Dark Corridors - Modular Patch

Dark Corridors - Modular Patch from Richard Devine on Vimeo.

"This patch was built entirely around the Delptronics Trigger Man which is a unique trigger/gate sequencer module with a 8HP format. The idea was to take 8 different patterns consisting of 8 steps for each of the 8 outputs. Then run the trigger man in pattern play mode using the VC input to determine the currently playing pattern. The 8 patterns where programmed to flow into each other in sort of a quasi random string. Output one was sent to the Tiptop BD-808 kick drum. Channel 2 was sent to the Snazzy FX Ardcore triggering one custom snare sound created with a NordLead 2X, these sounds where imported into the "fac drums" Arduino sketch. This output was then ran into the Synthrotex Eko to provide flowing delay slap back effect to the snare sound. Channel three output was sent to the first channel of the 4ms QCD, running at the 6th knob position in divide mode, then sent to the trigger input on the Mutable Instruments Braids VCO running in "CLKN" mode using the "PIK" envelope setting to create a very short synthetic hi-hat sound. Channel 4 was sent to the external clock input on the MakeNoise WoggleBug which then triggered out the stepped random sequence into the 1volt into the intellijel shapeshifter, and also splitting the signal using stackable cable to the Macro Machines "Storage Strip" module that was controlling the program step modes to the Mungo d0 delay module. Input to the Mungo d0 was from the "DAC" output 2 from the Ardcore. Channel 5 was ran into the "Sync" input on channel one of the Modcan Dual delay. Another stackable cable going from channel 5 went into the 4ms SCM clock input. The drones are created using two sine outputs from the MakeNoise DPO. Sine output one is running into one MakeNoise Optomix with a slow rate LFO (intellijel Dixie) controlling the damping/contrl settings. This output is then sent into the Tiptop Z-DSP running the new Halls of Valhalla cartridge. The Reverb algorithm used in this patch is "Ginnungagap" for the atmospheric drones of the modulated FM sine waves. The second output from DPO is running into another Optomix with the another intellijel Dixie controlling the damping and CV-control settings, but with slower rate times. The output from this was then sent to the Strymon "Big Sky" reverb pedal running in "Chorale" mode for the vocal like resonant drones. Other sound sources used are the Intellijel Shapeshiter for the high end DSP-FM scatters, which is being triggered by the inverse out on the 4ms QCD expander. Next is the Modcan CV-Recorder playing back recorded noisy computer glitches being controlled by the Modcan Quad LFO which is being clocked by the channel one output on Trigger Man. The murky watery sounds came from the second Mutable instruments Braids oscillator running in "Cloud" mode into the channel input 1 of the Modcan Dual delay with lightly filtered position. The last sound source is the Qu-Bit Electronix Nebulae playing back a single shot 40 second sample in loop mode of sounds I created in a Reaktor patch. All signals routed into the Intellijel Mutamix and Steady State Fate- Mixmode. With 4 additional output being mixed into an Allen & Heath mixer. :-)"

via Richard Devine on The MATRIXSYNTH Lounge

WMD Sequential Switch Matrix Effects Routing

WMD Sequential Switch Matrix Effects Routing from Joseph Fraioli on Vimeo.

"Using the WMD Sequential Switch Matrix as an effects routing matrix. The four outputs of the SSM are routed to four different effects chains. Slow sequences route the four different inputs to different combinations of effects in the outputs.

SSM ins:
1: Intellijel/Cylonix Shapeshifter
2: Mutable Instruments Braids
3: TipTop Audio BD808
4: Q-Bit Electronix Nebulae (one shot mode - 5 channels of samples are being triggered)

SSM outs
1: Modcan dual delay
2: TipTop Audio Zdsp Dragonfly Delay with Modcan Dual Frequency Shifter in the Feedback path
3: Flame FX6
4: Mungo g0 > Modcan Dual Phaser

Drone - The Harvestman Piston Honda MKII and Hertz Donut MKII > Serge Resonant Equalizer > Make Noise Echophon > Cwejman MMF1 > Eventide H8000FW reverb."

via Joseph Fraioli on The MATRIXSYNTH Lounge

Mungo Enterprises r0 Reverb Model

Published on Jan 8, 2014 MungoEnterprises·27 videos

"A short demonstration of the Mungo Enterprises r0 Reverb Model eurorack module exploring its wide ranged controls."

mungod0

Published on Dec 22, 2013 dofkev·5 videos

"video of the mungo d0 delay module"

Bostich+Fussible Presents: Nortec Ensemble with the UABC Symphonic Student Orchestra

Published on Dec 11, 2013 Pepe Mogt·116 videos

The big red button is the Mungo Sync. Watch this one from beginning to end. It's pretty awesome. You might also want to go full screen.

