A DARK PLOT OF LAND 12-27-2021 Mungo W0 G0 S0 Eurorack Modular

video upload by Outsider Sound Design

"WARNING!!! This video has fast flashing lights which can cause problems for some viewers. A DARK PLOT OF LAND 12-27-2021
Short video / sound experiment with Mungo W0, G0, and S0 Eurorack modules.

Please consider supporting this channel by purchasing a sample pack or music download from www.outsidersounddesign.com"

Mungo State Zero Synthesizer: Drone

rts213

"A short clip demonstrating the polyphonic Mungo State Zero. In this first example, only 5 oscillators were used."

Check out additional Mungo State Zero Synthesizer demos in previous posts here. It was initially priced at $12,000, then $8900. I always thought this, and an Ekdahl Polygamist would make for an interesting combo. Throw in a Jomox Sunsyn for good measure. Maybe a Synton Syrinx, and OSCar [what's this?] to boot. Funny how certain synths remind you of others that remind you yet of others... Down the synth rabbit hole. This site is the ultimate synth rabbit hole. Whatever happened to that new Syrinx?

New Mungo Enterprises c1 Convolution Eurorack Module

Published on Jan 8, 2020 MungoEnterprises

"Demonstration of some of the possible varied uses for the Mungo Enterprises c1 convolution eurorack module."

Point Of Departure Sample Pack OUTSIDER SOUND DESIGN

Published on Aug 1, 2019 Outsider Sound Design

"Point Of Departure is a one-shot percussion and FX sample pack created using a set of Mungo Enterprises Eurorack synthesizer modules as the sole sound source. Designed and refined for cinematic experimental electronic music. 150 samples in total. 96k sample rate, 24 bit wav files.

Available for purchase at www.outsidersounddesign.com
https://outsidersounddesign.com/produ...



All product names used in this website are trademarks of their respective owners, which are in no way associated or affiliated with Outsider Sound Design. These trademarks of other manufacturers are used solely to identify the products used for the sample set."

TEST SERIES Mungo Enterprises P0 Percussion Module Zetaohm FLXS1 Eurorack Sequencer

Published on Jan 4, 2019 Outsider Sound Design

"Experiments with the Mungo P0 Percussion eurorack module.
CV used are Zetaohm FLXS1 Eurorack Sequencer, Mungo W0, and XAOC Devices Zadar.

The purpose of “TEST SERIES” is to focus on the sound design possibilities of various gear combinations. This series is not musical nor does it serve as an instructional video. It is all about sound potential.
Please consider supporting this channel by purchasing a sample pack or music download from www.outsidersounddesign.com"

Mungo Enterprises Analog Eurorack Modules

Published on Oct 11, 2018 MungoEnterprises

"Demonstration of the analog oA oscillator, fA filter, and mA mixer/envelope/VCA."

Mungo is known for their digital eurorack modules and of course the $8900 (initially $12,000) Mungo Enterprises State Zero.

"Analog realization of the universal oscillator with a single frequency range spanning LFOs to ultrasonic. Phase modulation directly drives the stable triangle core appearing in both outputs. Continuously adjustable synchronization strength allows locking to odd, even, or fractional ratios of a master oscillator, all voltage controlled. Audio demos of the module recorded directly off the outputs:

Triangle phase modulation, manual depth control of triangle modulator
Sawtooth phase modulation, manual depth control of triangle modulator into clipping
Sawtooth sync, manual adjustment of window size
Triangle sync, manual adjustment of master frequency"

CLICK FOR MORE »

Modular Synth - WMD PDO & Synchrodyne - A Little Ditty I'm Working On

Published on Jun 7, 2017 isvisible / isinvisible

"Working on a little ditty with the WMD Phase Displacement Oscillator (PDO) and Synchrodyne.
The PDO is being routed direct from it's filter (Quad AFF) mix output into a rackmount ARP Omni Ensemble unit for stringish sounds.
The Synchrodyne (3 of it's outputs mixed together) is being routed through a ZVEX Instant Lo-Fi Junky and then out via an Intellijel Springray for organish sounds.

Bassdrum and snare from the Folktek Matter is being routed through a Mungo d0 which is being cv'd to create a bassline.

I think I'll be adding a few more bits and pieces to it, but thought it sounded quite nice for a simple patch."

