Published on Aug 20, 2013 Ebotronix·740 videos
noises by Arp Odyssey 2811 & 2821
Flame Talking Synth Module² noises and voices
Doepfer A 117 & A118
Malekko Noisering, Moog CP251
€²rack cv / filter / gate / trigger & pannning by
4ms Peg, RCD², VcaMatrix
Analogue Systems RS100², RS110²², RS360², RS 500e²
Doepfe A143-1&2, A148, A 149
A134²² panning by A143-9
Grendel Formant Filter²
Make Noise Brains,PP², Maths²,Optomix,QMMG,Wogglebug²
Malekko uncle LFO mode , phased filter sweep , Jag
Oberheim Sem audio in by CP251 noise, LP, BP, HP, Notch outs to VCA Matrix
Roland SVC 350 ,TSM mic in , Vca Matrix instr in
Toppobrillo Sportmodulator, TWF²
Logic masterclock to Kenton Pro 2000² to Peg & RCD
FX: Alesis 3630, BSS DPR 401 Compressor,
Boss VF 1, Lexicon PCM 80 / 90, Line6 echopro, MXR Phase 100
two tracks
Tuesday, August 20, 2013
Attack Decay Portamento W/ Gate control -- Sagittronics -- Charlie Slick
Published on Aug 20, 2013
http://www.charlieslick.blogspot.com
http://www.facebook.com/sagittronics
"this is a little fun demo of a portamento module I've been working on. It' has separate controls for attack/decay (rise/fall) as well as a slope adjust between Linear and exponential portamento. it's a modification of a Harry bissell design. I added a gate controlled switch for engaging the portamento."
http://www.charlieslick.blogspot.com
http://www.facebook.com/sagittronics
"this is a little fun demo of a portamento module I've been working on. It' has separate controls for attack/decay (rise/fall) as well as a slope adjust between Linear and exponential portamento. it's a modification of a Harry bissell design. I added a gate controlled switch for engaging the portamento."
Final 'TRANCE-GATE' AMSTRAD Synthesizers (august 2013)
Published on Aug 20, 2013 squidfanny·150 videos
squidfanny on eBay (RSS)
"Well Hacked & Circuit bent AMSTRAD CKX100 Synthesizer(s).
These machines (there's two of them used in this vid) have been transformed using the power of alchemy & CMOS...
The Circuit Bending & Glitch brings forth a world of weird new sounds, chords & waveforms to experiment with.
The Step-Sequencer provides Gate, Pitch-Modulation & Unique Arpeggiator effects.
In parts of the vid, a Monotribe is synced from the Amstrad, in another part I'm using a MIDI-TRIGGER Converter to generate clock signals (for syncing) from a computer.
In another part I'm using the glitch buttons to scramble and disrupt the Amstrad's native beats & accompaniment.
At some point I'm also using the Glitch buttons to generate nasty waveforms and the step-sequencer to manipulate aforementioned waveform.
The Amstrad has a 'computer aided chord' function similar to the Omnichord, which allows the user to randomly hit any keys you want, without generating a 'dis-harmonious' note........
This little feature, when combined with the Glitch mods, will produce all manner of fascinating, ultra-harmonic and often terrifyingly sinister digital sounds.
These things blow my mind every time I play with them.
These will be the final ever 'Trance-Gate' Amstrad Synthesizers - I've reached the apex of what can be achieved with the current design (an evolved 4017 sequencer module), so I'm going back to the breadboard to try out some new ideas.
Constant and relentless experimenting is the nature of circuit bending. Being creative and trying new ideas is what makes it an art form. Without the creativity, you may as well be working as a assembly droid at a car factory....... you listening s-cat?
Anyway, I've got lot's of interesting ideas for the next Amstrad(s). Just gotta translate them into hardware now (the difficult part).
Wanna know what I'm thinking?
Well, I like the idea of fully transforming the Amstrad into an Omnichord (it shares identical chord feature). So I'm gonna build a metal touch-plate to replace the top octave of keys, along with some DIY circuitry, so that I can play it with fingers just like the Omnichord :)
I also want a dedicated arpeggiator, and an advanced sequencer circuit, which can trigger the notes as well as modulating the sounds. . . . It's a tall order, with not much space inside the machine, and limited capabilities of the Amstrad, however, the Amstrad has a MIDI output to go with the chord feature. This means that a decent step-sequencer circuit could further transform the humble Amstrad into a very powerful MIDI controller :)
Hmmm Lots of ideas and not enough hours in the night. Back soon :)"
squidfanny on eBay (RSS)
"Well Hacked & Circuit bent AMSTRAD CKX100 Synthesizer(s).
These machines (there's two of them used in this vid) have been transformed using the power of alchemy & CMOS...
The Circuit Bending & Glitch brings forth a world of weird new sounds, chords & waveforms to experiment with.
The Step-Sequencer provides Gate, Pitch-Modulation & Unique Arpeggiator effects.
In parts of the vid, a Monotribe is synced from the Amstrad, in another part I'm using a MIDI-TRIGGER Converter to generate clock signals (for syncing) from a computer.
