumpers
MIDI In & Out on DIN sockets (MIDI Out can be switched to give DIN Sync 24 instead)
Analogue output CV on 3.5mm mono jack (V/oct or Hz/V or 1.2V/oct)
Gate on 3.5mm mono jack (Gate or S-trig – with or without pullups)
Aux1,2,3,4 on 3.5mm mono jack (all continuously variable)
2x independent clock outs on 3.5mm mono jack
Weight 170g
Dimensions 128mm high x 50mm wide x 80mm deep
D to A conversion for main CV 16 bit high quality / low drift DAC
Non-volatile memory EEPROM (no back-up battery required)
Processor 32 bit ARM processor

Designed to control all types of mono-synth
Super-fast response time
Famous Kenton build quality
High specification 16 bit D/A converter for main CV for rock-steady pitches
CV/Gate/Aux/Clock outputs on 3.5mm mono jack sockets (3.5mm to 1/4" cables are available in our cables section)
CV & Gate signals can be sent via the ribbon cable to the system bus - selected using jumpers
MIDI IN socket (5 pin DIN)
MIDI OUT/THRU (5 pin DIN) socket can be switched to become DIN Sync 24 instead
Any MIDI channel can be selected
Switchable for V/oct & Hz/V & 1.2V/oct scaling systems
Fine tune & scale are software controllable
Transpose (coarse tune) - up & down 12 semitones
Adjustable pitchbend range - up to 12 semitones
Programmable Gate V-trig (up to 10V) or S-trig (with or without pull-up)
Multiple and single trigger modes
Note priority selection - newest / lowest / highest
Old notes are remembered to facilitate trill effects and increase playability

PAiA Phlanger 1500A Vintage Analog Flanger

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Akai AX60 Vintage Analog Synthesizer

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"Up for sale, an Akai AX60 in excellent condition and in good working order. Fully tested and undeniably cool, the AX60 is among some of the last true analog polysynths of the mid-eighties. It was Akai's answer to the hugely successful Roland Juno series and Yamaha's new digital DX-series. The AX60 is a programmable six-voice synth with a nice LFO, lowpass (VCF) filter, envelope sections, and more!

Programming this synth is easy using dedicated sliders, knobs and/or buttons for its parameters. It also has a useful noise generator and some other cool functions that include auto-tuning, chorus, a multi-mode arpeggiator and a keyboard that can be split into two key-zones, making it somewhat bi-timbral. All six voices can be stacked in unison mode for a powerful and thick lead sound. Its features and sound make the AX60 a worthy alternative to Roland's Juno 106.

Cosmetically, this particular AX60 is nice and clean, with a few light scuffs and nicks from the past thirty years, but no serious wear there is one cracked B key which has been repaired and is stable."

Roland Jupiter 6

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1979 German KORG SQ10, MS10, MS20 Series Ad


via Sven Steglich Blog

"Spotlight magazine for music, February 1979, page 57"

Koushion Adds Multiple Layers in V3.0 Update



What's New in Version 3.0
* Multiple layer support (exponential flexibility increase!)
* Dark theme for better lighting in club settings

iTunes:
Koushion MIDI Step Sequencer - Kudzu Creative Group
iOS Devices on eBay - Daily Tech Deals

Hartmann Neuron Rack & External Desktop Unit


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