Joseph Fraioli - Waveguiding | Circadian Rhythms | DRONE RES4

Waveguiding from Joseph Fraioli on Vimeo.

"no computers or external hardware were used in this performance :)

patch basics:

kick: tiptop audio circadian rhythms (CR) channel 1, blue lantern asteroid BDv4 (CR is in 1x64 step mode)

snare: CR channel 2, cylonix cyclebox v2 with expo maths envelope into intellijel hex vca.

hi hat: CR channel 3. noise engineering basilicas iterus.

karplus strong style bass: make noise mysteron triggered by the intellijel metropolis which is synced the to the CR clock out. output is then multed into a vca channel and opened by the sound machines light plane then fed into the make noise erbe verb. the light plane has two recorded gates that open the vca to the erbe verb...

plucked melody: mutable instruments braids PLUK being sequenced by channel 4 of the CR and pitch sequenced by the tiptop z8000 through the intellijel uscale then processed through the tiptop z-dsp. modulation to braids parameters coming from the modcan quad lfo.

bass chords: sound source is the cyclonic shapeshifter in chord mode (5ths) and overdrive at 99 on the BiPuls waveform. this is then fed into the cwejman MMF-1 in low pass and manually adjusted throughout. additionally there is amplitude modulation by way of modcan quad LFO into a VCA. this sound is being sequenced by the divide output of the metropolis into two pressure points.

chord harmony: this is the intellijel rubicon through the serge resonant eq and modcan dual phaser and qu-bit RT60.
this sound is also being sequenced by the divide output of the metropolis into two pressure points. though this time a separate row to create the harmonies. amplitude modulation here is also coming form the modcan quad lfo into a vca.

end sub kick: CR channel 8 triggering the tiptop BD808.

end claps: CR channel 6 trigging the hex inverter mutant clap through the flame fx6."


Circadian Rhythms from Joseph Fraioli on Vimeo.

"a patch focused around the tiptop audio circadian rhythms (CR) as the heart of the system that provides the main clock source and triggers for events.

the programming was done on all 8 channels of the CR in 2x32 mode. fills are set to 16th note. mutes, fills and additional programming are performed on the fly.

no computers or external hardware were used in this performance :)

patch basics:

CR ch 1: main kick
sound source is the blue lantern BDv4 going through the modcan frequency shifter.

CR ch 2: snare
sound source is the make noise mysteryon who’s pitch is being modulated by the mod can quad lfo who’s synced to the CR main clock output. the output was split into a separate VCA who’s being opened by the sound machines light plane and sent to the mungo d0 with macro machines storage strip. the storage strip is being sequenced by the CR main clock output.

CR ch 3: closed hat
sound source here is the SSF quantum rainbow blue noise.

CR ch 4: open hat
sound source is the SSF quantum rainbow white noise though the intellijel µfold and then a bit of delay from the synth tech e580.

CR ch 5: glass percussion as well as delayed bass and end melodic thing
glass percussion sound source is the noise engineering BI. pitch modulation from the tiptop z8000. delayed bass is an intellijel dixie square run through the cwejman res-4 and.end melodic thing is the harvestman piston honda MKII.

CR ch 6: chord bursts
this is the intellijel/cylonix shapeshifter in sequence mode then run thorough the qu-bit electronic RT60 reverb.

CR ch 7: tonal accents
sound source is braids in meta mode. also being sequenced by the CR and pith modulated by the tiptop z8000.

CR ch 8: sub kick
sound source is the tiptop audio BD808.

acidy bass: trigger source for the acidy bass is the intellijel metropolis that is synced to the CR via the clock output. sound source is the intellijel rubicon thats being FMed by a DIXIE sine, then put through the cwejman MMF1 in low pass.

tonal drones: trigger source here is the divided output of the intellijel metropolis into two make noise pressure points that have been micro tonally tuned. the sound sources here are synth tech e350 and make noise DPO that share a common mutable instruments peaks ADSR. the sounds are then processed through the serge resonant equalizer and tiptop audio zdsp with halls of valhalla reverb card.

hi plucked melody in mid section: this is the qu bit nebulae playing back a sample of mutable instruments braids in PLUK mode playing a melody sequenced on metropolis then fed to the mungo d0. the nebulae is then processed through flame FX6 reverb."


DRONE RES4 from Joseph Fraioli on Vimeo.

"a drone patch focused around the cwejman RES-4.

main sound source is the verbos harmonic oscillator. the main sine out is fed into the RES-4. RES-4 bandpass out is dry while the notch out is going through the tiptop audio ZDSP with the halls of valhalla reverb card. modulation of various parameters for both the RES4 and harmonic oscillator are coming from the modcan quad LFO. pitch changes are coming from the SSF ultra random analog triggering the tiptop z8000 sequencer. the voltage shifts from the z8000 are changing the peak positions on the RES-4 via the cv inputs resulting in a melodic pattern.

sweeping sound design elements and swells coming from the make noise mysteryon which is then fed through the Cweman MMF-1, mungo D0 with macro machines storage strip and make noise erbe verb. stereo out is then fed into the WMD SSM to be used as a muting matrix. modulation sources are from the modcan quad lfo, synth tech e355 and livewire chaos computer. additional modulation to the MMF-1 and D0 are coming from both the make noise wogglebug and doepfer a-147.

percussive element source is the delphtronics triggerman triggering the make noise DPO final output on an optomix channel, this is then sent to the modcan dual delay in dual tap mode and following that the qu-bit RT60 reverb.

no computers or external hardware were used in this performance :)"