In another part I'm using the glitch buttons to scramble and disrupt the Amstrad's native beats & accompaniment.
At some point I'm also using the Glitch buttons to generate nasty waveforms and the step-sequencer to manipulate aforementioned waveform.
The Amstrad has a 'computer aided chord' function similar to the Omnichord, which allows the user to randomly hit any keys you want, without generating a 'dis-harmonious' note........
This little feature, when combined with the Glitch mods, will produce all manner of fascinating, ultra-harmonic and often terrifyingly sinister digital sounds.
These things blow my mind every time I play with them.
These will be the final ever 'Trance-Gate' Amstrad Synthesizers - I've reached the apex of what can be achieved with the current design (an evolved 4017 sequencer module), so I'm going back to the breadboard to try out some new ideas.
Constant and relentless experimenting is the nature of circuit bending. Being creative and trying new ideas is what makes it an art form. Without the creativity, you may as well be working as a assembly droid at a car factory....... you listening s-cat?
Anyway, I've got lot's of interesting ideas for the next Amstrad(s). Just gotta translate them into hardware now (the difficult part).
Wanna know what I'm thinking?
Well, I like the idea of fully transforming the Amstrad into an Omnichord (it shares identical chord feature). So I'm gonna build a metal touch-plate to replace the top octave of keys, along with some DIY circuitry, so that I can play it with fingers just like the Omnichord :)
I also want a dedicated arpeggiator, and an advanced sequencer circuit, which can trigger the notes as well as modulating the sounds. . . . It's a tall order, with not much space inside the machine, and limited capabilities of the Amstrad, however, the Amstrad has a MIDI output to go with the chord feature. This means that a decent step-sequencer circuit could further transform the humble Amstrad into a very powerful MIDI controller :)
Hmmm Lots of ideas and not enough hours in the night. Back soon :)"
Novation BassStation Keyboard SN 0001198
Futureretro Revolution MK1 with Original Box
Note: Auction links are affiliate links for which the site may be compensated.
via this auction - learn how to sell on eBay here.
Video at the auction and posted here yesterday.
via this auction - learn how to sell on eBay here.
Video at the auction and posted here yesterday.
Motivatio
Published on Aug 20, 2013 lfoone·11 videos
"specki pur,.. produced by lfo-one 'Spectralis only'"
"specki pur,.. produced by lfo-one 'Spectralis only'"
Mungo d0 Dual Channel Delay + Zoom Kit
Note: Auction links are affiliate links for which the site may be compensated.
via this auction - learn how to sell on eBay here.
"A classically laid out dual channel delay hides the seamless analog/digital crossover characteristics of the 0 modules. The slew rate limiter can take instantaneous jumps of delay and drag them out into sweeps as in tape delays, or leave the full bandwidth inputs to freely index time. Tracking v/octave CVs, clocks, pitch, or MIDI brings a world of new possibilities for tuned delays in physical modelling and tempo tracking at arbitrary ratios. Further to the features targeting tuned application its latency compensation will account for any modules patched into its output..."
via this auction - learn how to sell on eBay here.
"A classically laid out dual channel delay hides the seamless analog/digital crossover characteristics of the 0 modules. The slew rate limiter can take instantaneous jumps of delay and drag them out into sweeps as in tape delays, or leave the full bandwidth inputs to freely index time. Tracking v/octave CVs, clocks, pitch, or MIDI brings a world of new possibilities for tuned delays in physical modelling and tempo tracking at arbitrary ratios. Further to the features targeting tuned application its latency compensation will account for any modules patched into its output..."
Case Study # 1 Aphex Twin - Heliosphan
Published on Aug 20, 2013 Gtechture·39 videos
"Here is an attempt to recreate Heliosphan by Aphex Twin. All of the sequencing was done one the Yamaha RS-7000 and all sounds came from the Waldorf Micro Q Keyboard in multimode. The purpose of this recreation was to better understand complete compositions, mixing, and layering synthesizer sounds. It was also done for the sake of pushing my programming skills and pushing the limits of the Micro Q.
Most often synthesizers are used to about 10 percent of their potential because they are not programmed correctly or used multitibrally."
Waldorf Qs on eBay
Misunderstanding 04a - 05b
Published on Aug 20, 2013 TheSineAssociation·29 videos
"One oscillator (Buchla 259e), looped and processed."
Misunderstanding 04b
Published on Aug 20, 2013
"One oscillator (Buchla 259e), looped and processed."
"Singing" with Braids VCO and Grids sequencer !
Published on Aug 20, 2013 staphlebug·5 videos
"This is a short demo of one of my favorite synthesis models of the Braids VCO by french company Mutable Instruments. It makes vowel sounds. It is very fun to hear it sing like it is a bit drunk !
Note sequence comes from an Electro Lobotomy step sequencer. Braids is modulated by Make Noise Wogglebug and Pressure Points, Tip Top Audio drums are sequenced by Grids module, also by Mutable Instruments. Grids is modulated by Pressure Points."
LABELS/MORE:
Electro Lobotomy,
eurorack,
Make Noise,
Mutable Instruments,
TipTop Audio,
Video,
Vocal Synthesis
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
