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Thursday, August 22, 2013

KORG Volca Bass as Synth Expander Video


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New Firmware Available for Sequential Max Users

This one in via Plutoniq9:

"*I'm reposting this from the sequential yahoogroup for AH'ers. It was a fascinating project to work with Bob on. He truly is a master of the art! What i think is fantastic is that this project has taken a very "crippled" SCI instrument with limited use and turned it into a synth that has mass potential now. It has been a long process and I applaud Bob for taking the initiative and devoting a lot of his free time to make this possible. Without his efforts this would have probably never been realized.;

In addition to what is listed below, we were able to identify and fix a major bug in the Max having to do with enabling velocity and simultaneous midi cc control.

Also, I have performed this mod alongside Bob (there were a few revision), and I can vouch that it is flawlessly implemented and feels like a whole new instrument to work with.

---------------------------------------------------------------------------------------------------------------------

Attn Sequential Max owners: With ideas and encouragement from Ryan Palmer
>(AKA Plutoniq9), I have developed a new version of
the Max firmware which has the following features:

1) 100 downloadable programs (Max had 20 that could be downloaded)
2) Storage for ~3200 notes in two songs (Max could store about 500)
3) Unison mode (Max did not support Unison mode)
4) Battery-backed storage of downloadable programs and songs
5) MIDI chan and a few other parameters are also non-volatile
6) Three sets of programs in EPROM, loadable on request:
a) Max orig 80 programs plus Six Trak Unison programs
b) Six Trak orig 100 programs
c) Multitrak orig 100 programs, without chorus and velocity sens parameters
7) Current voice parameters, including any CC changes, can be stored in program
#99
8) Program #99 can be copied to any other program.

[One quick follow up.

7) & 8) listed below addresses the Max's limited patch creation abilities. Now, using any standard midi cc controller you can create & save onboard any patches you create without the use of a computer. Prior, patch creation could be done only by a sysex sound dump TO the max (which of course would be lost once you switched off the unit). The max always had cc parameter support, however any changes to the current patch made via CC's would not be reflected when you sent a sysex sound dump to the Midi out. Shitty huh?]

9) MIDI receive buffer increased from 64 bytes to 128 bytes

[doubles the midi receive buffer from 64-bytes to 128-bytes. It doesn't sound like much, but it enables a ton more simultaneous cc control messages to be sent to the max without choking it up. Previously, more than four cc messages sent to the max while sending midi note data would lock up the voices. Also with unison now able to be enabled, that number dropped down to one! With the larger midi buffer, I haven't yet been able to lock it up in either poly or unison mode (I tried 5-6 simultaneous cc's in unison with no problem).]

To support these features, the memory chips in the Max need to be upgraded.
This requires good soldering skills. Chips need to be removed from the board, a
few traces must be cut, and a few wires need to be added.

The following parts are needed:

27C256 (new code EPROM, Flash memory chip can also be used)
32Kx8 NVRAM DS1230Y-150+ (installed in place of U12)
24-pin machined pin IC socket for NVRAM
28-pin IC socket for EPROM
Two BAT48 Schottky diodes
1K 1/4W resistor
>
>If anyone is interested in trying this mod in their Max,
>please contact me and I will provide more information and instructions. If
there is enough interest, I can make a small PC bd which will simplify the mod,
but add about $10 to the cost.
>
>I am not selling anything, except possibly the pc boards, but will help anyone
who is interested and has the necessary skills to perform the mod.
>
>Bob Grieb
>"

Update: additional details in this post.

ARP AXXE Analog Synthesizer 1977 | HD DEMO

Published on Aug 22, 2013 AnalogAudio1·116 videos

"(c) 2013 by AnalogAudio1

I played the ARP Axxe with reverb effects from a Lexicon MPX-500 and delay effects from a Roland DEP-5.

The ARP Axxe is a monophonic synthesizer. It came out 1977 and was the competitor of the Micromoog. It is a cutdown version of the ARP Odyssey."

Studio Electronics Boomstar 4075 SN 10059

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Noisebug (RSS)

"Monophonic analog synthesizer with flexible sound generation (2 VCOs, cross modulation, noise, ringmod) as well as overdrive and feedback. Loopable envelopes and a MIDI-syncable LFO are there for modulation duties. Patch sockets for contol voltages enable interfacing e.g. with a modular synth.

The synth is capable of many sounds, from mighty leadsm thick basses, crazy FM sounds to cutting sync sounds. The version 4075 is equipped with a really good sounding ARP 2600 lowpass filter.

VCO1 has a six-position octave switch (from LO to 2´), sync, pulse width modualtion and a sub-oscillator. Up to two wave forms can be mixed with the wave-mix switches: triangle/sawtooth or sine/pulse. VCO2 can be removed from the keybaord tracking, has six octave ranges, switchable wave forms (saw, triangle and pulse), a detune control and a control for modulation intensity with Env1 or Env2 as selectable modulation source. Cross modulation of VCO2 to pulse width or frequency of VCO1 is available, too.

The oscillators, the ring modulator and the noise are mixed in the mixer section at the bottom where you´ll find also the lovely feedback control and en external audio input.

The filter is a resonent ARP 2600 low pass filter with keyboard tracking (0%, 50% or 100%). Besides the modulation intensity control for Env1 there´s also a modulation control for VCO2 or the LFO as source.

The first ADSR type envelope is assigned to the filter. It can be inverted and even looped. The second ADSR also offers an inverting function, additionally triggering by the LFO and different keyboard trigger modes. In the DRONE position of the master switch the VCA stays opened what makes filtering external sounds possible without constantly pressing a key.

The LFO can be synched to the MIDI clock if desired, offers nine wave forms and can e assigned to the pulse widths or frequencies of the VCOs.

The VCA is being modulated by the 2nd envelope, has a volume control and two overdrive modes. in the lowest section left of the mixer you´ll find additional tiny controls for main tune, pitch bend intensity, glide time, dynamics and modulation intensity of Env1 to VCO1´s PWM."

Mode Machines x0x-Rack

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Perfect Circuit Audio (RSS)

Roland Juno 106 Analog Poly Synth

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Korg Delta DL-50 SN 283211

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abertronix (RSS)

Vintage Synth ARP OMNI Promotional Brochure w/ Sample Record

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Waldorf Rocket Monophonic Synthesizer - w/ Analog Filter, MIDI & Arpeggiator

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via this auction

Click the pic and zoom for the supersize shot.

Roland Jupiter-6 Analog Synthesizer SN 303843 or 353843

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"Roland Jupiter-6 Analog Synthesizer in excellent condition with only very minor wear from normal play. Includes manual on CD, power cable and Gator Hard Case.

The Jupiter-6 is an incredible analog synth. All of the Jupiters have a sound that was unlike any other synthesizer and the Jup 6 is no exception. This sound is due in part to classic analog Roland technology in its filters, modulation capabilities and a thick cluster of 12 analog oscillators at 2 per voice. Easy and intuitive programming via front panel sliders, knobs and buttons for all your tweaking needs.

The Jup 6 is a scaled down version of the Jup 8 in terms of programming and polyphony. However the Jup 6 has some major improvements of its own such as newly added MIDI control and better tuning stability! While the Jup 6 does have MIDI, the implementation is very rudimentary and hard to control..."

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