Video description:

"The Clap" by Bostich+Fussible

Director:
Álvaro Díaz Rodríguez

Arrangements by:
Luis E. Salazar Marquez

Electronics:
Ramón Amezcua y Pepe Mogt

Music by:
Pepe Mogt

Video editing and color by:
Ernesto Aello

Cámara 1:
Jacques Hasson

Cámara 2:
Don Trini

Cámara 3:
Ernesto Aello

Recorded with the students from UABC Ensenada University at Teatro Universitario Benito Juárez on november 7 2013.

Production by Mil Records and 2HeartMonster™

"The Clap" Publishing by Canciones Nacionales

© 2013

Mungo Enterprises n0 noise module

Published on Dec 5, 2013 MungoEnterprises·28 videos

"Exploring the oscillator, sample and hold, and noise features of the n0 module"

Mungo Enterprises w0 Arbitrary Oscillator & g0 Loop Sampling

Published on Dec 4, 2013

"Overview of the w0 arbitrary wave oscillator"

Mungo Enterprises g0 Loop Sampling
Published on Dec 4, 2013

"example of locking a sample in the g0 to an LFO"

MacroMachines - Karplus Web

MacroMachines - Karplus Web from Richard Devine on Vimeo.

"Late night patch experiment using the new MacroMachines Memory manager expander for the Mungo d0 module. Noise snare source made with the noise engineering ataraxic translatron module that was running into the top section of a Optomix. The setting was set to a closed decay time and I set the dampen control clockwise to cut out the low end frequencies. From there I set the memory manager in sequence to clock at half the time of the main sequence tempo. I purposely set nothing to control the delay modulation inputs on the d0 for inputs A and B, so that we only hear the delay line open and just changing the slew rate times and feedback intensity caused some interesting feedback swells. The output signal was then ran into another Optomix bottom row then set it to a medium decay time so could ring out in more of controlled manner.

Other modules used was the ALM Pamela's workout doing the tricky high hat pattern and kick drum via Tiptop BD 808. Scattered melodic notes dashed in reverb from the Mutable Instruments Braids running in WXT4 mode, and then being ran through an optomix for extra closed fast envelope control. The intellijel µScale was used for the subtly modulated plucks in conjunction with the Dixie and another Optomix. Trigger output from Pamela's workout to a 8th division sequence with 9% random value. This was sent into the Uscale A trigger input. Then I took the VCO output on the Wogglebug which caused this super fast zigzag effect on "shift" input B . I took the output to a intellijel Dixie which was set to the FM input, for a marble scrambling type of sound. All outputs ran into one Intelljel Mutagen mixer running in my new Enclave 12U case. Reverb from the Eventide Space pedal.

http://www.macromachines.net/"

via Richard Devine on The MATRIXSYNTH Lounge

Mungo Enterprises p0 percussion module

Published on Nov 2, 2013 MungoEnterprises·23 videos

"Brief overview of the controls of the p0 percussion module"

"Vactrol Drift" patch - SSF -Positronic Transient Gate /Propagate

"Vactrol Drift" patch - SSF -Positronic Transient Gate /Propagate from Richard Devine on Vimeo.

"First recorded patch using the new setup, and first patch experiment using the SSF Steady State Propagate and Positronic Transient Gate modules. The patch also includes some modules from my Enclave 12U case which is sitting on the floor as my camera lens isn't wide enough to capture everything. Everything clocked from one MakeNoise Wogglebug using the clocked/chaotic burst outputs. Tempo set very low for mid tempo pace of the rhythms. The clocked out is running into the seed input via the Animatter Brain seed, running trigger out to the Mungo g0 Depth Modulation input. The width and frequency modulation inputs controlled by the stepped output on the Wogglebug. Reset input on the g0 is being set by the Wogglebug clocked output. The waveform sequence is some percussion samples created on the Nord G2 modular synthesizer. Mult gate out to one Makenoise optomix, white noise hi-hats from the blue lantern noise generator "whitenoise" output. Kick drum trigger from the Cwejman BLD multi connection point via the Makenoise Brains clock master from the Wogglebug. Additional clock sent to the TipTop trigger riot. Then programming one channel output with high random probability to one input on the Propagate. Second input down from a mult connection point via the MakeNoise Wogglebug gate out. Creating counter back and forth pulses to Tiptop Z8000 sequencer. Summed output taken from the Propagate running into the PTG in low pass gate percussive setting. PTG running plucking one self resonating pitch of the Intellijel Korgasmatron (sine drop sfx). Wavetable morphing via the Synthesis Technology morphing terrarium, running into the Harvestman Double Andore, triggered by the gate burst input from the Woggle bug. Random white noises scatters courtesy of the Modcan CV recorder. CV controlled by the stepped and Smooth CV output on the Wogglebug. Output taken through the MakeNoise Phonogene for added glitches to signal. The mixed sum of all voices into a intellijel mutagen mixer. Outputs A going through Eventide Space, on patch setting 22 "Corridors". Output section C running into the Red Panda Particle Pedal, adding in more granular glitches and processing done by hand in real-time. Going into pure Red Panda granular processing at the end."

http://www.steadystatefate.com/positronic-transient-gate

http://www.steadystatefate.com/propagate

via Richard Devine on The MATRIXSYNTH Lounge

Mungo d0 Delay Demo

"Sounds of the Mungo Enterprises d0 dual channel delay module. More info:

navsmodularlab.blogspot.de/2013/10/mungo-d0-delay-demo.html"

Broken Delay - d0 CV Disturbances Patch

Broken Delay - d0 CV Disturbances Patch from Richard Devine on Vimeo.