The Modular Patchcast #003 Mungo g0

Published on Dec 26, 2016 Jurgen SONICrider

"Collection: THE MODULAR PATCHCAST
Track: The Modular Patchcast 003 Mungo g0
Module in focus: Mungo g0

Recorded: December 2016
Relaesed (SoundCloud): December 18 2016
Playtime track: 10M45S
Released (YouTube): December 18 2016
Playtime video: 10M48S

SoundCloud: https://soundcloud.com/sonicrider/the...

Patch info: Mungo g0 direct out slplited: 1= direct out / 2 = direct out via filter / 3 = direct out via Reverb."

Mungo Enterprise State Zero Synthesisier

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"This is am extremely rare State Zero Synthesiser from Mungo Enterprises. Less than 100 of these synthesisers were made. This synth includes full patch ability of the modules. It is in as-new condition with virtually no use"

Note the best pics, but you don't see these often. This one spotted and sent in via AJ (not his listing).

CLICK FOR MORE »

Mungo Broken Delay - d0 CV Disturbances Patch

Published on Sep 16, 2016 Richard Devine

"Second patch using the karplus strong feedback setting with the Mungo d0 dual channel delay. This time taking both sine outputs and one from the final output from the MakeNoise DPO (only sound source). One sine was running into the d0 delay line A, and the other into B. The clocking source was the MakeNoise wogglebug, using clocked and gate bursts out to create random gestures and clusters. The wooglebug clock was then sent to a mult which was then clocked to the 4ms SCM input, shifted and rotated, to skew the timing even more for dotted tails and decays. Both sine outputs ran into the Optomix, strike input via the S5 output on the 4ms SCM. The changes in delay time A/B from the random stepped output from the wogglebug. This is the second experiment using the d0 as the main processing source, which can generate some very interesting broken glitchy iterations in the feedback path. The entire mix was ran into a Eventide space pedal for light reverb effect.
mungo.com.au/d0.html"

Modular Synth - Mungo Enterprises g0 & d0 - featuring Alan The Cat

Published on Aug 11, 2016 isvisible / isinvisible

"Mucking about with the Mungo Enterprises 'g0' granular module and the 'd0' delay module. Both being controlled by the Macro Machines 'Storage Strip', along with a little bit of manual manipulation."

Joseph Fraioli - Waveguiding | Circadian Rhythms | DRONE RES4

Waveguiding from Joseph Fraioli on Vimeo.

"no computers or external hardware were used in this performance :)

patch basics:

CLICK FOR MORE »

Mungo Enterprises s0 Sampler Module

Published on Feb 25, 2015 MungoEnterprises

"A demonstration of several uses for the Mungo Enterprises s0 sampler and sequencer module."

"Beyond audio this DC coupled sampling module finds uses for sequencing at longer time scales right through traditional sampling beyond to audio frequencies for PLLs or formant synthesis. Collecting a pair of diverse sampling functions into 12HP, both generic enough for multiple applications while separately maintaining focus around triggered playback and looping. Audio demos of the module recorded off the output without any processing: [here]"

Mungo System Demos - Mungo in Berlin with Navs

"Recordings of some of the modules from the Mungo range. More info: navsmodularlab.blogspot.de/2014/12/mungo-in-berlin.html"

"The demos are comprehensive but if you want more you can buy the album for the full, unedited recordings (17 tracks, 45+ mins)"

"John Pillans very kindly allowed me to spend some time with a case of his Mungo modules in October. I've finally got round to editing and uploading some of the recordings I made with these instruments"

See the full post on Navs here.

Subtle mungo g0d0 joy

Published on Sep 20, 2014 James Edgelake

"PP 1 pressure to g0 Freq mod
PP 2 presssure to d0 delay modulation B

choices Y out to g0 Width modulation
choices X out to d0 delay modulation chA

g0 in playback mode,
Mungo d0 set to feedback mode, output B in to in A and multed out to mixer left channel. g0 out to d0 input B and multed to mixer right channel. Stereo spread may not be audible in this handheld iPhone recording."

Mungo Pressure pointalism (made with Videoshop) #videoshop

Published on Sep 20, 2014 James Edgelake

g0d0 pressure choices 2 (made with Videoshop) #videoshop

mungo g0 free for all

Published on Sep 20, 2014 James Edgelake

Update:

g0d0 pressure mod choices (made with Videoshop) #videoshop

Mungo d0g0 gone wild

Published on Sep 4, 2014 James Edgelake

"Mungo d0 set to feedback mode, output B in to in A and multed out to mixer left channel. g0 out to d0 input B and multed to mixer right channel. Stereo wonders may not be audible in this handheld iPhone recording. Mungos modulated by pressure points, adsr jr, and Maths. Storage strip for zoom and preset switching."

