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Monday, March 18, 2013

Analogue Systems French Connection

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Steim Crackebox

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OTO Machines Biscuit Bit Crusher Filter Monosynth & Der Mask Overlay

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Boss PC-2 with Original Box

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Roland SH-101 with Original Gig Bag

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See Perfect Circuit Audio (RSS) for one more.

mnésie à rebours /// noise+maths+qmmg+echophon+azimuth

Published on Mar 18, 2013 heodesalciphron·94 videos

"Lights and wires" studio session

Published on Mar 18, 2013 gattobus·46 videos

"Just a quick composition to test my new eurorack modules...
...it seems that everything's fine! ;-)"

REWO Jams Again! - Moog synths Jam - Voyager, Little Phatty, Roland V-Synth

Published on Mar 18, 2013 renevanderwouden·132 videos

"Please subscribe!!

Live performance of the 2nd track of the Alchemia album by René van der Wouden aka REWO. Performed on March 18th, 2013.

Backing track instrumentation: Moog, Waldorf XTk, Yamaha SY77, Korg MS2000b and Wavestation EX.

Thanks for watching.

http://www.renevanderwouden.net"

MakeNoise Multimode Gate (MMG) Demo


MakeNoise Multimode Gate (MMG) Demo 1 from Walker Farrell on Vimeo.

"A demonstration of functionality and usage of the MakeNoise Multimode Gate (MMG).

Part 1: front panel controls, basic patches."

MMTA Spring SYNTHFEST 2013: John Bowen Demos the Rotors on the Solaris


Published on Mar 18, 2013 matrixsynth·274 videos

One of my favorite features of the John Bowen Solaris. You won't find this in other synths. The simplest way to think of a rotor is a cycle through four oscillators. You can set whatever oscillators you want in the four rotor slots in any order you like, including up to four external audio inputs. If you want you can set all rotors to just OSC 1. Why would you do that? Because you can set modulations on OSC 1 and then use the rotor to skip through the changes. You can then cycle the rotor into the audio frequency range to create new timbres not possible on other synths. You can also adjust the crossfade level for the rotor for either smooth sounding or more edgy transitions. Everything is open to modulation as well. This is a new and pretty incredible method of timbral synthesis for source oscillators when you think about it. Be sure to see the John Bowen Synth Design website for more.

A side note: this marks the last post of my own content on the MMTA Spring SYNTHFEST 2013. More is coming in from others though, so stay tuned.
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