"Second patch using the karplus strong feedback setting with the Mungo d0 dual channel delay. This time taking both sine outputs and one from the final output from the MakeNoise DPO (only sound source). One sine was running into the d0 delay line A, and the other into B. The clocking source was the MakeNoise wogglebug, using clocked and gate bursts out to create random gestures and clusters. The wooglebug clock was then sent to a mult which was then clocked to the 4ms SCM input, shifted and rotated, to skew the timing even more for dotted tails and decays. Both sine outputs ran into the Optomix, strike input via the S5 output on the 4ms SCM. The changes in delay time A/B from the random stepped output from the wogglebug. This is the second experiment using the d0 as the main processing source, which can generate some very interesting broken glitchy iterations in the feedback path. The entire mix was ran into a Eventide space pedal for light reverb effect.

http://mungo.com.au/d0.html"

via Richard Devine on The MATRIXSYNTH Lounge

New Grayscale Custom Eurorack Modules on Pre-Order

Grayscale.info has a new set of panels up for preorder, ending September 30. This run includes most of the Make Noise lineup, the Further Generator, Mungo g0 and d0, and a few Cwejman modules as well.  Click through above for more details.

Mungo d0 dual channel delay - CV Glitch feedback patch

Mungo d0 dual channel delay - CV Glitch feedback patch from Richard Devine on Vimeo.

"Zigzag karplus strong feedback percussion patch made with the Mungo d0 dual channel delay. Clocking sources MakeNoise wogglebug, using clocked and noise bursts outs. Muti clock to the 4ms SCM input, shifted and rotated. Noise sources are one single sine wave running into one channel on the Optomix, strike input via the S5 output on the 4ms SCM. This plucked sine wave is then being processed through the Mungo d0 delay. Gate burst out into the clocked input on the d0, creating broken glitchy iterations in the feedback path.

http://mungo.com.au/d0.html"

And a pic of the system via Richard Devine on The MATRIXSYNTH Lounge

"Enclave 12U live case is ready for lift off."

Mungo g0 Granular Sampling Eurorack Module

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Superb sounding and super fun for doing granular style sampling/synthesis. Comes with the Zoom expander panel for more features. Also included are the power cable, 2gb sd card and mounting screws..."

CLICK FOR MORE »

Mungo d0 Dual Channel Delay + Zoom Kit

Note: Auction links are affiliate links for which the site may be compensated.

via this auction - learn how to sell on eBay here.


"A classically laid out dual channel delay hides the seamless analog/digital crossover characteristics of the 0 modules. The slew rate limiter can take instantaneous jumps of delay and drag them out into sweeps as in tape delays, or leave the full bandwidth inputs to freely index time. Tracking v/octave CVs, clocks, pitch, or MIDI brings a world of new possibilities for tuned delays in physical modelling and tempo tracking at arbitrary ratios. Further to the features targeting tuned application its latency compensation will account for any modules patched into its output..."

CLICK FOR MORE »

Mungo Enterprises v0 spectral processing

Published on Jul 21, 2013 MungoEnterprises·22 videos

"Reversing the typical analysis/synthesis order to show off some alternative uses of fine band vocoding."

Mungo Enterprises v0 Vocoder Voiced/Unvoiced

Published on Jul 14, 2013 MungoEnterprises·21 videos

"Demonstration of the residual output of the v0 eurorack module, for use in creating voiced/unvoiced switching of a noise source to increase the intelligibility of the result with voice sounds."

Mungo Enterprises d0 Phase shifting

Published on Jun 14, 2013 MungoEnterprises·20 videos

"Demonstration of the phase shifting capabilities of the d0 eurorack module, applicable to CV and LFOs as much as audio."

TR3A - MakeNoise - Mungo g0 - Beat Mutations Patch

TR3A - MakeNoise - Mungo g0 - Beat Mutations Patch from Richard Devine on Vimeo.

"Modular patch inspired by Gescom's 'TR2A' track off the ISS:SA EP on Skam Records 2013. The patch is being clocked via the MakeNoise Woggle Bug (clocked out) running into the Brain Seed cycle input. Seed and Trigger gate pulses sent to the 4ms SCM. The SCM is running into two MakeNoise Optomix's and Phonogene record CV input function. DPO working as a analog kick drum, and the Mungo g0 is triggering a set of sample based tones that where created in the computer. Maths channels 1 and 4 modulating the linear FM inputs on the DPO. The patch is a experiment trying to create a regenerative sequencer that outputs endless never repeating rhythmic combinations."

via Richard Devine on The MATRIXSYNTH Lounge