Mungo Maths
"Mungo d0 set to feedback mode, output B in to in A and multed out to mixer left channel. g0 out to d0 input B and multed to mixer right channel. Stereo wonders may not be audible in this handheld iPhone recording. Mungos modulated by pressure points, adsr jr, and Maths. Storage strip for zoom and preset switching."

g0 & storage strip wonders
"Mungo d0 set to feedback mode, output B in to in A and multed out to mixer left channel. g0 out to d0 input B and multed to mixer right channel. Stereo wonders may not be audible in this handheld iPhone recording. Mungos modulated by pressure points, adsr jr, and Maths. Storage strip for zoom and preset switching."

d0g0 mungo dislikes the ABnormal
"Mungo d0 set to feedback mode, output B in to in A and multed out to mixer left channel. g0 out to d0 input B and multed to mixer right channel. Stereo wonders may not be audible in this handheld iPhone recording. Mungos modulated by pressure points, adsr jr, and Maths. Storage strip for zoom and preset switching."

Grayscale Algorhythm-Binary-Reticulating Rhythms Patch

Grayscale Algorhythm-Binary-Reticulating Rhythms Patch from Richard Devine on Vimeo.

"This patch was derived from the 'Endless Random patch' from the 'Algorhythm' manual. The main clock source was the Delptronics 'Trigger' man, taking output 1 and sending into the clock input on the first Algorhythm (left side). I then set the mode for each of the 'Algorhythm' modules to 'RAND', patching out from the clock output then into the next Algorhythm's clock input so that all three where synced to the same master clock.

The idea was to take the 8 pulse outputs and send them to other sequencers and dividers/multipliers to create morphing ever changing rhythms. The 'TriggerMan' sequencer has 8 different stored kick drum/gate patterns that would set the pulse times for all three Algorhythm modules. I wanted the clock time to always shift around, so I set one output from the Modcan Quad LFO in random stepped output into the CV control input on Trigger man (LFO 3). The Output 1 from Trigger man was split and sent to the 4ms Quad Clock Distributor input 'CLK IN' set as the master for all 4 other outputs. Second output was sent to the trigger input on Braids running in 'CLKN' mode for the synthetic hi-hats. CV output LFO 4 from the Modcan Quad LFO sent to the Division/Multi CV input on the QCD. The third output from the 4ms QCD was sent to the first LFO gate input and I then set the Quad LFO into 'Phase lock' mode which synchronizes the phase of all 4 LFOs waveforms but allows the frequency to be a division of the master LFO 1. LFO output 1 was sent to the Intellijel Shapeshifter pitch input. Output 2 was sent to the 1/volt input on the Qu-Bit Nebulæ. Output 4 was sent to the MakeNoise ErbVerb Decay control input. Output 3 stackable cable sent to the addac systems 101 .wave play into the CV loop size control input.

Output 1 from the first Algorhythm sent to the clock input on the Macro Machines storage strip, which is changing the preset snapshots of the Mungo d0 dual delay module. The 7th switch output Algorhythm number two (center) is pulsing the trigger input on the Snazzy Effects Ardcore, running custom 'Frac Drums' sketch. Dac output is being processed by the Mungo d0. The 7th switch output from Algorhythm number 1, (left side) clock input into the MakeNoise WoggleBug. Second output was sent to the trigger input on Braids running in 'CLKN' mode for the synthetic hi-hats. Kick drum was triggered by the second output on Trigger man to the Tiptop BD 808. Second switched output from Algorhythm number 2 (middle position), sent to the strike input on the MakeNoise Mysteron, creating the sporadic metallic delay percussion sounds. Output switch 3 from the first Algorhythm sent to the 'Next' sample file on the Qu-Bit Nebulæ. Switching through 8 different sample loops of processed fragments of sounds created in Reaktor. The switch output 2 from the third Algorhythm sent to the strike input on the MakeNoise Optomix, signal fed in from the output of the Shapeshifter then sent to the Audio Damage Freq Shifter, slow slight modulation from one Intellijel Dixie into the Shift input. Then finally sent to input 4 on the Submix7 mixer. Stepped output into right side 'exp' input on the MakeNoise DPO then sent to bottom input on the Optomix from the final output, being striked by the random clock burst out. This output is then being sent through the MakeNoise Phonogene, where the 'Rec' input is being triggered by output 4 from the QCD, and the Gene Size input control modulated by the stepped output from the WoggleBug.

The main sound source for broken drums coming from the addac systems 101.wave player. For this I saved 10 versions of the same loop, and did slightly different processing to each loop. I then went into each loop and inserted silence in different sections to create more broken patterns and playback. Drum loops 3, 6, and 8 had heavy delay feedback processing to breakup the repetitions with bursts of delay feedback effects throughout the rhythmic sequences. The output was split into two sources. One output was sent to a Intellijel HexVCA being erratically controlled by the envelope follower output on the .wav player. The VCA on the ADDAC player was also being controlled by the stepped random out on the Wogglebug. The output was then sent into the Eventide Space reverb pedal for the random throws into reverb. The other output was sent into the second input on the SubMix7 mixer as the clean unprocessed channel. The white noise coming from the SSF Quantum Rainbow running into channel number 2 on the Intellijel HexVCA then being modulated by a intellijel Dixie, ZigZag output, running at slow rates, and then re-synced by the 8th switched output on the Algorhythm. The left side Binary module was clocked by the output one stackable cable from the 4ms QCD. Logic output was then sent to the Chaos input on the Wogglebug interjecting random in time clusters of pulses.

http://grayscale.info/modules/"

via Richard Devine on The MATRIXSYNTH Lounge

Ultra Metric

Ultra Metric from Joseph Fraioli on Vimeo.

"A patch exploring three new modules, the SSF Ultra Random Analog, Qu-Bit Electronix RT60 and Macro Machines Storage Strip.

SSF Ultra Random Analog (URA):
The URA is the main clock source by way of random pulse output. the pulse density is being modulated via the Synth Tech e350 in LFO mode for more sporadic gestures and events. The Pulse out is also simultaneously dictating the pitch of the two sound sources - the Make Noise DPO and Cylonix Shapeshifter. Additionally, the sound source for metallic hi hat thats comes in mid way are from the URA as well. this is achieved by running an osc into a sample input (in this case a Hertz Donut MKII into sample input b) and outputting via the toggle output. This feature is very useful for creating analog bit crushed timbres as well as FMed analog bit crushing type sounds when using both sample inputs. for further sculpting, a synced and attenuated LFO (Modern Quad LFO) is going into the clock cv input which creates a filter of sorts to the hi hat sound. this is then put through the Flame FX6 reverb.

Qu-Bit Electronix RT60:
The RT60 is the main reverb source you can hear on the DPO LPG plucks in the patch, additionally it is the source of the flanger, chorus, pitch delay and tremolo whose parameters are being modulated by the Synth Tech e355. the presets are being stepped through via the SSF URA, with the same trigger that is sequencing the oscillators pitch. The RT60 has 7 sequence modes for switching between effects, in this patch i am using mode 1 (top to bottom)

Macro Machines Storage Strip:
Here i created 16 different presets for the Mungo d0 who's delay times are somewhat in tune with the overall piece. the presets are sequenced in random mode via the SSF URA random pulse output. various slew settings on the d0 causes interesting artifacts between delay settings when being sequenced.

Performance notes:
To create the effects throws and gated effects gestures i set up an aux/send system that i can control in the performance via make noise pressure points outputs. going straight into a VCA with the effect on the audio input for gated effects as well as instances with an envelope for one shots with decay trails. pressure amount also determines how the effects are performed - swells, volume etc.

Pressure Points pressure out channel 1 - DPO/Optomix through Qu-Bit RT60 as a gated effects send.
Pressure Points pressure out channel 2 - DPO/Optomix though the Modern Dual Delay as an effects send for throws.
Pressure Points pressure out channel 3 - Cyclonix Shapeshifter though the Mungo d0 and Macro Machines Storage Strip set up as a gated effects send.
Pressure Points pressure out channel 4 - Cylonix Shapeshifter though the Tiptop Zdsp set up as an effects send for throws.

Ambient melody is the Qu-Bit Electronix Nebulae playing an original piano recording in loop mode through the Make Noise Echophon and MMG."

via Joseph Fraioli on The MATRIXSYNTH Lounge